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´´Abandon All Hope´´ - consumerism and loss of identity in Bret Easton Ellis´s ´´American Psycho´´ as an example of blank fiction - Anja Schiel
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Anja Schiel:
´´Abandon All Hope´´ - consumerism and loss of identity in Bret Easton Ellis´s ´´American Psycho´´ as an example of blank fiction - neues Buch

2008, ISBN: 9783638936422

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Thesis (M.A.) from the year 2005 in the subject American Studies - Literature, grade: 1,5, University of Hamburg (Sprach-, Literatur- und Medienwissenschaft), 59 entries in the bibliography, language: English, abstract: Bret Easton Ellis´s American Psycho has been labeled many things from ´´Brat Pack Fiction´´ to ´´Generation X´´ to ´´Minimal Realism´´. While the classification of the novel might be difficult and it has often been misunderstood for its extremely violent scenes, what is clear to the attentive reader is its critique of consumer culture Critics have acknowledged an emergence of a large number of writings dealing with this topic in contemporary American literature in the recent past. These novels focus on the relationship of American youth with consumer culture with a seemingly non-elaborate content and style. Attempts of explaining this kind of writing, which has also been called ´´fiction of insurgency´´, ´´new narrative´´, ´´downtown writing´´ and ´´punk fiction´´, range from millennial angst to the classification of this literary movement as part of the postmodern culture. What seems clear is that these narrations are closely related to the society they have been created in. The way these texts incorporate products of their time as a constant accompanying element places them very clearly in a specific time period. The apparent non-existence of complexity concerning the style, which at times reminds the reader of a movie script or a sequence of an MTV video, has, in the case of American Psycho, caused many critics to classify the novel as boring and deny the author the status of an artist. Exactly this seeming meaninglessness of these novels argues in favor of a term introduced by critics James Annesley and Elizabeth Young: Blank fiction, or Blank Generation Fiction. The term Blank fiction seems to capture perfectly the emptiness created by consumer culture that has found its way into these narratives not simply in its context but also by means of its language, incorporating consumer goods into the narrative as secondary characters, in the case of American Psycho ascribing more character to these objects than to the protagonists. In comparison to selected modernist writings Bücher > Fremdsprachige Bücher > Englische Bücher Taschenbuch 28.04.2008 Buch (dtsch.), GRIN Publishing, .200

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Anja Schiel:
Abandon All Hope´´ - consumerism and loss of identity in Bret Easton Ellis´s ´´American Psycho´´ as an example of blank fiction - neues Buch

2005, ISBN: 9783638936422

ID: 106729184

Thesis (M.A.) from the year 2005 in the subject American Studies - Literature, grade: 1,5, University of Hamburg (Sprach-, Literatur- und Medienwissenschaft), 59 entries in the bibliography, language: English, abstract: Bret Easton Ellis´s American Psycho has been labeled many things from ´´Brat Pack Fiction´´ to ´´Generation X´´ to ´´Minimal Realism´´. While the classification of the novel might be difficult and it has often been misunderstood for its extremely violent scenes, what is clear to the attentive reader is its critique of consumer culture Critics have acknowledged an emergence of a large number of writings dealing with this topic in contemporary American literature in the recent past. These novels focus on the relationship of American youth with consumer culture with a seemingly non-elaborate content and style. Attempts of explaining this kind of writing, which has also been called ´´fiction of insurgency´´, ´´new narrative´´, ´´downtown writing´´ and ´´punk fiction´´, range from millennial angst to the classification of this literary movement as part of the postmodern culture. What seems clear is that these narrations are closely related to the society they have been created in. The way these texts incorporate products of their time as a constant accompanying element places them very clearly in a specific time period. The apparent non-existence of complexity concerning the style, which at times reminds the reader of a movie script or a sequence of an MTV video, has, in the case of American Psycho, caused many critics to classify the novel as boring and deny the author the status of an artist. Exactly this seeming meaninglessness of these novels argues in favor of a term introduced by critics James Annesley and Elizabeth Young: Blank fiction, or Blank Generation Fiction. The term Blank fiction seems to capture perfectly the emptiness created by consumer culture that has found its way into these narratives not simply in its context but also by means of its language, incorporating consumer goods into the narrative as secondary characters, in the case of American Psycho ascribing more character to these objects than to the protagonists. In comparison to selected modernist writings Buch (dtsch.) Bücher>Fremdsprachige Bücher>Englische Bücher, GRIN Publishing

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In comparison to selected modernist writings Thesis (M.A.) from the year 2005 in the subject American Studies - Literature, grade: 1,5, University of Hamburg (Sprach-, Literatur- und Medienwissenschaft), 59 entries in the bibliography, language: English, abstract: Bret Easton Ellis's American Psycho has been labeled many things from "Brat Pack Fiction" to "Generation X" to "Minimal Realism". While the classification of the novel might be difficult and it has often been misunderstood for its extremely violent scenes, what is clear to the attentive reader is its critique of consumer culture Critics have acknowledged an emergence of a large number of writings dealing with this topic in contemporary American literature in the recent past. These novels focus on the relationship of American youth with consumer culture with a seemingly non-elaborate content and style. Attempts of explaining this kind of writing, which has also been called "fiction of insurgency", "new narrative", "downtown writing" and "punk fiction", range from millennial angst to the classification of this literary movement as part of the postmodern culture. What seems clear is that these narrations are closely related to the society they have been created in. The way these texts incorporate products of their time as a constant accompanying element places them very clearly in a specific time period. The apparent non-existence of complexity concerning the style, which at times reminds the reader of a movie script or a sequence of an MTV video, has, in the case of American Psycho, caused many critics to classify the novel as boring and deny the author the status of an artist. Exactly this seeming meaninglessness of these novels argues in favor of a term introduced by critics James Annesley and Elizabeth Young: Blank fiction, or Blank Generation Fiction. The term Blank fiction seems to capture perfectly the emptiness created by consumer culture that has found its way into these narratives not simply in its context but also by means of its language, incorporating consumer goods into the narrative as secondary characters, in the case of American Psycho ascribing more character to these objects than to the protagonists. Bücher / Fremdsprachige Bücher / Englische Bücher 978-3-638-93642-2, GRIN Publishing

