2017, ISBN: 9780961698256

Taschenbuch, Gebundene Ausgabe, Erstausgabe

PORTLAND: CHARLES SELUZICKI, FINE BOOKS.. Near Fine with no dust jacket. 1987. First Edition; First Printing. Softcover. SIGNED Limited edition. #33 of 187 numbered copies. Printed by Bar… Mehr…

PORTLAND: CHARLES SELUZICKI, FINE BOOKS.. Near Fine with no dust jacket. 1987. First Edition; First Printing. Softcover. SIGNED Limited edition. #33 of 187 numbered copies. Printed by Barbara Cash at the Ives Street Press in Sweden, Maine. Near fine in mauve wrappers. (Hint of dis-coloration at edges.1/4"-inch tear at base of front cover. ) Four prose poems. (B) ., CHARLES SELUZICKI, FINE BOOKS., 1987, 4, David Zwirner Books, 2017-03-28. First Edition. Hardcover. Near Fine/No Dust Jacket Issued. Near fine hardcover, from a private collection. Text and artwork unmarked and clean. Binding is tight, sturdy, and square. Pages and photos are bright, corners sharp, exterior looks like new (pictorial boards - no DJ issued). No other printings listed - 1st printing. Ships from Dinkytown in Minneapolis, Minnesota. Due to the size/weight of this book extra charges may apply for international shipping., David Zwirner Books, 2017-03-28, 4, David Zwirner Books, New York & London, 2017. 1st Edition. HARDCOVER. 4to in colour printed thick boards, 139pp on thick art paper, colour plates, etc . . . . . . . . .. .CONDITION : NEW unread and unmarked copy. An excellent copy. . . . . . . . . . . . NOTE Due to size and/or weight shipping to destinations outside the UK will cost more than the price shown above. Orders made by card will be completed after you have approved the extra cost.... . . . . . . . . . . . . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . . . . . . . We always ship in PROTECTIVE CARD PARCELS, David Zwirner Books, New York & London, 2017, 0, Hampton Univ, 1991-06-01. Hardcover. Like New. [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. <br> "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection <br> Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. <br> This is an oversized or heavy book, which requires additional postage for international delivery outside the US., Hampton Univ, 1991-06-01, 5<

2000, ISBN: 9780961698256

Princeton University Press, 1994-06-13. Hardcover. Used:Good., Princeton University Press, 1994-06-13, 0, Hampton Univ, 1991-06-01. Hardcover. Like New. [From the library of Dr. Ralph … Mehr…

Princeton University Press, 1994-06-13. Hardcover. Used:Good., Princeton University Press, 1994-06-13, 0, Hampton Univ, 1991-06-01. Hardcover. Like New. [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. <br> "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection <br> Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. <br> This is an oversized or heavy book, which requires additional postage for international delivery outside the US., Hampton Univ, 1991-06-01, 5<

2000, ISBN: 9780961698256

Hampton Univ, 1991-06-01. Hardcover. Like New. [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding a… Mehr…

Hampton Univ, 1991-06-01. Hardcover. Like New. [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. <br> "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection <br> Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. <br> This is an oversized or heavy book, which requires additional postage for international delivery outside the US., Hampton Univ, 1991-06-01, 5<

1991, ISBN: 096169825X

[EAN: 9780961698256], Gebraucht, wie neu, [PU: Hampton Univ], [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Dust jacket in protective mylar cover. G… Mehr…

[EAN: 9780961698256], Gebraucht, wie neu, [PU: Hampton Univ], [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Dust jacket in protective mylar cover. Good binding and cover. Minor shelf wear. Clean, unmarked pages. "Jacob Armstead Lawrence was born in Atlantic City, New Jersey, in 1917. The son of Southern migrants, he moved with his mother and sister to Harlem in 1930 at age 13. There, during his participation in community art workshops, Lawrence quickly discovered his love of art through the encouragement of teachers such as painter Charles Alston. Throughout the 1930s, Lawrence's art was inspired by the cultural visionaries of the Harlem Renaissance. In 1938, Lawrence had his first solo exhibition at the Harlem YMCA and started working for the WPA Federal Art Project. In 1940, he received a grant from the Rosenwald Foundation to create a 60-panel epic, The Migration of the Negro (now known as The Migration Series); when the series was exhibited at Edith Halpert's Downtown Gallery the following year, the then 23-year-old artist catapulted to national acclaim. In the ensuing decades, Lawrence continued to create paintings drawn from the African American experience as well as historical and contemporary themes, such as war, religion, and civil rights. He taught with Josef Albers at Black Mountain College in North Carolina in 1946 and later at the Skowhegan School of Painting and Sculpture in Maine. He moved to Seattle in 1971, teaching at the University of Washington until 1983. During his later years, Lawrence worked in a variety of media, including large-scale murals, silkscreen prints, and book illustrations. Until his death in 2000, Lawrence honed a unique visual language of abstraction that remained steeped in the human condition." - Phillips Collection Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement. This is an oversized or heavy book, which requires additional postage for international delivery outside the US., Books<

1991, ISBN: 096169825X

[EAN: 9780961698256], usado, bom estado, [SC: 424.78], [PU: Hampton Univ 1991-06-01], Item is in good condition. Some moderate creases and wear. This item may not come with CDs or additio… Mehr…

[EAN: 9780961698256], usado, bom estado, [SC: 424.78], [PU: Hampton Univ 1991-06-01], Item is in good condition. Some moderate creases and wear. This item may not come with CDs or additional parts including access codes for textbooks. This may not have a dust jacket. Might be an ex-library copy and contain writing/highlighting. Photos are stock pictures and not of the actual item., Books<