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Inflections Of The Pen
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ISBN: 9780813119885

ID: 17921259

Emily Dickinson's life and art have fascinated-and perplexed-the poet's admirers for more than a century. One of the most hotly debated elements of Dickinson's poetry has been her unconventional USE of punctuation. Now, in Inflections of the Pen: Dash and Voice in Emily Dickinson. Paul Crumbley unravels many of these stylistic mysteries in his careful examination of manuscript versions of her Emily Dickinson's life and art have fascinated-and perplexed-the poet's admirers for more than a century. One of the most hotly debated elements of Dickinson's poetry has been her unconventional USE of punctuation. Now, in Inflections of the Pen: Dash and Voice in Emily Dickinson. Paul Crumbley unravels many of these stylistic mysteries in his careful examination of manuscript versions of her poems-including selections from the fascicles, Dickinson's own handbound gatherings of her poems-and of Dickinson's letters. Crumbley argues that the dash is the key to deciphering the poet's complex experiments with poetic voice. From the time of Dickinson's first editors, Mable Loomis Todd and Thomas Wentworth Higginson, standard versions of her poetry have tended to normalize the poems. Designated as either em- or en-dashes in print by all but a few recent editors, Dickinson's dash marks in the holograph versions vary tremendously in length, height, and angle. According to Crumbley, these varied dashes suggest subtle gradations of inflection and syntactic disjunction. The printed poems give the impression of a unified voice, whereas the dashes that appear in the manuscript disrupt conventional thought patterns and suggest multiple voices. The dash, therefore, becomes Dickinson's most expressive visual signal. Crumbley believes that Dickinson's unorthodox practice grants her readers the right to question linguistic authority. No one voice seems to have primacy in Dickinson's poetry. Instead, the poems provoke multiple readings that simultaneously affirm and challenge the dominant social and political values of nineteenth-century America. Books, Poetry and Drama~~Literature - History & Criticism~~Literary Studies: General, Inflections Of The Pen~~Book~~9780813119885~~Paul Crumbley, , , , , , , , , ,, [PU: University Press of Kentucky]

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Inflections of the Pen - Crumbley, Paul
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ISBN: 9780813119885

[ED: Hardcover], [PU: The University Press of Kentucky], Emily Dickinson's life and art have fascinated--and perplexed--the poet's admirers for more than a century. One of the most hotly debated elements of Dickinson's poetry has been her unconventional use of punctuation. Now, in Inflections of the Pen: Dash and Voice in Emily Dickinson. Paul Crumbley unravels many of these stylistic mysteries in his careful examination of manuscript versions of her poems--including selections from the fascicles, Dickinson's own handbound gatherings of her poems--and of Dickinson's letters. Crumbley argues that the dash is the key to deciphering the poet's complex experiments with poetic voice. From the time of Dickinson's first editors, Mable Loomis Todd and Thomas Wentworth Higginson, standard versions of her poetry have tended to normalize the poems. Designated as either em- or en-dashes in print by all but a few recent editors, Dickinson's dash marks in the holograph versions vary tremendously in length, height, and angle. According to Crumbley, these varied dashes suggest subtle gradations of inflection and syntactic disjunction. The printed poems give the impression of a unified voice, whereas the dashes that appear in the manuscript disrupt conventional thought patterns and suggest multiple voices. The dash, therefore, becomes Dickinson's most expressive visual signal. Crumbley believes that Dickinson's unorthodox practice grants her readers the right to question linguistic authority. No one voice seems to have primacy in Dickinson's poetry. Instead, the poems provoke multiple readings that simultaneously affirm and challenge the dominant social and political values of nineteenth-century America. Versandfertig in 3-5 Tagen, [SC: 0.00], Neuware, gewerbliches Angebot

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Inflections of the Pen - Crumbley, Paul
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Crumbley, Paul:
Inflections of the Pen - gebunden oder broschiert

