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A treatise on harmony: containing the chief rules for composing in two, three, and four parts. Dedicated to all lovers of musick, by an admirer of ... alter'd, enlarg'd and illustrated - See Notes Multiple Contributors
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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See Notes Multiple Contributors:
A treatise on harmony: containing the chief rules for composing in two, three, and four parts. Dedicated to all lovers of musick, by an admirer of ... alter'd, enlarg'd and illustrated - Taschenbuch

2014, ISBN: 9781170319642

ID: 568217788

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T101702 Titlepage and the conjugate dedication leaf are cancels. Text and register are continuous despite pagination. London : printed for B. Tooke; and D. Midwinter, 1712. [4],xvi,48,51-173,[1]p.,6 plates ; 8° Weight:0.83 lbs, Gale ECCO, Print Editions, 5/28/2010 0:00:00, The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Cambridge University Library T176508 Dublin : printed for Luke White, 1779. [4],180p. : music ; 8° Weight:0.77 lbs, Gale ECCO, Print Editions, 8/6/2010 0:00:00, The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Harvard University Graduate School of Education Gutman N022941 Parallel French and English titlepages and text. Duplicate pagination. [Calcutta] : London. Calcutta reprinted by G. Manuel, 1795. [5],92,92p. ; 8° Weight:0.78 lbs, Gale ECCO, Print Editions, 6/10/2010 0:00:00, The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Bodleian Library (Oxford) T194549 The second volume has an engraved titlepage: 'A treatise of architecture with remarks and observations. By that excellent master thereof Sebastian Le Clerc .. Engraven in two hundred copper plates by John Sturt. Translated by Mr. Chambers' with the imprint: Sold by Mr. Bateman and Mr. Taylor. Will and John Innys. Mr. Osbourn, Mr. Senex. Mr. Sam. Tooke & Mr. Ben. Motte. And John Sturt. London 1724. It contains a frontispiece, an engraved dedication and 181 plates. First published in French in Paris in 1714. London : printed: and sold by W. Taylor: W. and J. Innys; J. Senex, and J. Osborne, 1723-24. 2v.,plates : port. ; 8° Weight:0.78 lbs, Gale ECCO, Print Editions, 6/10/2010 0:00:00, Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy. Weight:0.71 lbs, HardPress Publishing, 1/10/2012 0:00:00, Pranava Books, 2007. New. New. 2007. Reprinted from 1837 edition. PRANAVA BOOKS edition. This is a quality reprint of an old book of historical value. This is an exact/strict reproduction, no changes has been made in respect to the original text. A lot of effort has been made to check and improve each page/scan manually for its quality of text and illustrations (if any, are in b/w). This is not a retyped or an ocr'd book. The title of the book, on the cover, is in gold lettering., Pranava Books, 2007, Yale University Press, New Haven & London: 1997. Softcover. Brand new book. Born three hundred years ago in Smithfield, London, William Hogarth established himself as a central figure in eighteenth-century English culture through his paintings, engravings, and outspoken art criticism. In this new edition of Hogarth's Analysis of Beauty Ñ a unique work combining theory with practical advice on painting Ñ Ronald Paulson includes the complete text of the original work; an introduction that places the Analysis in the tradition of aesthetic treatises and Hogarth's own "moral" works; extensive annotation of the text and accompanying illustrations; and illuminating manuscript passages that Hogarth omitted from the final printed version. In the development of English aesthetics, the Analysis of Beauty takes a position of high significance. Hogarth's stature in his own time suggests the importance of his attempt to systematize and theorize his own artistic practice. What he proposes is an aesthetics of the middle range, subordinating both the Beautiful and the Sublime to the everyday world of human choice and contingencyÑessentially the world of Hogarth's own modern moral subjects, his engraved works. Ronald Paulson is Mayer Professor of the Humanities at Johns Hopkins University. He is the author of many books, including a biography of Hogarth, a catalogue of his engravings, and studies of Hogarth in the contexts of eighteenth-century painting, literature, and the British tradition of aesthetics. ISBN: 0300073461., Yale University Press, New Haven & London: 1997, This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++, Nabu Press, 11/27/2011 0:00:00, The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T022366 Translated from the Italian by N. Du Bois. Imprint to vol.2 (i.e. 'book the third) reads: 'London, Printed for the author.'. London : printed by John Darby, for the author, and all the plates by John Vantack, 1721. 2v.,plates(some fold.) : ill.port. ; 2° Weight:0.84 lbs, Gale ECCO, Print Editions, 10/21/2010 0:00:00, The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Library of Congress T174022 First published in 1759 as 'A treatise on civil architecture'. London : printed by Joseph Smeeton. Sold by T. Cadell; I. and J. Taylor; J. Walter; R. Robson; and R. Sayer, 1791. [4],137,[1]p.,plates ; 2° Weight:0.85 lbs, Gale ECCO, Print Editions, 8/6/2010 0:00:00, ReInk Books, 2014. Paperback. New. ReInk Books reprint from the 1922 edition. This paperback book is SEWN perfect bound, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of paperback binding. It can also be open wide. The pages will not fall out and will be around for a lot longer than normal paperbacks. NO changes have been made to the original text. Each page is checked manually before printing. Illustrations, Index, if any, are included in b/w. Fold-outs, if any, are not part of the book. If the original book was printed in multiple volumes than this reprint is of only a single volume. (Original publisher: London : George Allen & Unwin), ReInk Books, 2014, ReInk Books, 2014. Paperback. New. ReInk Books reprint from the 1817 edition. This paperback book is SEWN perfect bound, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of paperback binding. It can also be open wide. The pages will not fall out and will be around for a lot longer than normal paperbacks. NO changes have been made to the original text. Each page is checked manually before printing. Illustrations, Index, if any, are included in b/w. Fold-outs, if any, are not part of the book. If the original book was printed in multiple volumes than this reprint is of only a single volume. (Volume - v.2) (Original publisher: London, E. Orme), ReInk Books, 2014, This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. Weight:0.93 lbs, Nabu Press, 8/2/2010 0:00:00, The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T077972 Sometimes attributed to Dr J. C. Pepusch and James Hamilton, 7th Earl of Abercorn. With a final errata leaf. London : printed by W. Pearson, 1731. [4],227,[3]p. : music ; obl.12° Weight:0.93 lbs, Gale ECCO, Print Editions, 6/1/2010 0:00:00

