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Harvey Miller Architecture and the Arts in Early Modern Italy (HMAAI 1) The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome - S. C. Leone
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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S. C. Leone:

Harvey Miller Architecture and the Arts in Early Modern Italy (HMAAI 1) The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome - gebunden oder broschiert

2008, ISBN: 1905375077

ID: 20181846192

[EAN: 9781905375073], [SC: 15.0], [PU: Brepols Publishers 0], Architecture|History, Verlagsfrisch New copy Harvey Miller Architecture and the Arts in Early Modern Italy (HMAAI 1) The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome S. C. Leone 376 p., 199 b/w ill. + 10 colour ill., 240 x 240 mm, 2008 ISBN: 978-1-905375-07-3 Languages: English Hardback The publication is available. Retail price: EUR 125,00 The piazza Navona is one of the most celebrated urban spaces in Rome and perhaps Europe. Despite its lasting fame, neither the uninitiated nor the specialist has been fully privy to the history of its remarkable transformation from a medieval field to a magnificent Baroque piazza. The ambititions of a single family, The Pamphilj, engendered this remarkable change. Pope Innocent X (1644-55) sought to proclaim his family's identity through a building program, including the monumental palace, church of S. Agnese in Agone, Collegio Innocenziano, and Gianlorenzo Bernini's Fountain of the Four Rivers and Fountain of the Moor. The Pamphilj endowed the entire urban space with its indelible presence. Although the Palazzo Pamphilj was the catalyst for the single most important building program in mid-seventeenth-century Rome, its history has been largely neglected, and misconceptions have hindered an accurate understanding of the monument and its place in early modern architecture. Presenting a fundamentally revised history, this book argues in favor of a collaborative process of execution, in two distinct phases (1634-38, 1645-50), involving three architects (Francesco Peperelli, Girolamo Rainaldi, Francesco Borromini), two patrons (Innocent X and his sister-in-law Olimpia Maidalchini), and an architectural revisor (Virgilio Spada). The history of the palace is presented as inextricably linked to the social milieu of the early modern papal court and the development of piazza Navona and the city. From the vicissitudes of this story arise broader issues: building as identity, architecture and social ritual, artistic collaboration, women patrons, and collective memories of sites. Stephanie Leone teaches Art History at Boston College. Her primary field of research concerns seventeenth-century domestic architecture in Rome.

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Harvey Miller Architecture and the Arts in Early Modern Italy (HMAAI 1) The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome - S. C. Leone
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)

S. C. Leone:

Harvey Miller Architecture and the Arts in Early Modern Italy (HMAAI 1) The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome - gebunden oder broschiert

2008, ISBN: 1905375077

ID: 20181846192

[EAN: 9781905375073], [PU: Brepols Publishers 0], Architecture|History, Verlagsfrisch New copy Harvey Miller Architecture and the Arts in Early Modern Italy (HMAAI 1) The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome S. C. Leone 376 p., 199 b/w ill. + 10 colour ill., 240 x 240 mm, 2008 ISBN: 978-1-905375-07-3 Languages: English Hardback The publication is available. Retail price: EUR 125,00 The piazza Navona is one of the most celebrated urban spaces in Rome and perhaps Europe. Despite its lasting fame, neither the uninitiated nor the specialist has been fully privy to the history of its remarkable transformation from a medieval field to a magnificent Baroque piazza. The ambititions of a single family, The Pamphilj, engendered this remarkable change. Pope Innocent X (1644-55) sought to proclaim his family's identity through a building program, including the monumental palace, church of S. Agnese in Agone, Collegio Innocenziano, and Gianlorenzo Bernini's Fountain of the Four Rivers and Fountain of the Moor. The Pamphilj endowed the entire urban space with its indelible presence. Although the Palazzo Pamphilj was the catalyst for the single most important building program in mid-seventeenth-century Rome, its history has been largely neglected, and misconceptions have hindered an accurate understanding of the monument and its place in early modern architecture. Presenting a fundamentally revised history, this book argues in favor of a collaborative process of execution, in two distinct phases (1634-38, 1645-50), involving three architects (Francesco Peperelli, Girolamo Rainaldi, Francesco Borromini), two patrons (Innocent X and his sister-in-law Olimpia Maidalchini), and an architectural revisor (Virgilio Spada). The history of the palace is presented as inextricably linked to the social milieu of the early modern papal court and the development of piazza Navona and the city. From the vicissitudes of this story arise broader issues: building as identity, architecture and social ritual, artistic collaboration, women patrons, and collective memories of sites. Stephanie Leone teaches Art History at Boston College. Her primary field of research concerns seventeenth-century domestic architecture in Rome.

