ISBN: 1236043820

[EAN: 9781236043825], Neubuch, [PU: RareBooksClub], ARTHUR WESLEY DOW,WORLD,DREAMS,CHANNELING,I CHING,PROPHECY, This item is printed on demand. Paperback. 24 pages. Dimensions: 9.7in. x 7… Mehr…

[EAN: 9781236043825], Neubuch, [PU: RareBooksClub], ARTHUR WESLEY DOW,WORLD,DREAMS,CHANNELING,I CHING,PROPHECY, This item is printed on demand. Paperback. 24 pages. Dimensions: 9.7in. x 7.4in. x 0.1in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 Excerpt: . . . of this exercise is so to develop his appreciation that he may be able to tell the difference between the good, the commonplace, and the ugly. His only guides must be his own innate taste, and his instructors experience. NOTAN IX Japanese design for ramma (frieze) Fret-saw work FLOWER COMPOSITIONS TWO VALUES Flowers, having great variety of line and proportion, are valuable, as well as convenient subjects for elementary composition. Their forms and colors have furnished themes for painters and sculptors since the beginning of Art, and the treatment has ranged from abstrac-tions to extreme realism; from refine-ments of lotus-derived friezes to poppy and rose wall papers of the present time. In the exercise here suggested, there is no intention of making a design to apply to anything as decoration, hence there need be no question as to the amount of natures truth to be introduced. The flower may be rendered realistically, as in some Japanese design, or reduced to an abstraction as in the Greek, with-out in the least affecting the purpose in view, namely, the setting of floral lines into a space in a fine way--forming a line-scheme on which may be played many notan-variations. It is essential that the space should be cut by the main lines. (Subordination, page 23. ) A small spray in the middle of a big oblong, or disconnected groups of flowers, cannot be called compositions; all the lines and areas must be related one to another by connections and placings, so as to form a beautiful whole. Not a picture of a flower is sought, --that can be left to the botanist--but rather an irregular pattern of lines and spaces, something far beyond the mere drawing of a flower from nature, and laying an oblong over it, or vice versa. EXERCISE The instructor cho. . . This item ships from La Vergne,TN.<

2012, ISBN: 1236043820

[EAN: 9781236043825], Nieuw boek, [SC: 1.11], [PU: Rarebooksclub.com, United States], Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous t… Mehr…

[EAN: 9781236043825], Nieuw boek, [SC: 1.11], [PU: Rarebooksclub.com, United States], Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 Excerpt: .of this exercise is so to develop his appreciation that he may be able to tell the difference between the good, the commonplace, and the ugly. His only guides must be his own innate taste, and his instructor s experience. NOTAN IX Japanese design for ramma (frieze) Fret-saw work FLOWER COMPOSITIONS TWO VALUES Flowers, having great variety of line and proportion, are valuable, as well as convenient subjects for elementary composition. Their forms and colors have furnished themes for painters and sculptors since the beginning of Art, and the treatment has ranged from abstrac-tions to extreme realism; from refine-ments of lotus-derived friezes to poppy and rose wall papers of the present time. In the exercise here suggested, there is no intention of making a design to apply to anything as decoration, hence there need be no question as to the amount of nature s truth to be introduced. The flower may be rendered realistically, as in some Japanese design, or reduced to an abstraction as in the Greek, with-out in the least affecting the purpose in view, namely, the setting of floral lines into a space in a fine way--forming a line-scheme on which may be played many notan-variations. It is essential that the space should be cut by the main lines. (Subordination, page 23.) A small spray in the middle of a big oblong, or disconnected groups of flowers, cannot be called compositions; all the lines and areas must be related one to another by connections and placings, so as to form a beautiful whole. Not a picture of a flower is sought, --that can be left to the botanist--but rather an irregular pattern of lines and spaces, something far beyond the mere drawing of a flower from nature, and laying an oblong over it, or vice versa. EXERCISE The instructor cho.<

2012, ISBN: 1236043820

[EAN: 9781236043825], Neubuch, [PU: Rarebooksclub.com, United States], Language: English . Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missi… Mehr…

[EAN: 9781236043825], Neubuch, [PU: Rarebooksclub.com, United States], Language: English . Brand New Book ***** Print on Demand *****. This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 Excerpt: .of this exercise is so to develop his appreciation that he may be able to tell the difference between the good, the commonplace, and the ugly. His only guides must be his own innate taste, and his instructor s experience. NOTAN IX Japanese design for ramma (frieze) Fret-saw work FLOWER COMPOSITIONS TWO VALUES Flowers, having great variety of line and proportion, are valuable, as well as convenient subjects for elementary composition. Their forms and colors have furnished themes for painters and sculptors since the beginning of Art, and the treatment has ranged from abstrac-tions to extreme realism; from refine-ments of lotus-derived friezes to poppy and rose wall papers of the present time. In the exercise here suggested, there is no intention of making a design to apply to anything as decoration, hence there need be no question as to the amount of nature s truth to be introduced. The flower may be rendered realistically, as in some Japanese design, or reduced to an abstraction as in the Greek, with-out in the least affecting the purpose in view, namely, the setting of floral lines into a space in a fine way--forming a line-scheme on which may be played many notan-variations. It is essential that the space should be cut by the main lines. (Subordination, page 23.) A small spray in the middle of a big oblong, or disconnected groups of flowers, cannot be called compositions; all the lines and areas must be related one to another by connections and placings, so as to form a beautiful whole. Not a picture of a flower is sought, --that can be left to the botanist--but rather an irregular pattern of lines and spaces, something far beyond the mere drawing of a flower from nature, and laying an oblong over it, or vice versa. EXERCISE The instructor cho.<

2012, ISBN: 1236043820

[EAN: 9781236043825], Neubuch, [PU: Rarebooksclub.com, United States], Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missin… Mehr…

[EAN: 9781236043825], Neubuch, [PU: Rarebooksclub.com, United States], Language: English . Brand New Book ***** Print on Demand *****.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 Excerpt: .of this exercise is so to develop his appreciation that he may be able to tell the difference between the good, the commonplace, and the ugly. His only guides must be his own innate taste, and his instructor s experience. NOTAN IX Japanese design for ramma (frieze) Fret-saw work FLOWER COMPOSITIONS TWO VALUES Flowers, having great variety of line and proportion, are valuable, as well as convenient subjects for elementary composition. Their forms and colors have furnished themes for painters and sculptors since the beginning of Art, and the treatment has ranged from abstrac-tions to extreme realism; from refine-ments of lotus-derived friezes to poppy and rose wall papers of the present time. In the exercise here suggested, there is no intention of making a design to apply to anything as decoration, hence there need be no question as to the amount of nature s truth to be introduced. The flower may be rendered realistically, as in some Japanese design, or reduced to an abstraction as in the Greek, with-out in the least affecting the purpose in view, namely, the setting of floral lines into a space in a fine way--forming a line-scheme on which may be played many notan-variations. It is essential that the space should be cut by the main lines. (Subordination, page 23.) A small spray in the middle of a big oblong, or disconnected groups of flowers, cannot be called compositions; all the lines and areas must be related one to another by connections and placings, so as to form a beautiful whole. Not a picture of a flower is sought, --that can be left to the botanist--but rather an irregular pattern of lines and spaces, something far beyond the mere drawing of a flower from nature, and laying an oblong over it, or vice versa. EXERCISE The instructor cho.<