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A treatise on harmony: containing the chief rules for composing in two, three, and four parts. Dedicated to all lovers of musick, by an admirer of this agreeable science. The second edition, alter'd, enlarg'd and illustrated ...
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A treatise on harmony: containing the chief rules for composing in two, three, and four parts. Dedicated to all lovers of musick, by an admirer of this agreeable science. The second edition, alter'd, enlarg'd and illustrated ... - neues Buch

ISBN: 9781170319642

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:++++British LibraryT077972Sometimes attributed to Dr J. C. Pepusch and James Hamilton, 7th Earl of Abercorn. With a final errata leaf.London : printed by W. Pearson, 1731. [4],227,[3]p. : music ; obl.12° Books Books ~~ Art~~ History ~~ General treatise-on-harmony~~See-Notes-Multiple-Contributors Gale ECCO, Print Editions

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A Treatise on Harmony: Containing the Chief Rules for Composing in Two, Three, and Four Parts. Dedicated to All Lovers of Musick, by an Admir - Multiple Contributors, See Notes
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Multiple Contributors, See Notes:
A Treatise on Harmony: Containing the Chief Rules for Composing in Two, Three, and Four Parts. Dedicated to All Lovers of Musick, by an Admir - Taschenbuch

2010, ISBN: 1170319645, Lieferbar binnen 4-6 Wochen Versandkosten:Versandkostenfrei innerhalb der BRD

ID: 9781170319642

Internationaler Buchtitel. In englischer Sprache. Verlag: Gale Ecco, Print Editions, 232 Seiten, L=189mm, B=246mm, H=12mm, Gew.=422gr, [GR: 25830 - TB/Kunstgeschichte], [SW: - Art & Art Instruction], Kartoniert/Broschiert

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Detailangaben zum Buch - A Treatise on Harmony: Containing the Chief Rules for Composing in Two, Three, and Four Parts. Dedicated to All Lovers of Musick, by an Admir


EAN (ISBN-13): 9781170319642
ISBN (ISBN-10): 1170319645
Taschenbuch
Erscheinungsjahr: 2010
Herausgeber: Gale Ecco, Print Editions
232 Seiten
Gewicht: 0,422 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 25.09.2011 23:13:30
Buch zuletzt gefunden am 09.10.2014 06:04:19
ISBN/EAN: 9781170319642

ISBN - alternative Schreibweisen:
1-170-31964-5, 978-1-170-31964-2


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