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Paperback, [PU: GRIN Verlag GmbH], Thesis (M.A.) from the year 2005 in the subject American Studies - Literature, grade: 1,5, University of Hamburg (Sprach-, Literatur- und Medienwissenschaft), 59 entries in the bibliography, language: English, abstract: Bret Easton Ellis's American Psycho has been labeled many things from "Brat Pack Fiction" to "Generation X" to "Minimal Realism." While the classification of the novel might be difficult and it has often been misunderstood for its extremely violent scenes, what is clear to the attentive reader is its critique of consumer culture Critics have acknowledged an emergence of a large number of writings dealing with this topic in contemporary American literature in the recent past. These novels focus on the relationship of American youth with consumer culture with a seemingly non-elaborate content and style. Attempts of explaining this kind of writing, which has also been called "fiction of insurgency," "new narrative," "downtown writing" and "punk fiction," range from millennial angst to the classification of this literary movement as part of the postmodern culture. What seems clear is that these narrations are closely related to the society they have been created in. The way these texts incorporate products of their time as a constant accompanying element places them very clearly in a specific time period. The apparent non-existence of complexity concerning the style, which at times reminds the reader of a movie script or a sequence of an MTV video, has, in the case of American Psycho, caused many critics to classify the novel as boring and deny the author the status of an artist. Exactly this seeming meaninglessness of these novels argues in favor of a term introduced by critics James Annesley and Elizabeth Young: Blank fiction, or Blank Generation Fiction. The term Blank fiction seems to capture perfectly the emptiness created by consumer culture that has found its way into these narratives not simply in its context but also by means of its language, Language: Reference & General

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Abandon All Hope - consumerism and loss of identity in Bret Easton Ellis´s American Psycho as an example of blank fiction:In comparison to selected modernist writings Akademische Schriftenreihe. 1. Auflage. Anja Schiel Abandon All Hope - consumerism and loss of identity in Bret Easton Ellis´s American Psycho as an example of blank fiction:In comparison to selected modernist writings Akademische Schriftenreihe. 1. Auflage. Anja Schiel Bücher > English, International > Gebundene Ausgaben, GRIN Publishing

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"Abandon All Hope" - consumerism and loss of identity in Bret Easton Ellis's "American Psycho" as an example of blank fiction
Autor:

Schiel, Anja

Titel:

"Abandon All Hope" - consumerism and loss of identity in Bret Easton Ellis's "American Psycho" as an example of blank fiction

ISBN-Nummer:

Thesis (M.A.) from the year 2005 in the subject American Studies - Literature, grade: 1,5, University of Hamburg (Sprach-, Literatur- und Medienwissenschaft), language: English, abstract: Bret Easton Ellis's American Psycho has been labeled many things from "Brat Pack Fiction" to "Generation X" to "Minimal Realism". While the classification of the novel might be difficult and it has often been misunderstood for its extremely violent scenes, what is clear to the attentive reader is its critique of consumer culture Critics have acknowledged an emergence of a large number of writings dealing with this topic in contemporary American literature in the recent past. These novels focus on the relationship of American youth with consumer culture with a seemingly non-elaborate content and style. Attempts of explaining this kind of writing, which has also been called "fiction of insurgency", "new narrative", "downtown writing" and "punk fiction", range from millennial angst to the classification of this literary movement as part of the postmodern culture. What seems clear is that these narrations are closely related to the society they have been created in. The way these texts incorporate products of their time as a constant accompanying element places them very clearly in a specific time period. The apparent non-existence of complexity concerning the style, which at times reminds the reader of a movie script or a sequence of an MTV video, has, in the case of American Psycho, caused many critics to classify the novel as boring and deny the author the status of an artist. Exactly this seeming meaninglessness of these novels argues in favor of a term introduced by critics James Annesley and Elizabeth Young: Blank fiction, or Blank Generation Fiction. The term Blank fiction seems to capture perfectly the emptiness created by consumer culture that has found its way into these narratives not simply in its context but also by means of its language, incorporating consumer goods into the narrative as secondary characters, in the case of American Psycho ascribing more character to these objects than to the protagonists.

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EAN (ISBN-13): 9783638936422
ISBN (ISBN-10): 3638936422
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2008
Herausgeber: GRIN Verlag
116 Seiten
Gewicht: 0,178 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 30.04.2008 10:31:19
Buch zuletzt gefunden am 04.05.2017 13:41:11
ISBN/EAN: 9783638936422

ISBN - alternative Schreibweisen:
3-638-93642-2, 978-3-638-93642-2


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