ISBN: 9780813119885

[ED: Hardcover], [PU: The University Press of Kentucky], Emily Dickinson's life and art have fascinated--and perplexed--the poet's admirers for more than a century. One of the most hotly debated elements of Dickinson's poetry has been her unconventional use of punctuation. Now, in Inflections of the Pen: Dash and Voice in Emily Dickinson. Paul Crumbley unravels many of these stylistic mysteries in his careful examination of manuscript versions of her poems--including selections from the fascicles, Dickinson's own handbound gatherings of her poems--and of Dickinson's letters. Crumbley argues that the dash is the key to deciphering the poet's complex experiments with poetic voice. From the time of Dickinson's first editors, Mable Loomis Todd and Thomas Wentworth Higginson, standard versions of her poetry have tended to normalize the poems. Designated as either em- or en-dashes in print by all but a few recent editors, Dickinson's dash marks in the holograph versions vary tremendously in length, height, and angle. According to Crumbley, these varied dashes suggest subtle gradations of inflection and syntactic disjunction. The printed poems give the impression of a unified voice, whereas the dashes that appear in the manuscript disrupt conventional thought patterns and suggest multiple voices. The dash, therefore, becomes Dickinson's most expressive visual signal. Crumbley believes that Dickinson's unorthodox practice grants her readers the right to question linguistic authority. No one voice seems to have primacy in Dickinson's poetry. Instead, the poems provoke multiple readings that simultaneously affirm and challenge the dominant social and political values of nineteenth-century America.Versandfertig in 3-5 Tagen, [SC: 0.00]

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Inflections of the Pen - Crumbley, Paul
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Crumbley, Paul:
Inflections of the Pen - gebunden oder broschiert

ISBN: 9780813119885

[ED: Hardcover], [PU: UNIV PR OF KENTUCKY], Emily Dickinson's life and art have fascinated--and perplexed--the poet's admirers for more than a century. One of the most hotly debated elements of Dickinson's poetry has been her unconventional use of punctuation. Now, in Inflections of the Pen: Dash and Voice in Emily Dickinson. Paul Crumbley unravels many of these stylistic mysteries in his careful examination of manuscript versions of her poems--including selections from the fascicles, Dickinson's own handbound gatherings of her poems--and of Dickinson's letters. Crumbley argues that the dash is the key to deciphering the poet's complex experiments with poetic voice. From the time of Dickinson's first editors, Mable Loomis Todd and Thomas Wentworth Higginson, standard versions of her poetry have tended to normalize the poems. Designated as either em- or en-dashes in print by all but a few recent editors, Dickinson's dash marks in the holograph versions vary tremendously in length, height, and angle. According to Crumbley, these varied dashes suggest subtle gradations of inflection and syntactic disjunction. The printed poems give the impression of a unified voice, whereas the dashes that appear in the manuscript disrupt conventional thought patterns and suggest multiple voices. The dash, therefore, becomes Dickinson's most expressive visual signal. Crumbley believes that Dickinson's unorthodox practice grants her readers the right to question linguistic authority. No one voice seems to have primacy in Dickinson's poetry. Instead, the poems provoke multiple readings that simultaneously affirm and challenge the dominant social and political values of nineteenth-century America.Versandfertig in über 4 Wochen, [SC: 0.00]

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1997, ISBN: 9780813119885

ID: 1530711

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Details zum Buch
Inflections of the Pen

Emily Dickinson's life and art have fascinated - and perplexed - the poet's admirers for more than a century. One of the most hotly debated elements of Dickinson's poetry has been her unconventional use of punctuation. Now, in Inflections of the Pen: Dash and Voice in Emily Dickinson, Paul Crumbley unravels many of these stylistic mysteries in his careful examination of manuscript versions of her poems - including selections from the fascicles, Dickinson's own hand-bound gatherings of her poems - and of Dickinson's letters. Crumbley argues that the dash is the key to deciphering the poet's complex experiments with poetic voice. From the time of Dickinson's first editors, Mabel Loomis Todd and Thomas Wentworth Higginson, standard versions of her poetry have tended to normalize the poems. Designated as either em- or en-dashes in print by all but a few recent editors, Dickinson's dash marks in the holograph versions vary tremendously in length, height, and angle. According to Crumbley, these varied dashes suggest subtle gradations of inflection and syntactic disjuction. The printed poems give the impression of a unified voice, whereas the dashes that appear in the manuscripts disrupt conventional thought patterns and suggest multiple voices.

Detailangaben zum Buch - Inflections of the Pen


EAN (ISBN-13): 9780813119885
ISBN (ISBN-10): 081311988X
Gebundene Ausgabe
Erscheinungsjahr: 1996
Herausgeber: UNIV PR OF KENTUCKY
224 Seiten
Gewicht: 0,585 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 06.05.2008 14:52:19
Buch zuletzt gefunden am 05.10.2017 17:10:47
ISBN/EAN: 9780813119885

ISBN - alternative Schreibweisen:
0-8131-1988-X, 978-0-8131-1988-5


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