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Mists of Regret: Culture and Sensibility in Classic French Film - Dudley Andrew
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Just before World War II, French cinema reached a high point that has been dubbed the style of poetic realism. Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carné, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made. Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Dudley Andrew, Books, Entertainment, Mists of Regret: Culture and Sensibility in Classic French Film Books>Entertainment, Princeton University Press

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Mists of Regret: Culture and Sensibility in Classic French Film - Dudley Andrew
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Culture and Sensibility in Classic French Film Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carne, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made.Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-691-00883-7, Princeton University Press

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Just before World War II, French cinema reached a high point that has been dubbed the style of ´´poetic realism.´´ Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carne, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made.Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts. Culture and Sensibility in Classic French Film Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press

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Mists of Regret: Culture and Sensibility in Classic French Film - Dudley Andrew
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Mists of Regret: Culture and Sensibility in Classic French Film Mists-of-Regret-Culture-and-Sensibility-in-Classic-French-Film~~Dudley-Andrew On Screen>Film Studies>Film Studies Paperback, Princeton University Press

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Mists of Regret: Culture and Sensibility in Classic French Film

Just before World War II, French cinema reached a high point that has been dubbed the style of "poetic realism." Working with unforgettable actors like Jean Gabin and Arletty, directors such as Renoir, Carne, Gremillon, Duvivier, and Chenal routinely captured the prizes for best film at every festival and in every country, and their accomplishments led to general agreement that the French were the first to give maturity to the sound cinema. Here the distinguished film scholar Dudley Andrew examines the motivations and consequences of these remarkable films by looking at the cultural web in which they were made.Beyond giving a rich view of the life and worth of cinema in France, Andrew contributes substantially to our knowledge of how films are dealt with in history. Where earlier studies have treated the masterpieces of this era either in themselves or as part of the vision of their creators, and where certain recent scholars have reacted to this by dissolving the masterpieces back into the system of entertainment that made them possible, Andrew stresses the dialogue of culture and cinema. In his view, the films open questions that take us into the culture, while our understanding of the culture gives energy, direction, and consequence to our reading of the films. The book demonstrates the value of this hermeneutic approach for one set of texts and one period, but it should very much interest film theorists and film historians of all sorts.

Detailangaben zum Buch - Mists of Regret: Culture and Sensibility in Classic French Film


EAN (ISBN-13): 9780691008837
ISBN (ISBN-10): 0691008833
Taschenbuch
Erscheinungsjahr: 1995
Herausgeber: PRINCETON UNIV PR
384 Seiten
Gewicht: 0,617 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 01.11.2007 10:46:31
Buch zuletzt gefunden am 14.02.2017 23:12:09
ISBN/EAN: 9780691008837

ISBN - alternative Schreibweisen:
0-691-00883-3, 978-0-691-00883-7


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