Chopin, Frédéric, Franz Liszt (Editor):Fifty-six Mazurkas (A Kalmus Classic Edition)
- signiertes Exemplar 2008, ISBN: 9780757918186
Taschenbuch, Gebundene Ausgabe
einmal gefalteter Bogen, beidseitig bedruckt. Zustand: gut, mittige Faltspur des I. Städtischen Orchesters. Ausführende: Ursula Handrick ( Sopran ), Rolf Harzer, Kurt Maul, Eb… Mehr…
einmal gefalteter Bogen, beidseitig bedruckt. Zustand: gut, mittige Faltspur des I. Städtischen Orchesters. Ausführende: Ursula Handrick ( Sopran ), Rolf Harzer, Kurt Maul, Eberhard Schneider ( Violine ), Rudolf Pilz, Johannes Krompholz ( Viola ), Erwin Walda, Karin Gaedtke ( Violoncello ), Walter Bauer ( Kontrabaß ), Alfred Schulz, Alfred Hänig ( Flöte ), Wolfgang Nolden ( Oboe ), Gerhard Tittmann, Rudi Sonntag ( Klarinette ), Heinz Dietze ( Violine, Altsaxophon ), Kurt Klotz ( Fagott ), Gerhard Lichtenfeld ( Horn ), Johannes Gützold, Helfried Eichler ( Trompete ), Manfred Patzig ( Posaune ), Helmut Behr ( Pauken ), Rolf Junkel, Johannes Frohberg, Heinz Kühne ( Schlagzeug ), Gerhard Krebs ( Klavier ). Leitung und Klavier: Gert Bahner. Vortragsfolge: Franz Schubert: Der Hirt auf dem Felsen, op. 129 posth. Für Sopran, Klarinette und Klavier. Darius Milhaud: La creation du mond ( Die Erschaffung der Welt ), Ballettmusik für kleines Orchester. Felix Mendelssohn-Bartholdy: Oktett für Streicher, Es-Dur, op. 20 - Programm - Programmbuch - Theaterprogramm - Opernprogramm -, 0, Alfred Pub Co, 1970. Paperback. New. 48 pages. 11.50x8.75x0.20 inches., Alfred Pub Co, 1970, 6, Alfred Publishing, 1985. Paperback. New. 76 pages. 10.80x6.90x0.20 inches., Alfred Publishing, 1985, 6, Hilversum, Uitgeverij Verloren. 1986. Original publisher's blue cloth hardback, silver title spine and frontcover, large 8vo: frontispiece portrait, 384pp., 38 contributions, illustrations, footnotes, bibliographical notes, list contributors, list subscribers. Contents: 1. W.R.H. Koops: Cornelis Reedijk, een schets. 2. Cornelis Augustijn: Erasmus-Promotion Anno 1515: die Erasmus-Stücke in Iani Damiani ... Elegeia. 3. E. Braches: Der Tod in Venedig: Het derde gezicht van Aschenbach. 4. J.A.W. Brak: Vier jaar salinfo. 5. L. Costers: De ontwikkeling van de operationele principes en beleidsuitgangspunten van het Samenwerkingsverband pica. 6. W. de la Court: Collectievorming in een grote openbare bibliotheek: hoe heilig zijn onze beginselen? 7. S. Dresden: Boekenleven. 8. Pierre H. Dubois: Bij een manuscript over Belle de Zuylen. 9. C. van Dijk: S.H. de Roos en zijn(?) Heuvelpers. 10. A.J. Eschauzier: Vriendschap in Vereniging 11. H. de la Fontaine Verwey: Adriaan Pauw en zijn bibliotheek. 12. J.J.M. van Gent: Friesland in de marge. 13. Léon-E. Halkin: Matthias Schürer imprimeur d'Érasme. 14. Sem Hartz: Over postzegels graveren en andere bijna vergeten zaken. 15. Chris L. Heesakkers: Nederlandse studenten stichten een bibliotheek in Frankrijk. 16. Otto Herding: Erasmische Friedensschriften im 17. Jahrhundert: Precatio ad Dominum Jesum pro Pace Ecclesiae. 17. Franz Georg Kaltwasser: Vigilandum esse in vita. Gefahren für die moderne Informationsgesellschaft. 18. S. Kooi: Ik zie niemand/Niemand. Een woordspeling? Een bijzondere? 19. A.F. van der Kooi: Tot adviseren geroepen ... 20. K. Kooijmans: Een onpartijdig advies. 21. Alfred Kossmann: Een warme zomer. 22. E.H. Kossmann: Claude Joly. 23. Herman Liebaers: Een toekomst voor de Nationale Bibliotheek? 24. Jean-Claude Margolin: Le Fonds Marcel de la Bibliothèque municipale de Tours ou le mécénat d'un collectionneur humaniste du xxe siècle. 25. Pieter F.J. Obbema: Een kanttekening bij de introductie van het humanistisch schrift in de Nederlanden. 26. Günther Pflug: Bibliothek und Philologie. Der Verein deutscher Bibliothekare und die Versammlung deutscher Philologen und Schulmänner. 27. A.E.M. Ribberink: Bibliotheek en archief. 28. R.L. Schuursma: Muziekbibliotheken en geluidsarchieven. Aspecten van een geschiedenis. 