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Art and the French Commune
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ISBN: 9780691015552

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Art and the French Commune: Paperback: Princeton University Press: 9780691015552: 17 Jan 1997: Exploring the political forces that shaped Impressionism, this work proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"-the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"-the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism. Art & Design Styles: Impressionism & Post-Impr ..., , , , , , , , , , , ,, [PU: Princeton University Press]

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Art and the French Commune: Imagining Paris after War and Revolution - Boime, Albert
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[EAN: 9780691015552], Gebraucht, sehr guter Zustand, [PU: Princeton University Press, Princeton, NJ], History|Europe|France|General, Art|General, Philosophy|History & Surveys|General, 2nd printing. xiv, 234 pp., illus., bib. notes, index; 26 cm. With Corrections and New Material. Near fine. Tight, clean copy. Light shelfwear to wraps (slight bend, back cover). "In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a 'guilty secret'--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to 'order'--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism." - Publisher. Size: 4to - over 9¾" - 12" tall

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Art and the French Commune - Albert Boime
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In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism. art,art history,arts music and photography,design,europe,france,history,history and criticism,history and surveys,humanities Philosophy, Princeton University Press

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Art and the French Commune: Imagining Paris after War and Revolution (Princeton Series in 19th Century Art, Culture, and Society) - Albert Boime
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Albert Boime:
Art and the French Commune: Imagining Paris after War and Revolution (Princeton Series in 19th Century Art, Culture, and Society) - Taschenbuch

ISBN: 0691015554

[SR: 1103008], Paperback, [EAN: 9780691015552], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], 1997-02-06, Princeton University Press, Art and the French Commune Exploring the political forces that shaped Impressionism, this work proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology., 266898, History of Art & Architecture, 758890, Miscellaneous Biographies, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 512776, Criticism & Theory, 512756, Architecture, 512778, Modernism, 267674, Photography, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 882476, France, 271480, Europe, 65, History, 1025612, Subjects, 266239, Books, 772162, Social & Cultural, 12447631031, Jewish, 275842, LGBT, 772188, Local & Urban, 271405, Multicultural, 271433, Oral, 771714, Religious, 65, History, 1025612, Subjects, 266239, Books, 496674, Cultural Studies, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books

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Art and the French Commune: Imagining Paris after War and Revolution (Princeton Series in 19th Century Art, Culture, and Society) - Albert Boime
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Albert Boime:
Art and the French Commune: Imagining Paris after War and Revolution (Princeton Series in 19th Century Art, Culture, and Society) - Taschenbuch

ISBN: 0691015554

[SR: 1103008], Paperback, [EAN: 9780691015552], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], 1997-02-06, Princeton University Press, Art and the French Commune Exploring the political forces that shaped Impressionism, this work proposes that at the heart of the modern is a "guilty secret" - the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology., 266898, History of Art & Architecture, 758890, Miscellaneous Biographies, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 512776, Criticism & Theory, 512756, Architecture, 512778, Modernism, 267674, Photography, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 882476, France, 271480, Europe, 65, History, 1025612, Subjects, 266239, Books, 772162, Social & Cultural, 12447631031, Jewish, 275842, LGBT, 772188, Local & Urban, 271405, Multicultural, 271433, Oral, 771714, Religious, 65, History, 1025612, Subjects, 266239, Books, 496674, Cultural Studies, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books

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Details zum Buch
Art and the French Commune: Imagining Paris After War and Revolution
Autor:

Boime, Albert

Titel:

Art and the French Commune: Imagining Paris After War and Revolution

ISBN-Nummer:

"Quite stimulating--a heady mix of political and art history. Albert Boime does a first-rate job in sorting out the ways Impressionism was shaped by various political orientations."--Philip Nord

Detailangaben zum Buch - Art and the French Commune: Imagining Paris After War and Revolution


EAN (ISBN-13): 9780691015552
ISBN (ISBN-10): 0691015554
Taschenbuch
Erscheinungsjahr: 1997
Herausgeber: PRINCETON UNIV PR
256 Seiten
Gewicht: 0,535 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 11.05.2007 12:41:18
Buch zuletzt gefunden am 12.08.2017 12:34:41
ISBN/EAN: 9780691015552

ISBN - alternative Schreibweisen:
0-691-01555-4, 978-0-691-01555-2


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