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Industrial Poetics: Demo Tracks for a Mobile Culture (Contemp North American Poetry) - Joe Amato
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Joe Amato:
Industrial Poetics: Demo Tracks for a Mobile Culture (Contemp North American Poetry) - gebunden oder broschiert

ISBN: 1587295016

[SR: 4536170], Hardcover, [EAN: 9781587295010], University Of Iowa Press, University Of Iowa Press, Book, [PU: University Of Iowa Press], University Of Iowa Press, Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato’s Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility. s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture. Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic’s sharply analytical mind, a poet’s verve, and a working-class intellectual’s sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrial poetics, rough edges and all. Jed Rasula writes, “I can’t say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling mo, 10207, Criticism & Theory, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10159341011, Poetry, 10159334011, Genres & Styles, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10248, Poetry, 271623011, Ancient, Classical & Medieval, 10250, Anthologies, 10096, British & Irish, 10271, Japanese & Haiku, 10277, Love Poems, 10159384011, Regional & Cultural, 10159396011, Themes & Styles, 9966, United States, 10159402011, Women Authors, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 69820, Higher & Continuing Education, 8975357011, Administration, 69822, Adult & Continuing Education, 11643, Business School Guides, 11634, College Guides, 69826, Financial Aid, 11641, Graduate School Guides, 11647, Law School Guides, 11649, Medical School Guides, 9221735011, Test Preparation, 16022311, Vocational, 8975347011, Education & Teaching, 1000, Subjects, 283155, Books

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Industrial Poetics: Demo Tracks for a Mobile Culture (Contemp North American Poetry)
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Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato's Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility. s Amato focuses on the challenges faced by American poets in Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato's Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility. s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture. Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic's sharply analytical mind, a poet's verve, and a working-class intellectual's sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrialpoetics, rough edges and all. Jed Rasula writes, I can't say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling moxie of the am format.

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Industrial Poetics: Demo Tracks for a Mobile Culture (Contemporary North American Poetry) - Joe Amato, Alan Golding, Lynn Keller, Adalaide Kirby Morris
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Joe Amato, Alan Golding, Lynn Keller, Adalaide Kirby Morris:
Industrial Poetics: Demo Tracks for a Mobile Culture (Contemporary North American Poetry) - gebunden oder broschiert

2006, ISBN: 1587295016

Hardcover, [EAN: 9781587295010], University of Iowa Press, University of Iowa Press, Book, [PU: University of Iowa Press], 2006-10-30, University of Iowa Press, 275068, History & Criticism, 275070, Children's Literature Studies, 275071, Drama & Dramatists, 274863, History of Books, 591858, Key Critics, 275080, Literary Studies, 275096, Literary Theory & Movements, 275105, Novels & Novelists, 275110, Poetry & Poets, 591932, Study Guides, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books, 275117, Poetry, 275128, Anthologies, 591426, By Period, 591428, Genres, 275110, History & Criticism, 591430, World, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books, 4119301, Education Studies, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books, 496812, Higher & Further Education, 496792, Education Studies & Teaching, 1025612, Subjects, 266239, Books

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Industrial Poetics: Demo Tracks for a Mobile Culture (Contemp North American Poetry) - Joe Amato
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Industrial Poetics: Demo Tracks for a Mobile Culture (Contemp North American Poetry) - gebunden oder broschiert

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Industrial Poetics - Joe Amato; Alan Golding; Lynn Keller; Adalaide Kirby Morris
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Joe Amato; Alan Golding; Lynn Keller; Adalaide Kirby Morris:
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2006, ISBN: 9781587295010

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Industrial Poetics: Demo Tracks for a Mobile Culture

Through a dizzying array of references to subjects ranging from engineering to poetry, on-the-job experiences in academia and industry, conflicts between working-class and intellectual labor, the privatization of universities, and the contradictions of the modern environment, Joe Amato’s Industrial Poetics mounts a boisterous call for poetry communities to be less invested in artistic self-absorption and more concerned about social responsibility. s Amato focuses on the challenges faced by American poets in creating a poetry that speaks to a public engineered into complacency by those industrial technologies, practices, and patterns of thought that we cannot seem to do without, he brings readers face to face with the conflicting realities of U.S. intellectual, academic, and poetic culture. Formally adventurous and rhetorically lively, Industrial Poetics is best compared with the intellectually exploratory, speculative, risky, polemical work of other contemporary poet-critics including Kathleen Fraser, Joan Retallack, Bruce Andrews, Susan Howe, and Allen Grossman. Amato uses an exhilarating range of structural and rhetorical strategies: conventionally developed argument, abruptly juxtaposed aphorisms, personal narrative, manifesto-like polemic, and documentary reportage. With a critic’s sharply analytical mind, a poet’s verve, and a working-class intellectual’s sense of social justice, Amato addresses the many nonliterary institutions and environments in which poetry is inextricably embedded. By connecting poetry to industry in a lively demonstration against the platitudes and habitudes of the twentieth century, Amato argues for a reenergized and socially forceful poetics---an industrial poetics, rough edges and all. Jed Rasula writes, “I can’t say I pay much attention to talk radio, but this is what I imagine it might be like if the deejay were really smart, enviably well read, yet somehow retained the snarling mo

Detailangaben zum Buch - Industrial Poetics: Demo Tracks for a Mobile Culture


EAN (ISBN-13): 9781587295010
ISBN (ISBN-10): 1587295016
Gebundene Ausgabe
Erscheinungsjahr: 2006
Herausgeber: UNIV OF IOWA PR
226 Seiten
Gewicht: 0,490 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 20.10.2007 21:30:33
Buch zuletzt gefunden am 27.09.2017 07:39:25
ISBN/EAN: 9781587295010

ISBN - alternative Schreibweisen:
1-58729-501-6, 978-1-58729-501-0


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