29. Ludo Simons: Een bibliothecaris over de Revolutie van 1830. 30. J. Stellingwerf: De betekenis van de gouverneur-generaal J. Camphuis voor het Japanboek van E. Kaempfer. 31. Pier van Swigchem: De dans om de lacunes: prehistorie van de regionale steunbibliotheek. 32. J. Trapman: De eerste Nederlandse vertaling van Erasmus' Moria (Emden, 1560) en Sebastiaan Franck. 33. H.D.L. Vervliet: Humanisme en typografie: de introductie van de romein en cursief in de Nederlanden (1483-ca. 1540). 34. Robert Vosper: National Collection Development in the United States: an unfinished agenda: Pim de Vroomen, De Doler en het Kind van God. Over Pierre Kemp en zijn samenwerking met Hendrik Andriessen in de jaren 1917-1921. 35. William J. Welsh: Preserving the book and other library resources: a worldwide plan. 36. Margreet Wijnstroom: A Sunday Child. The IFLA Programme Development Group, 1969-1975. 37. Lijst publikaties van dr. C. Reedijk. Very fine copy., Hilversum, Uitgeverij Verloren. 1986, 0, New York: Alfred A. Knopf; A Borzoi Book, 2008. xvii, 731 pages, [16] pages of plates. illustrations; 24 cm. Firm binding, gently creased spine. Clean inside copy. Light edgewear to wraps, age toning. The much-anticipated de Kooning biography. "The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York schooljust as American art began to dominate the international scene. Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure--and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank OHara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer's, he created a vast body of haunting and ethereal late work. This is an authoritative and brilliant exploration of the art, life, and world of an American master. / Mark Stevens is the art critic for New York magazine. He has also been the art critic for The New Republic and Newsweek and has written for such publications as Vanity Fair, the New York Times, and The New Yorker. He lives in New York City. Annalyn Swan has been a writer at Time and an award-winning music critic and senior arts editor at Newsweek. She has written for The New Republic, The Atlantic Monthly, and New York magazine. She lives in New York City." - Publisher.. Paperback. Very Good. 8vo., Alfred A. Knopf; A Borzoi Book, 2008, 3, Belwin Mills / Alfred Publishing, 1985-03-01. Paperback. Good., Belwin Mills / Alfred Publishing, 1985-03-01, 2.5, Cleveland: Telarc. Fine in As New dust jacket. 2006. First Edition. Audio CD. 5.6 X 4.9 X 0.4 inches; SIGNED AND INSCRIBED BY CONDUCTOR: TO LEE BEST WISHES, ERICH KUNZEL. Original 1989 pressing. CD like new condition, case is same. Includes full inserts, signed as above. 20 tracks, play time 58.20. Contents: Opening sequence / Michael Bishop (0: 48) ; The phantom of the opera. Overture / Andrew Lloyd Webber (Robert Muckenfuss, organ) ; Night on Bald Mountain / Modest Moussorgsky (10: 38) ; Danse macabre, op. 40 / Camille Saint-Sae¨ns (7: 40) ; Symphonie fantastique, op. 14. March to the scaffold / Hector Berlioz (4: 58) ; The Damnation of Faust, op. 24. Pandemonium (scene 19) / Hector Berlioz (3: 22) ; Peer Gynt, suite no. 1, op. 46. In the hall of the Mountain King / Edvard Grieg (2: 30) ; Synthesizer effects / Rosalind Ilett (0: 52) ; The Twilight zone. Theme / Marius Constant (0: 48) ; 12,000 volts (0: 12) ; The bride of Frankenstein (part I) / Franz Waxman (reconstructed by Steven R. Bernstein) (5: 08) ; The devil and Daniel Webster. Sleigh ride / Bernard Herrmann (1: 51) ; Three selections from Psycho. Prelude ; The mad house ; Murder / Bernard Herrmann (4: 56) ; Sleuth. Overture / John Addison (2: 48) ; Television noise (0: 17) ; Poltergeist. The light / Jerry Goldsmith (2: 37) ; Without a clue. Super sleuth / Henry Mancini (2: 03) ; Funeral march of a marionette (Theme from Alfred Hitchcock presents) / Charles Gounod (3: 53). ; Signed by Contributor ., Telarc, 2006, 5, Alfred Publishing, 1985-03-01. Kalmus Classic Edition. Paperback. Used:Good., Alfred Publishing, 1985-03-01, 0<
