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Dvorak and His World - Beckerman, Michael (ed.)
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Beckerman, Michael (ed.):
Dvorak and His World - Taschenbuch

ISBN: 9780691000978

[ED: Taschenbuch], [PU: PRINCETON UNIV PR], Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time. Review: ... The image of the composer Antonin Dvorák as a Czech visionary who ventured into the exotic cultural habitat of nineteenth century America is brilliantly portrayed.... The five critical essays which make up the first part of the book create a multifaceted portrait of the composer within the musical vanguard of Prague and New York. (Slavic Review) Table of contents: TR Acknowledgments TD ALIGN="RIGHT" TR Introduction: Looking for Dvorak in December 1992 TD ALIGN="RIGHT"3 TR Reversing the Critical Tradition: Innovation, Modernity, and Ideology in the Work and Career of Antonin Dvorak TD ALIGN="RIGHT"11 TR Dvorak and Brahms: A Chronicle, an Interpretation TD ALIGN="RIGHT"56 TR Dvorak and the New World: A Concentrated Moment TD ALIGN="RIGHT"92 TR Dvorak: The Operas TD ALIGN="RIGHT"104 TR The Master's Little Joke: Antonin Dvorak and the Mask of Nation TD ALIGN="RIGHT"134 TR Reviews and Criticism from Dvorak's American Years: Articles by Henry Krehbiel, James Huneker, H. L. Mencken, and James Creelman TD ALIGN="RIGHT"157 TR Letters from Dvorak's American Period: A Selection of Unpublished Correspondence Received by Dvorak in the United States TD ALIGN="RIGHT"192 TR Antonin Dvorak: A Biographical Sketch TD ALIGN="RIGHT"211 TR Dvorak in the Czech Press: Unpublished Reviews and Criticism TD ALIGN="RIGHT"230 TR A Discussion of Two Tone Poems Based on Texts by Karel Jaromir Erben: The Wood Dove and The Golden Spinning Wheel TD ALIGN="RIGHT"262 TR Index of Names and Compositions TD ALIGN="RIGHT"277 TR List of Contributors TD ALIGN="RIGHT"283 296 pages - 12 halftones 61 music exs. - 9 x 6 in Versandfertig in über 4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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Dvorak and His World - Beckerman, Michael (ed.)
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Beckerman, Michael (ed.):
Dvorak and His World - Taschenbuch

ISBN: 9780691000978

[ED: Taschenbuch], [PU: PRINCETON UNIV PR], Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorák's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of Rusalka's premiere with the photographs that accompanied the article, and Janácek's analyses of the symphonic poems. Many of these documents are published in English for the first time. Review: ... The image of the composer Antonin Dvorák as a Czech visionary who ventured into the exotic cultural habitat of nineteenth century America is brilliantly portrayed.... The five critical essays which make up the first part of the book create a multifaceted portrait of the composer within the musical vanguard of Prague and New York. (Slavic Review) Table of contents: TR Acknowledgments TD ALIGN="RIGHT" TR Introduction: Looking for Dvorak in December 1992 TD ALIGN="RIGHT"3 TR Reversing the Critical Tradition: Innovation, Modernity, and Ideology in the Work and Career of Antonin Dvorak TD ALIGN="RIGHT"11 TR Dvorak and Brahms: A Chronicle, an Interpretation TD ALIGN="RIGHT"56 TR Dvorak and the New World: A Concentrated Moment TD ALIGN="RIGHT"92 TR Dvorak: The Operas TD ALIGN="RIGHT"104 TR The Master's Little Joke: Antonin Dvorak and the Mask of Nation TD ALIGN="RIGHT"134 TR Reviews and Criticism from Dvorak's American Years: Articles by Henry Krehbiel, James Huneker, H. L. Mencken, and James Creelman TD ALIGN="RIGHT"157 TR Letters from Dvorak's American Period: A Selection of Unpublished Correspondence Received by Dvorak in the United States TD ALIGN="RIGHT"192 TR Antonin Dvorak: A Biographical Sketch TD ALIGN="RIGHT"211 TR Dvorak in the Czech Press: Unpublished Reviews and Criticism TD ALIGN="RIGHT"230 TR A Discussion of Two Tone Poems Based on Texts by Karel Jaromir Erben: The Wood Dove and The Golden Spinning Wheel TD ALIGN="RIGHT"262 TR Index of Names and Compositions TD ALIGN="RIGHT"277 TR List of Contributors TD ALIGN="RIGHT"283 296 pages - 12 halftones 61 music exs. - 9 x 6 in Versandfertig in über 4 Wochen, Neuware, gewerbliches Angebot

