Der Tanz der Zukunft (The Dance of the Future). [Translated by] Karl Federn - signiertes Exemplar

1931, ISBN: b62689162971e7e728bd5906cd7d431e

New York & London: Mitchell Kennerley, 1929. First edition. 1 vols. 4to. Black ribbed cloth in white unprinted dust-jacket and printed slipcase. Light wear to slipcase and sunning to… Mehr…

New York & London: Mitchell Kennerley, 1929. First edition. 1 vols. 4to. Black ribbed cloth in white unprinted dust-jacket and printed slipcase. Light wear to slipcase and sunning to dust-jacket spine. First edition. 1 vols. 4to. Inscribed to Percy MacKaye. Inscribed on ffep "To Percy MacKaye - To whom these pictures will bring back memory of our youth … from his friend Arnold Genthe. New York 1931." Genthe photographed MacKaye in costume for his play Sanctuary: A Bird Masque in 1913., Mitchell Kennerley, 1929, Paris, France: Aux Editions Rieder. 1928. Loose-leaf. VG, slightly dusty, spot to front cover; Lovely copy of this uncommon set of 72 plates after drawings by Jose Clara. Ribbon ties. No. 383 of 474. 10 p. Text. ; Ltd to 474 Copies; Portfolio; Folio; No DJ ., Aux Editions Rieder, 1928, Leipzig: Diederichs, 1903 First edition of the first book published about Isadora Duncan. Presentation copy from the translator, inscribed by him in May 1903. Contemporary brown paper-covered boards. Octavo. Photographically reproduced frontisportrait; two photographically reproduced illustrations. Text printed in both German and English. Binding extremities lightly rubbed, boards slightly soiled. Front and rear hinge cracked, but holding. Spine worn in several places and title letters mostly worn away. A good copy of a fragile book. "The Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we plainly see expressed in all representations of the Greek gods, who, being no other than the representatives of natural forces, are always designed in a pose expressing the concentration and evolution of these forces. This is why the art of the Greeks is not a national or characteristic art but has been and will be the art of all humanity for all time" (pp. 16-18)., Diederichs, 1903<

1903, ISBN: b62689162971e7e728bd5906cd7d431e

Gebundene Ausgabe, Erstausgabe

[SC: 41.03], [PU: Leipzig: Diederichs, 1903.], ÒThe Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of natu… Mehr…

[SC: 41.03], [PU: Leipzig: Diederichs, 1903.], ÒThe Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we plainly see expressed in all representations of the Greek gods, who, being no other than the representatives of natural forces, are always designed in a pose expressing the concentration and evolution of these forces. This is why the art of the Greeks is not a national or characteristic art but has been and will be the art of all humanity for all timeÓ (pp. 16-18). Octavo. 46 pp. Photographically reproduced frontisportrait; two photographically reproduced illustrations. Text printed in both German and English. Contemporary brown paper-covered boards Binding extremities lightly rubbed, boards slightly soiled. Front and rear hinge cracked, but holding. Spine worn in several places and title letters mostly worn away. A good copy of a fragile book. First edition of the first book published about Isadora Duncan. Presentation copy from the translator, inscribed by him in May 1903.<

1903

ISBN: b62689162971e7e728bd5906cd7d431e

Gebundene Ausgabe, Erstausgabe

[PU: Leipzig: Diederichs, 1903.], ÒThe Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we pla… Mehr…

[PU: Leipzig: Diederichs, 1903.], ÒThe Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we plainly see expressed in all representations of the Greek gods, who, being no other than the representatives of natural forces, are always designed in a pose expressing the concentration and evolution of these forces. This is why the art of the Greeks is not a national or characteristic art but has been and will be the art of all humanity for all timeÓ (pp. 16-18). Octavo. 46 pp. Photographically reproduced frontisportrait; two photographically reproduced illustrations. Text printed in both German and English. Contemporary brown paper-covered boards Binding extremities lightly rubbed, boards slightly soiled. Front and rear hinge cracked, but holding. Spine worn in several places and title letters mostly worn away. A good copy of a fragile book. First edition of the first book published about Isadora Duncan. Presentation copy from the translator, inscribed by him in May 1903.<

1903, ISBN: b62689162971e7e728bd5906cd7d431e

Gebundene Ausgabe, Erstausgabe

[PU: Leipzig: Diederichs, 1903.], ÒThe Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we pla… Mehr…

[PU: Leipzig: Diederichs, 1903.], ÒThe Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we plainly see expressed in all representations of the Greek gods, who, being no other than the representatives of natural forces, are always designed in a pose expressing the concentration and evolution of these forces. This is why the art of the Greeks is not a national or characteristic art but has been and will be the art of all humanity for all timeÓ (pp. 16-18). Octavo. 46 pp. Photographically reproduced frontisportrait; two photographically reproduced illustrations. Text printed in both German and English. Contemporary brown paper-covered boards Binding extremities lightly rubbed, boards slightly soiled. Front and rear hinge cracked, but holding. Spine worn in several places and title letters mostly worn away. A good copy of a fragile book. First edition of the first book published about Isadora Duncan. Presentation copy from the translator, inscribed by him in May 1903.<

1903, ISBN: b62689162971e7e728bd5906cd7d431e

Leipzig: Diederichs, 1903 First edition of the first book published about Isadora Duncan. Presentation copy from the translator, inscribed by him in May 1903. Contemporary brown paper-co… Mehr…

Leipzig: Diederichs, 1903 First edition of the first book published about Isadora Duncan. Presentation copy from the translator, inscribed by him in May 1903. Contemporary brown paper-covered boards. Octavo. Photographically reproduced frontisportrait; two photographically reproduced illustrations. Text printed in both German and English. Binding extremities lightly rubbed, boards slightly soiled. Front and rear hinge cracked, but holding. Spine worn in several places and title letters mostly worn away. A good copy of a fragile book. "The Greeks in all their painting, sculpture, architecture, literature, dance and tragedy evolved their movements from the movements of nature, as we plainly see expressed in all representations of the Greek gods, who, being no other than the representatives of natural forces, are always designed in a pose expressing the concentration and evolution of these forces. This is why the art of the Greeks is not a national or characteristic art but has been and will be the art of all humanity for all time" (pp. 16-18)., Diederichs, 1903, 0<