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The Presence of Camões: Influences on the Literature of England, America, and Southern Africa (Studies in Romance Languages) - George Monteiro
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[SR: 762480], Hardcover, [EAN: 9780813119526], University Press of Kentucky, University Press of Kentucky, Book, [PU: University Press of Kentucky], University Press of Kentucky, Of the great epic poets in the Western tradition, Luis Vaz de Camões (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Camões.Introduced to English readers in 1655, Camões's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Camões. Herman Melville's reading of Camões bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Camões. AndCamões as epicist and love poet is an éminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camões's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism.Recognizing the presence of Camões leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel., 10207, Criticism & Theory, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10243, Gothic & Romantic, 10225, Movements & Periods, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 9928, United States, 10159376011, African American, 10159377011, Asian American, 10159379011, Hispanic American, 11764667011, Regional, 10159358011, Regional & Cultural, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 9822, United States, 9823, African American, 9857, Asian American, 9882, Classics, 524198, Anthologies, 2160, Drama, 9926, Hispanic, 16004731, Humor, 9955, Native American, 9966, Poetry, 17, Literature & Fiction, 1000, Subjects, 283155, Books

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George Monteiro:
The Presence of Camões: Influences on the Literature of England, America, and Southern Africa (Studies in Romance Languages) - gebunden oder broschiert

ISBN: 0813119529

[SR: 762480], Hardcover, [EAN: 9780813119526], University Press of Kentucky, University Press of Kentucky, Book, [PU: University Press of Kentucky], University Press of Kentucky, Of the great epic poets in the Western tradition, Luis Vaz de Camões (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Camões.Introduced to English readers in 1655, Camões's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Camões. Herman Melville's reading of Camões bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Camões. AndCamões as epicist and love poet is an éminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camões's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism.Recognizing the presence of Camões leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel., 10207, Criticism & Theory, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10243, Gothic & Romantic, 10225, Movements & Periods, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 9928, United States, 10159376011, African American, 10159377011, Asian American, 10159379011, Hispanic American, 11764667011, Regional, 10159358011, Regional & Cultural, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 9822, United States, 9823, African American, 9857, Asian American, 9882, Classics, 524198, Anthologies, 2160, Drama, 9926, Hispanic, 16004731, Humor, 9955, Native American, 9966, Poetry, 17, Literature & Fiction, 1000, Subjects, 283155, Books

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The Presence of CAM?Es - Manteiro, George Monteiro, George
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[ED: Hardcover], [PU: The University Press of Kentucky], Of the great epic poets in the Western tradition, Luis Vaz de Camoes (c. 1524-1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground. Combining textual analysis with cultural investigation, he focuses on English-language writers whose vision and expression have been sharpened by their varied responses to Camoes. Introduced to English readers in 1655, Camoes's work from the beginning appealed strongly to writers. His Os Lustadas so affected William Hayley's theory of the epic that he commissioned William Blake to paint Camoes's portrait and advised poet Joel Barlow to recast his New World epic along Camonean lines. Robert Southey's disappointment with Lord Strangford's translation of Camoes encouraged him to try his own versions. And the young Elizabeth Barrett's Camonean poems inspired Edgar Allan Poe to appropriate elements from the same source. Herman Melville's reading of Camoes bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T. W. Higginson, and Emily Dickinson read and championed Camoes. And Camoes as epicist and love poet is an eminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camoes's Spirit of the Cape, as a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. Versandfertig in 3-5 Tagen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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The Presence of Cam?es : Influences on the Literature of England, America and Southern Africa - George Monteiro
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Of the great epic poets in the Western tradition, Luis Vaz de Cam?es (c. 1524- 1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground, focusing on English-language writers whose vision and expression have been sharpened by their varied responses to Cam?es. Introduced to English readers in 1655, Cam?es's work from the beginning appealed strongly to writers. The young Elizabeth Barrett's Camonean poems, for example, inspired Edgar Allan Poe to appropriate elements from Cam?es. Herman Melville's reading of Cam?es bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T.W. Higginson, and Emily Dickinson read and championed Cam?es. AndCam?es as epicist and love poet is an ?minence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Cam?es's Spirit of the Cape, as both a symbol of a dangerous and mysterious Africa and an emblem of European imperialism. Recognizing the presence of Cam?es leads Monteiro to provocative rereadings of such texts as Dickinson's "Master" letters, Poe's "Raven," Melville's late poetry, and Bishop's Questions of Travel . american literature,criticism and theory,gothic and romantic,history and criticism,humanities,literary criticism,literary criticism and collections,literature,literature and fiction,movements and periods Humanities, University Press of Kentucky

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The Presence of CAM?Es - George Manteiro
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The Presence of CAM?Es: Influences on the Literature of England, America, and Southern Africa

Of the great epic poets in the Western tradition, Luis Vaz de Camoes (c. 1524-1580) remains perhaps the least known outside his native Portugal, and his influence on literature in English has not been fully recognized. In this major work of comparative scholarship, George Monteiro thus breaks new ground. Combining textual analysis with cultural investigation, he focuses on English-language writers whose vision and expression have been sharpened by their varied responses to Camoes. Introduced to English readers in 1655, Camoes's work from the beginning appealed strongly to writers. His Os Lustadas so affected William Hayley's theory of the epic that he commissioned William Blake to paint Camoes's portrait and advised poet Joel Barlow to recast his New World epic along Camonean lines. Robert Southey's disappointment with Lord Strangford's translation of Camoes encouraged him to try his own versions. And the young Elizabeth Barrett's Camonean poems inspired Edgar Allan Poe to appropriate elements from the same source. Herman Melville's reading of Camoes bore fruit in his career-long borrowings from the Portuguese poet. Longfellow, T. W. Higginson, and Emily Dickinson read and championed Camoes. And Camoes as epicist and love poet is an eminence grise in several of Elizabeth Bishop's strongest Brazilian poems. Southern African writers have interpreted and reinterpreted Adamastor, Camoes's Spirit of the Cape, as a symbol of a dangerous and mysterious Africa and an emblem of European imperialism.

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EAN (ISBN-13): 9780813119526
ISBN (ISBN-10): 0813119529
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 1996
Herausgeber: UNIV PR OF KENTUCKY
200 Seiten
Gewicht: 0,431 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 28.05.2007 15:15:50
Buch zuletzt gefunden am 06.01.2018 16:28:31
ISBN/EAN: 9780813119526

ISBN - alternative Schreibweisen:
0-8131-1952-9, 978-0-8131-1952-6


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