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Dvorák and His World
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Antonin Dvorák made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorák''s career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal. The essays, which make up the first part of the book, begin with Leon Botstein''s inquiry into the reception of Dvorák''s work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorák and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the New World Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorák as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a nationalist composer. Michael Beckerman further investigates this view of Dvorák by raising the question of the role nationalism played in music of the nineteenth century. The second part of this volume presents Dvorák''s correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer''s American years, a translation of the review of Rusalka''s premiere with the photographs that accompanied the article, and Janácek''s analyses of the symphonic poems. Many of these documents are published in English for the first time. Books, Entertainment, Dvorák and His World Books>Entertainment, Princeton University Press

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Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak´s career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal.The essays, which make up the first part of the book, begin with Leon Botstein´s inquiry into the reception of Dvorak´s work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the ´´New World´´ Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a ´´nationalist´´ composer. Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century.The second part of this volume presents Dvorak´s correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer´s American years, a translation of the review of ´´Rusalka´´´s premiere with the photographs that accompanied the article, and Janacek´s analyses of the symphonic poems. Many of these documents are published in English for the first time. Dvorak and His World Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press

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Dvorak and His World Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal.The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century.The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of "Rusalka"'s premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-691-00097-8, Princeton University Press

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Dvorak and His World
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Beckerman, Michael (ed.)

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Dvorak and His World

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Antonin Dvorak made his famous trip to the United States one hundred years ago, but despite an enormous amount of attention from scholars and critics since that time, he remains an elusive figure. Comprising both interpretive essays and a selection of fascinating documents that bear on Dvorak's career and music, this volume addresses fundamental questions about the composer while presenting an argument for a radical reappraisal.The essays, which make up the first part of the book, begin with Leon Botstein's inquiry into the reception of Dvorak's work in German-speaking Europe, in England, and in America. Commenting on the relationship between Dvorak and Brahms, David Beveridge offers the first detailed portrait of perhaps the most interesting artistic friendship of the era. Joseph Horowitz explores the context in which the "New World" Symphony was premiered a century ago, offering an absorbing account of New York musical life at that time. In discussing Dvorak as a composer of operas, Jan Smaczny provides an unexpected slant on the widely held view of him as a "nationalist" composer. Michael Beckerman further investigates this view of Dvorak by raising the question of the role nationalism played in music of the nineteenth century.The second part of this volume presents Dvorak's correspondence and reminiscences as well as unpublished reviews and criticism from the Czech press. It includes a series of documents from the composer's American years, a translation of the review of "Rusalka"'s premiere with the photographs that accompanied the article, and Janacek's analyses of the symphonic poems. Many of these documents are published in English for the first time.

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EAN (ISBN-13): 9780691000978
ISBN (ISBN-10): 0691000972
Taschenbuch
Erscheinungsjahr: 1993
Herausgeber: PRINCETON UNIV PR
296 Seiten
Gewicht: 0,476 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 23.02.2008 06:53:09
Buch zuletzt gefunden am 06.04.2017 19:31:24
ISBN/EAN: 9780691000978

ISBN - alternative Schreibweisen:
0-691-00097-2, 978-0-691-00097-8


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