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Tradition And The Individual Poem
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ISBN: 9780804742351

ID: 17916263

Anthologies have been a powerful force in poetry and criticism in English ever since the earliest extant book of this kind was published in the sixteenth century. A theoretical, historical, and critical inquiry, Anne Ferry's book looks in detail at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations. Anthologies have been a powerful force in poetry and criticism in English ever since the earliest extant book of this kind was published in the sixteenth century. A theoretical, historical, and critical inquiry, Anne Ferry's book looks in detail at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers' experiences of the poems. In an anthology the work of many poets is selected and arranged by someone whose aim is to make, out of the writings of others, a book of which the anthologist is the author. Part I explains the classifying terms and defining dimensions - conceptual, spatial, temporal - that make the anthology a unique kind of book. It also explores and illustrates the ways that the presence of the anthologist - in arranging, annotating, titling, and revising the poems - directs how they are read. As examples, Ferry focuses on the three most historically influential of anthologies: Richard Tottel's Songes and Sonettes, Thomas Percy's Reliques of Ancient English Poetry, and Francis Palgrave's The Golden Treasury. Part II asks how the poems most frequently included in anthologies get there: by what cultural situations, literary circumstances, and internal features. Examples include a group of Renaissance pastoral lyrics, three public poems of 1770, 1867, and 1955, and Elizabeth Bishop's narrative-descriptive poem "The Fish." Part III describes how poets themselves, as readers and compilers of anthologies, have used them, and how anthologies have contributed to the making of poems and the making of their reception. A Coda shows how T.S. Eliot wove certain of his writings into an imaginary anthology that figures his conception of tradition and the individual talent. Books, Poetry and Drama~~Literature - History & Criticism~~Literary Theory, Tradition And The Individual Poem~~Book~~9780804742351~~Anne Ferry, , , , , , , , , ,, [PU: Stanford University Press]

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Tradition and the Individual Poem: An Inquiry Into Anthologies - Ferry, Anne
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ISBN: 9780804742351

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Anthologies have been a powerful force in poetry and criticism in English ever since the earliest extant book of this kind was published in the sixteenth century. A theoretical, historical, and critical inquiry, Anne Ferry's book looks in detail at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers' experiences of the poems. In an anthology the work of many poets is selected and arranged by someone whose aim is to make, out of the writings of others, a book of which the anthologist is the author. Part I explains the classifying terms and defining dimensions--conceptual, spatial, temporal--that make the anthology a unique kind of book. It also explores and illustrates the ways that the presence of the anthologist--in arranging, annotating, titling, and revising the poems--directs how they are read. As examples, Ferry focuses on the three most historically influential of anthologies: Richard Tottel's "Songes and Sonettes," Thomas Percy's "Reliques of Ancient English Poetry," and Francis Palgrave's "The Golden Treasury." Part II asks how the poems most frequently included in anthologies get there: by what cultural situations, literary circumstances, and internal features. Examples include a group of Renaissance pastoral lyrics, three public poems of 1770, 1867, and 1955, and Elizabeth Bishop's narrative-descriptive poem "The Fish." Part III describes how poets themselves, as readers and compilers of anthologies, have used them, and how anthologies have contributed to the making of poems and the making of their reception. A Coda shows how T. S. Eliot wove certain of his writings into an imaginary anthology that figures his conception of tradition and the individual talent. Tradition and the Individual Poem: An Inquiry Into Anthologies Ferry, Anne, Stanford University Press

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[ED: Hardcover], [PU: STANFORD UNIV PR], A theoretical, historical, and critical inquiry, this book looks at the assumptions anthologies are predicated on, how they are put together, the treatment of the poems in them, and the effects their presentations have on their readers. Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Tradition and the Individual Poem - Anne Ferry
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2001, ISBN: 9780804742351

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Lords of Parliament - Anne Ferry
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Tradition and the Individual Poem: An Inquiry Into Anthologies

In an anthology the work of many poets is selected and arranged by someone whose aim is to make, out of the writings of others, a book of which the anthologist is the author. Part I explains the classifying terms and defining dimensions conceptual, spatial, temporal that make the anthology a unique kind of book. It also explores and illustrates the ways that the presence of the anthologist in arranging, annotating, titling, and revising the poems directs how they are read. As examples, Ferry focuses on the three most historically influential of anthologies: Richard Tottel s Songes and Sonettes, Thomas Percy s Reliques of Ancient English Poetry, and Francis Palgrave s The Golden Treasury.

Detailangaben zum Buch - Tradition and the Individual Poem: An Inquiry Into Anthologies


EAN (ISBN-13): 9780804742351
ISBN (ISBN-10): 0804742359
Gebundene Ausgabe
Erscheinungsjahr: 2002
Herausgeber: STANFORD UNIV PR
304 Seiten
Gewicht: 0,522 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 28.04.2007 06:31:03
Buch zuletzt gefunden am 14.11.2017 16:03:26
ISBN/EAN: 9780804742351

ISBN - alternative Schreibweisen:
0-8047-4235-9, 978-0-8047-4235-1


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