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Epic and Empire - David Quint
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David Quint:
Epic and Empire - Taschenbuch

ISBN: 0691015201

[SR: 1855170], Paperback, [EAN: 9780691015200], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form., 10207, Criticism & Theory, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10233, Medieval, 10225, Movements & Periods, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10159346011, Ancient & Classical, 10225, Movements & Periods, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 271602011, European, 10159366011, Eastern, 10159367011, British & Irish, 10159368011, French, 10159370011, German, 10159371011, Italian, 10159372011, Scandinavian, 10159373011, Spanish & Portuguese, 10159358011, Regional & Cultural, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10254, Epic, 10159396011, Themes & Styles, 10248, Poetry, 17, Literature & Fiction, 1000, Subjects, 283155, Books

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Epic and Empire - David Quint
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
David Quint:
Epic and Empire - Taschenbuch

ISBN: 0691015201

[SR: 1855170], Paperback, [EAN: 9780691015200], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form., 10207, Criticism & Theory, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10233, Medieval, 10225, Movements & Periods, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10159346011, Ancient & Classical, 10225, Movements & Periods, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 271602011, European, 10159366011, Eastern, 10159367011, British & Irish, 10159368011, French, 10159370011, German, 10159371011, Italian, 10159372011, Scandinavian, 10159373011, Spanish & Portuguese, 10159358011, Regional & Cultural, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10254, Epic, 10159396011, Themes & Styles, 10248, Poetry, 17, Literature & Fiction, 1000, Subjects, 283155, Books

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Epic and Empire: Politics and Generic Form from Virgil to Milton - David Quint
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Epic and Empire: Politics and Generic Form from Virgil to Milton - neues Buch

ISBN: 9780691015200

ID: 862944318

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the ´´Iliad,´´ kept alongside a † on a more pronounced ideological level, ancient Romans looked to the ´´Aeneid´´ as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors´ side (the ´´Aeneid´´ itself, Camoes´s ´´Lusiadas,´´ Tasso´s ´´Gerusalemme liberata´´) and the countervailing epic of the defeated and of republican liberty (Lucan´s ´´Pharsalia,´´ Ercilla´s ´´Araucana,´´ and d´Aubigne´s ´´Les tragiques´´). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with ´´romance,´´ the story told of and by the defeated.Quint situates ´´Paradise Lost´´ and ´´Paradise Regained´´ within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein´s epic film, ´´Alexander Nevsky.´´ Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, ´´Epic and Empire´´ provides new models for exploring the relationship between ideology and literary form. Politics and Generic Form From Virgil to Milton Buch (fremdspr.) Taschenbuch 01.02.1993 Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press, .199

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Epic and Empire
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Epic and Empire - neues Buch

ISBN: 9780691015200

ID: 9780691015200

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form. Books, [PU: Princeton University Press]

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Epic and Empire: Politics and Generic Form from Virgil to Milton (Literature in History) - David Quint
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Epic and Empire: Politics and Generic Form from Virgil to Milton (Literature in History) - Taschenbuch

ISBN: 0691015201

[SR: 670728], Taschenbuch, [EAN: 9780691015200], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, 66093011, Klassiker, 66034011, Belletristik, 54071011, Genres, 52044011, Fremdsprachige Bücher, 273045011, Europäisch, 67931011, Geschichte & Kritik, 66034011, Belletristik, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Epic and Empire: Politics and Generic Form from Virgil to Milton

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the "Iliad," kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the "Aeneid" as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the "Aeneid" itself, Camoes's "Lusiadas," Tasso's "Gerusalemme liberata") and the countervailing epic of the defeated and of republican liberty (Lucan's "Pharsalia," Ercilla's "Araucana," and d'Aubigne's "Les tragiques"). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated.Quint situates "Paradise Lost" and "Paradise Regained" within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, "Alexander Nevsky." Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, "Epic and Empire" provides new models for exploring the relationship between ideology and literary form.

Detailangaben zum Buch - Epic and Empire: Politics and Generic Form from Virgil to Milton


EAN (ISBN-13): 9780691015200
ISBN (ISBN-10): 0691015201
Taschenbuch
Erscheinungsjahr: 1993
Herausgeber: PRINCETON UNIV PR
448 Seiten
Gewicht: 0,608 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 22.03.2007 13:18:39
Buch zuletzt gefunden am 22.09.2018 11:29:49
ISBN/EAN: 9780691015200

ISBN - alternative Schreibweisen:
0-691-01520-1, 978-0-691-01520-0


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