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The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome - Stephanie Leone
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ISBN: 9781905375073

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The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome The piazza Navona is one of the most celebrated urban spaces in Rome and perhaps Europe. Despite its lasting fame, neither the uninitiated nor the specialist has fully been privy to the history of its remarkable transformation from a medieval field to a magnificent Baroque piazza. The ambitions of a single family, The Pamphilj, engendered this remarkable change. Pope Innocent X (1644-55) sought to proclaim his family's identity through a building program, including the monumental palace, church of S. Agnese in Agone, Collegio Innocenziano, and Gianlorenzo Bernini's Fountain of the Four Rivers and Fountain of the Moor. The Pamphilj endowed the entire urban space with its indelible presence. Although the Palazzo Pamphilj was the catalyst for the single most important building program in mid-seventeenth-century Rome, its history has largely been neglected, and misconceptions have hindered an accurate understanding of the monument and its place in early modern architecture. Presenting a fundamentally revised history, this book argues in favor of a collaborative process of execution, in two distinct phases (1634-38, 1645-50), involving three architects (Francesco Peperelli, Girolamo Rainaldi, Francesco Borromini), two patrons (Innocent X and his sister-in-law Olimpia Maidalchini), and an architectural revisor (Virgilio Spada). The history of the palace is presented as inextricably linked to the social milieu of the early modern papal court and the development of piazza Navona and the city. From the vicissitudes of this story arise broader issues: building as identity, architecture and social ritual, artistic collaboration, women patrons, and the collective memories of sites. Bücher / Fremdsprachige Bücher / Englische Bücher 978-1-905375-07-3, Harvey Miller Publ

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2008, ISBN: 9781905375073

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Turnhout Brepols 2008. Hardback, 376 p., 199 b/w ill. + 10 colour ill., 240 x 240 mm. ISBN 9781905375073. The piazza Navona is one of the most celebrated urban spaces in Rome and perhaps Europe. Despite its lasting fame, neither the uninitiated nor the specialist has been fully privy to the history of its remarkable transformation from a medieval field to a magnificent Baroque piazza. The ambititions of a single family, The Pamphilj, engendered this remarkable change. Pope Innocent X (1644-55) sought to proclaim his family's identity through a building program, including the monumental palace, church of S. Agnese in Agone, Collegio Innocenziano, and Gianlorenzo Bernini's Fountain of the Four Rivers and Fountain of the Moor. The Pamphilj endowed the entire urban space with its indelible presence. Although the Palazzo Pamphilj was the catalyst for the single most important building program in mid-seventeenth-century Rome, its history has been largely neglected, and misconceptions have hindered an accurate understanding of the monument and its place in early modern architecture. Presenting a fundamentally revised history, this book argues in favor of a collaborative process of execution, in two distinct phases (1634-38, 1645-50), involving three architects (Francesco Peperelli, Girolamo Rainaldi, Francesco Borromini), two patrons (Innocent X and his sister-in-law Olimpia Maidalchini), and an architectural revisor (Virgilio Spada). The history of the palace is presented as inextricably linked to the social milieu of the early modern papal court and the development of piazza Navona and the city. From the vicissitudes of this story arise broader issues: building as identity, architecture and social ritual, artistic collaboration, women patrons, and collective memories of sites. Languages: English., Turnhout Brepols 2008

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The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome (Studies in Baroque Art) - Stephanie Leone
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The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome (Studies in Baroque Art) - gebunden oder broschiert

2008, ISBN: 1905375077

[SR: 4152019], Hardcover, [EAN: 9781905375073], Harvey Miller Publishers, Harvey Miller Publishers, Book, [PU: Harvey Miller Publishers], 2008-06-30, Harvey Miller Publishers, 512760, Planning, 266240, Architecture, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 266898, History of Art & Architecture, 758890, Miscellaneous Biographies, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 496662, Urban & Rural Planning, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books

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The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome
Autor:

Leone, Stephanie

Titel:

The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome

ISBN-Nummer:

9781905375073

The Piazza Navona is one of the most celebrated urban spaces in Rome and perhaps Europe. Despite its lasting fame, neither the uninitiated nor the specialist has fully been privy to the history of its remarkable transformation from a medieval field to a magnificent Baroque piazza. The ambitions of a single family, The Pamphilj, engendered this remarkable change. Pope Innocent X (1644-55) sought to proclaim his family's identity through a building program, including the monumental palace, church of S. Agnese in Agone, Collegio Innocenziano, and Gianlorenzo Bernini's Fountain of the Four Rivers and Fountain of the Moor. The Pamphilj endowed the entire urban space with its indelible presence.

Detailangaben zum Buch - The Palazzo Pamphilj in Piazza Navona: Constructing Identity in Early Modern Rome


EAN (ISBN-13): 9781905375073
ISBN (ISBN-10): 1905375077
Gebundene Ausgabe
Erscheinungsjahr: 2008
Herausgeber: HARVEY MILLER PUBL
376 Seiten
Gewicht: 1,746 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 07.12.2007 08:38:23
Buch zuletzt gefunden am 02.02.2017 15:50:15
ISBN/EAN: 9781905375073

ISBN - alternative Schreibweisen:
1-905375-07-7, 978-1-905375-07-3

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