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The Language of Comics: Word and Image
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The Language of Comics: Word and Image - Taschenbuch

ISBN: 1578064147

ID: 10533411125

[EAN: 9781578064144], Neubuch, [PU: University Press of Mississippi], ROBIN VARNUM,CHRISTINA T. GIBBONS,CARTOONING,GRAPHIC NOVELS,HISTORY AND PRICE GUIDES,HUMOR,GRAPHIC DESIGN,ART, Art|General, Art|Popular Culture, Literary Criticism|General, Art|Techniques|Cartooning, Social Science|Popular Culture, Paperback. 222 pages. Dimensions: 8.6in. x 6.5in. x 0.7in.With essays by Jan Baetens, David A. Beron, Frank L. Cioffi, N. C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr. , Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd Taylor In our culture, which depends increasingly on images for instruction and recreation, it is important to ask how words and images make meaning when they are combined. Comics, one of the most widely read media of the twentieth century, serves as an ideal for focusing an investigation on the word-and-image question. This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in Le Chat Noir. David A. Beron, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in The Road Runner are more persuasive than words. N. C. Christopher Couch--writing on The Yellow Kid--and Robert C. Harvey--discussing early New Yorker cartoons--are both interested in the historical development of the partnership between words and images in comics. Frank L. Cioffi traces a disjunctive relationship of opposites in the work of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman. The last four essays explore the integration of words and images. Among five comic book adaptations of Hamlet Marion D. Perret finds one in which words and images form a dialectic. Jan Baetens critiques the semiotically inspired theory of Phillippe Marion. Catherine Khordoc explores speech balloons in Asterix the Gaul. Gene Kannenberg, Jr. , demonstrates how the Chicago-based artist Chris Ware blurs the difference between word and image. The Language of Comics, however, is the first collection of critical essays on comics to explore a single issue as it affects a variety of comics. Robin Varnum, an instructor of English at the American International College in Springfield, Massachusetts, has been published in Writing on the Edge, Journal of Advanced Composition, Harvard Library Bulletin, and Rhetoric Society Quarterly. Christina T. Gibbons, an independent scholar living in Brattleboro, Vermont, has been published in Journal of Regional Cultures. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.

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The Language of Comics: Word and Image
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ISBN: 9781578064144

ID: 978157806414

With essays by Jan Baetens, David A. Beronä, Frank L. Cioffi, N. C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr., Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd Taylor In our culture, which depends increasingly on images for instruction and recreation, it is important to ask how words and images make meaning when they are combined. Comics, one of the most widely read media of the twentieth century, serves as an ideal for focusing an investigation on the word-and-image question. This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in Le Chat Noir. David A. Beronä, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in The Road Runner are more persuasive than words. N. C. Christopher Couch--writing on The Yellow Kid--and Robert C. Harvey--discussing early New Yorker cartoons--are both interested in the historical development of the partnership between words and images in comics. Frank L. Cioffi traces a disjunctive relationship of opposites in the work of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman. The last four essays explore the integration of words and images. Among five comic book adaptations of Hamlet Marion D. Perret finds one in which words and images form a dialectic. Jan Baetens critiques the semiotically inspired theory of Phillippe Marion. Catherine Khordoc explores speech balloons in Asterix the Gaul. Gene Kannenberg, Jr., demonstrates how the Chicago-based artist Chris Ware blurs the difference between word and image. The Language of Comics, however, is the first collection of critical essays on comics to explore a single issue as it affects a variety of comics. Robin Varnum, an instructor of English at the American International College in Springfield, Massachusetts, has been published in Writing on the Edge, Journal of Advanced Composition, Harvard Library Bulletin, and Rhetoric Society Quarterly. Christina T. Gibbons, an independent scholar living in Brattleboro, Vermont, has been published in Journal of Regional Cultures. Books, Science Fiction and Fantasy, Graphic Novels, The Language of Comics: Word and Image Books>Science Fiction and Fantasy>Graphic Novels, University Press of Mississippi

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The Language of Comics: Word and Image - Robin Varnum; Christina T. Gibbons
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The Language of Comics: Word and Image - gebrauchtes Buch

ISBN: 1578064147

ID: 3257433

With essays by Jan Baetens, David A. Beronä, Frank L. Cioffi, N. C. Christopher Couch, Robert C. Harvey, Gene Kannenberg, Jr., Catherine Khordoc, David Kunzle, Marion D. Perret, and Todd Taylor.In our culture, which depends increasingly on images for instruction and recreation, it is important to ask how words and images make meaning when they are combined. Comics, one of the most widely read media of the twentieth century, serves as an ideal for focusing an investigation on the word-and-image question.This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in Le Chat Noir. David A. Beronä, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in The Road Runner are more persuasive than words. N. C. Christopher Couch--writing on The Yellow Kid--and Robert C. Harvey--discussing early New Yorker cartoons--are both interested in the historical development of the partnership between words and images in comics. Frank L. Cioffi traces a disjunctive relationship of opposites in the work of Andrzej Mleczko, Ben Katchor, R. Crumb, and Art Spiegelman.The last four essays explore the integration of words and images. Among five comic book adaptat art,arts music and photography,cartooning,comics and graphic novels,graphic design,graphic novels,history and price guides,humor,humor and entertainment,literary criticism Pop Culture, University Press of Mississippi

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The Language of Comics: Word and Image - Herausgeber: Varnum, Robin Gibbons, Christina T.
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The Language of Comics: Word and Image - Taschenbuch

ISBN: 9781578064144

[ED: Taschenbuch], [PU: UNIV PR OF MISSISSIPPI], In our culture, which depends increasingly on images of instruction and recreation, it is important to ask hwo words and images make imeaning when they are combined. Comics, one of the most widely read media oif the twentitth century, serves as an ideal for focusing on an investigation on the word-and-image question. pThis collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in iLe Chat Noir/i David A. Berona, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in iThe Road Runner/i are more persuasive that words. pN. C. Christopher Couch-writing on iThe Yellow Kid/i--and Robert C. Harvey-discussing early iNew Yorker/i cartoons-are both interest Versandfertig in 2-4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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The Language of Comics - Robin Varnum; Christina T. Gibbons
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The Language of Comics - Taschenbuch

2002, ISBN: 9781578064144

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The Language of Comics: Word and Image

In our culture, which depends increasingly on images of instruction and recreation, it is important to ask hwo words and images make imeaning when they are combined. Comics, one of the most widely read media oif the twentitth century, serves as an ideal for focusing on an investigation on the word-and-image question. This collection of essays attempts to give an answer. The first six see words and images as separate art forms that play with or against each other. David Kunzle finds that words restrict the meaning of the art of Adolphe Willette and Theophile-Alexandre Steinlen in "Le Chat Noir" David A. Berona, examining wordless novels, argues that the ability to read pictures depends on the ability to read words. Todd Taylor draws on classical rhetoric to demonstrate that images in "The Road Runner" are more persuasive that words. N. C. Christopher Couchwriting on "The Yellow Kid"--and Robert C. Harveydiscussing early "New Yorker" cartoonsare both interest

Detailangaben zum Buch - The Language of Comics: Word and Image


EAN (ISBN-13): 9781578064144
ISBN (ISBN-10): 1578064147
Taschenbuch
Erscheinungsjahr: 2007
Herausgeber: UNIV PR OF MISSISSIPPI
222 Seiten
Gewicht: 0,390 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 25.05.2007 04:29:07
Buch zuletzt gefunden am 28.09.2017 23:43:43
ISBN/EAN: 9781578064144

ISBN - alternative Schreibweisen:
1-57806-414-7, 978-1-57806-414-4


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