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Harvey Miller Studies in Medieval and Early Renaissance Art History (HMSAH 58) The Mermaids of Venice. Fantastic Sea Creatures in Venetian Renaissance Art - A. Luchs
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A. Luchs:
Harvey Miller Studies in Medieval and Early Renaissance Art History (HMSAH 58) The Mermaids of Venice. Fantastic Sea Creatures in Venetian Renaissance Art - gebunden oder broschiert

2011, ISBN: 190537545X

ID: 20181848714

[EAN: 9781905375455], [PU: Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung], Verlagsfrisch New copy Harvey Miller Studies in Medieval and Early Renaissance Art History (HMSAH 58) The Mermaids of Venice. Fantastic Sea Creatures in Venetian Renaissance Art A. Luchs VIII+273 p., 234 b/w ill. + 44 colour ill., 220 x 275 mm, 2010 ISBN: 978-1-905375-45-5 Languages: English Hardback The publication is available. Retail price: EUR 125,00 The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen--graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids--horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas This book focuses on the conceptions of artists who made marine hybrids as some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the "heritage of monsters" from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight. Review "Ce genre de travail est non seulement plaisant, il peut se révéler aussi plein d'intérêt. (.) Il faut en savoir gré à l'auteur." (L. Smolderen, dans: Revue Belge d'Archéologie et d'Histoire de l'Art, n° 80, 2011.1, p. 206)

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The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art - Alison Luchs
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The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen --graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids -- horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas. This book focuses on the conceptions of artists who made marine hybrids some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the ´´heritage of monsters´´ from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight. The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art Bücher > Fremdsprachige Bücher > Englische Bücher gebundene Ausgabe 01.08.2010 Buch (fremdspr.), Harvey Miller Publ, .201

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The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen --graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids -- horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas. This book focuses on the conceptions of artists who made marine hybrids some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the "heritage of monsters" from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight. Bücher / Fremdsprachige Bücher / Englische Bücher 978-1-905375-45-5, Harvey Miller Publ

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The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen --graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids -- horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas. This book focuses on the conceptions of artists who made marine hybrids some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the ´´heritage of monsters´´ from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight. The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Harvey Miller Publ

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The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art
Autor:

Luchs, Alison

Titel:

The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art

ISBN-Nummer:

The arts of Renaissance Venice teem with sea monsters. Chief among these are mermaids and mermen --graceful hybrid beings human from the waist up, but with the lower body and tail of a fish, dolphin or sea serpent. Other sea hybrids -- horses, bulls, panthers, even an elephant--also swim through Venetian art in finned and fish-tailed forms. Such creatures emerge from stone in the shadowy churches and the sunlit courtyard of the Palazzo Ducale, crown the wooden frame of a Giovanni Bellini altarpiece, and encircle the bronze flagpole bases in Piazza San Marco. Their gilded sugar apparitions graced banquet tables for illustrious visitors, and their descendents still glide through the canals in the form of brass seahorses set above the sides of gondolas. This book focuses on the conceptions of artists who made marine hybrids some of the most engaging inventions of the Renaissance in Venice and its subject city Padua. The chapters deal with five functional contexts: book decoration of the 1470s and 80s; tomb monuments of the 1480s and 90s; church decoration of the same years, particularly at Santa Maria dei Miracoli; centers of political activity, including civic settings in Venice and the palaces of powerful mainland employers of Venetian artists; and finally, private homes, where owners could hold small bronze sea hybrids in their hands, often as objects for use. A prologue introduces the "heritage of monsters" from the ancient and medieval worlds, the better to show how Venetian artists adapted these to new purposes. Exploring the ways in which artists could interpret and contemporary viewers might experience these wide-ranging sea-creatures, the book brings their best images together as a source of delight.

Detailangaben zum Buch - The Mermaids of Venice: Fantastic Sea Creatures in Venetian Renaissance Art


EAN (ISBN-13): 9781905375455
ISBN (ISBN-10): 190537545X
Gebundene Ausgabe
Erscheinungsjahr: 2010
Herausgeber: HARVEY MILLER PUBL
273 Seiten
Gewicht: 1,678 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 24.06.2010 11:28:27
Buch zuletzt gefunden am 11.06.2017 16:26:28
ISBN/EAN: 9781905375455

ISBN - alternative Schreibweisen:
1-905375-45-X, 978-1-905375-45-5


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