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Rich and Strange: Gender, History, Modernism - Marianne DeKoven
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Like the products of the sea-change described in Ariel''s song in The Tempest, modernist writing is rich and strange. Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. Marianne DeKoven, Books, Fiction and Literature, Rich and Strange: Gender, History, Modernism Books>Fiction and Literature, Princeton University Press

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Rich and Strange: Gender, History, Modernism - Dekoven, Marianne
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[ED: Taschenbuch], [PU: PRINCETON UNIV PR], Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. 257 pages Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Rich and Strange: Gender, History, Modernism - DeKoven, Marianne
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Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. Rich and Strange: Gender, History, Modernism DeKoven, Marianne, Princeton University Press

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Rich and Strange: Gender, History, Modernism - Marianne Dekoven
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Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. Rich and Strange: Gender, History, Modernism Bücher > Fremdsprachige Bücher > Englische Bücher Taschenbuch 01.10.1991 Buch (fremdspr.), Princeton University Press, .199

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Rich and Strange: Gender, History, Modernism Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-691-01496-8, Princeton University Press

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Details zum Buch
Rich and Strange: Gender, History, Modernism
Autor:

DeKoven, Marianne

Titel:

Rich and Strange: Gender, History, Modernism

ISBN-Nummer:

Like the products of the 'sea-change' described in Ariel's song in "The Tempest", modernist writing is 'rich and strange'. This book argues to the contrary maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism.

Detailangaben zum Buch - Rich and Strange: Gender, History, Modernism


EAN (ISBN-13): 9780691014968
ISBN (ISBN-10): 0691014965
Taschenbuch
Erscheinungsjahr: 1991
Herausgeber: PRINCETON UNIV PR
264 Seiten
Gewicht: 0,381 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 20.02.2007 09:02:35
Buch zuletzt gefunden am 25.05.2017 22:06:54
ISBN/EAN: 9780691014968

ISBN - alternative Schreibweisen:
0-691-01496-5, 978-0-691-01496-8


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