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Rosenblum, Robert et al.:

1900: Art at the Crossroads - Taschenbuch

2006, ISBN: 9780810927063

Gebundene Ausgabe, ID: 1016011352

Bruxelles - Paris: Galerie Isy Brachot, 1988 Exhibition catalogue Galerie Isy Brachot, Brussels, Paris, 1988. Text: French/Dutch/English. Unpaginated (36 pages), ill., 22 x 30 cm; 240 g. … Mehr…

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Robert Rosenblum, Maryanne Stevens, Ann Dumas:

1900: Art at the Crossroads - Taschenbuch

2000, ISBN: 9780810927063

ID: 1126618826

Harry N. Abrams, May 2000. Trade Paperback. As New. This is a nice book with no writing or highlighting. We are real people in a real bookstore, contact us with any questions (preferrab… Mehr…

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1900 : Art at the Crossroads - Ann Dumas; Robert Rosenblum; MaryAnne Stevens
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Ann Dumas; Robert Rosenblum; MaryAnne Stevens:
1900 : Art at the Crossroads - gebrauchtes Buch

ISBN: 0810927063

ID: 19118536

1900 : Art at the Crossroads art,arts music and photography,education and reference,history,history and criticism,painting,teen and young adult Painting, Abrams, Inc.

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ROSENBLUM, Robert & STEVENS, Maryanne & DUMAS, Ann:
1900: Art at the Crossroads - gebrauchtes Buch

ISBN: 9780810927063

ID: 1050446928

Very Good. Used book in very good condition. Some cover wear, may contain a few marks. 100% guaranteed. 060119

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Rosenblum, Robert:
1900: Art at the Crossroads (Bomc Edition) - gebrauchtes Buch

ISBN: 9780810927063

ID: 9780810927063

Softcover book. 445 pages. Published by Abrams Books for Young Readers Media > Book, [PU: Harry N. Abrams]

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Details zum Buch
1900: Art at the Crossroads

At the turn of the last century, academic painters were producing formal works, often with strongly moral overtones, at the same time that a generation of younger artists like Picasso, Matisse, and Kandinsky were exploring revolutionary new methods and ideas. By presenting the range of styles vying for attention at a single point in time, the authors of 1900: Art at the Crossroads challenge the idea of art as a linear progression. The book is the lavish catalog of an exhibition organized by the Royal Academy of London and the Guggenheim Museum in New York. Its schizophrenic theme is suggested in the title of the first essay, "Art in 1900: Twilight or Dawn?" The material is organized into concepts established by the French Academy two centuries earlier--still life, the nude, landscapes, and history paintings--plus sections with more modern relevance such as cityscapes and bathers. Arranging works by theme rather than by artist or movement allows for some brilliant juxtapositions: a classical naked Danae by Carolus-Duran is paired with an abstracted Degas nude; a sentimental study of crippled boys by Bastida with a vicious Munch mother-and-child (both paintings titled Inheritance). The preoccupations of fin-de-siècle society emerge; several different treatments of Salome with the severed head of John the Baptist, for example, embody male fears of the femme fatale and her threat to bourgeois values. The book ends with a useful 70-page section of artist biographies. 1900 is a beautifully produced and stimulating study of a pivotal point in European art history. --John Stevenson

Detailangaben zum Buch - 1900: Art at the Crossroads


EAN (ISBN-13): 9780810927063
ISBN (ISBN-10): 0810927063
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2000
Herausgeber: Harry N. Abrams 2000-05

Buch in der Datenbank seit 2007-05-26T17:00:57+02:00 (Berlin)
Detailseite zuletzt geändert am 2020-03-17T14:44:22+01:00 (Berlin)
ISBN/EAN: 9780810927063

ISBN - alternative Schreibweisen:
0-8109-2706-3, 978-0-8109-2706-3


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