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Mozart: Studies of the Autograph Scores - Alan Tyson
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Alan Tyson:
Mozart: Studies of the Autograph Scores - Taschenbuch

ISBN: 0674588312

[SR: 345608], Paperback, [EAN: 9780674588318], Harvard University Press, Harvard University Press, Book, [PU: Harvard University Press], 1990-03-01, Harvard University Press, The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. Central, perhaps, are Tyson's discoveries on chronology: time and again he has proved that datings, often of large, well-known works, that have been accepted for generations are not only erroneous but based on little more than speculation. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers. Tyson's investigations, using primarily paper analysis, span Mozart's entire career and the full range of genres--string quartets, operas, choral music, keyboard music, concertos, and symphonies. He goes into the genesis of major works such as Cosi fan tutte, the Prague Symphony, the Piano Sonata K.333, the Haydn quartets, and La clemenza di Tito. His conclusions about chronology bear directly on biographical questions and current accounts of Mozart's stylistic development as well as his compositional methods. We learn here, for example, that the first horn concerto was in fact Mozart's last, and that he did not even complete the second movement, which was finished after his death by his pupil Sussmayr. The writing (and, in some cases, rewriting) of his later operas such as Figaro and Cosi fan tutte also lends itself to investigation by the same techniques; this is resulting in the rediscovery of some lost measures and little-known variant versions of arias. Tyson's style is clear and elegant, and the originality of his work and the soundness of his inferences make this book a pleasure., 516734, Classical Music, 516732, Composers & Musicians, 267294, Music, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 267320, Reference, 267294, Music, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books

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Mozart: Studies of the Autograph Scores - Alan Tyson
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Alan Tyson:
Mozart: Studies of the Autograph Scores - Taschenbuch

ISBN: 0674588312

[SR: 345608], Paperback, [EAN: 9780674588318], Harvard University Press, Harvard University Press, Book, [PU: Harvard University Press], 1990-03-01, Harvard University Press, The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. Central, perhaps, are Tyson's discoveries on chronology: time and again he has proved that datings, often of large, well-known works, that have been accepted for generations are not only erroneous but based on little more than speculation. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers. Tyson's investigations, using primarily paper analysis, span Mozart's entire career and the full range of genres--string quartets, operas, choral music, keyboard music, concertos, and symphonies. He goes into the genesis of major works such as Cosi fan tutte, the Prague Symphony, the Piano Sonata K.333, the Haydn quartets, and La clemenza di Tito. His conclusions about chronology bear directly on biographical questions and current accounts of Mozart's stylistic development as well as his compositional methods. We learn here, for example, that the first horn concerto was in fact Mozart's last, and that he did not even complete the second movement, which was finished after his death by his pupil Sussmayr. The writing (and, in some cases, rewriting) of his later operas such as Figaro and Cosi fan tutte also lends itself to investigation by the same techniques; this is resulting in the rediscovery of some lost measures and little-known variant versions of arias. Tyson's style is clear and elegant, and the originality of his work and the soundness of his inferences make this book a pleasure., 516734, Classical Music, 516732, Composers & Musicians, 267294, Music, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 267320, Reference, 267294, Music, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books

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Mozart: Studies of the Autograph Scores - Alan Tyson
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Alan Tyson:
Mozart: Studies of the Autograph Scores - Taschenbuch

ISBN: 0674588312

[SR: 207287], Taschenbuch, [EAN: 9780674588318], Harvard University Press, Harvard University Press, Book, [PU: Harvard University Press], Harvard University Press, The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. Central, perhaps, are Tyson's discoveries on chronology: time and again he has proved that datings, often of large, well-known works, that have been accepted for generations are not only erroneous but based on little more than speculation. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers. Tyson's investigations, using primarily paper analysis, span Mozart's entire career and the full range of genres--string quartets, operas, choral music, keyboard music, concertos, and symphonies. He goes into the genesis of major works such as Cosi fan tutte, the Prague Symphony, the Piano Sonata K.333, the Haydn quartets, and La clemenza di Tito. His conclusions about chronology bear directly on biographical questions and current accounts of Mozart's stylistic development as well as his compositional methods. We learn here, for example, that the first horn concerto was in fact Mozart's last, and that he did not even complete the second movement, which was finished after his death by his pupil Sussmayr. The writing (and, in some cases, rewriting) of his later operas such as Figaro and Cosi fan tutte also lends itself to investigation by the same techniques; this is resulting in the rediscovery of some lost measures and little-known variant versions of arias. Tyson's style is clear and elegant, and the originality of his work and the soundness of his inferences make this book a pleasure., 64318011, Musik, 64564011, Aufnahme & Ton, 64331011, Business, 64333011, Geschichte & Kritik, 64319011, Instrumente & Künstler, 64578011, Liederbücher, 64334011, Musikgenres, 64565011, Theorie, Komposition & Darbietung, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Mozart: Studies of the Autograph Scores - Tyson, Alan
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The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. Central, perhaps, are Tyson's discoveries on chronology: time and again he has proved that datings, often of large, well-known works, that have been accepted for generations are not only erroneous but based on little more than speculation. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers. Tyson's investigations, using primarily paper analysis, span Mozart's entire career and the full range of genres--string quartets, operas, choral music, keyboard music, concertos, and symphonies. He goes into the genesis of major works such as Cosi fan tutte, the "Prague" Symphony, the Piano Sonata K.333, the "Haydn" quartets, and "La clemenza di Tito." His conclusions about chronology bear directly on biographical questions and current accounts of Mozart's stylistic development as well as his compositional methods. We learn here, for example, that the "first" horn concerto was in fact Mozart's last, and that he did not even complete the second movement, which was finished after his death by his pupil Sussmayr. The writing (and, in some cases, rewriting) of his later operas such as "Figaro" and "Cosi fan tutte" also lends itself to investigation by the same techniques; this is resulting in the rediscovery of some lost measures and little-known variant versions of arias. Tyson's style is clear and elegant, and the originality of his work and the soundness of his inferences make this book a pleasure. Mozart: Studies of the Autograph Scores Tyson, Alan, Harvard University Press

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Mozart: Studies of the Autograph Scores - Alan Tyson
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Mozart: Studies of the Autograph Scores - gebrauchtes Buch

ISBN: 0674588312

ID: 5610079

The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. Central, perhaps, are Tyson's discoveries on chronology: time and again he has proved that datings, often of large, well-known works, that have been accepted for generations are not only erroneous but based on little more than speculation. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers.Tyson's investigations, using primarily paper analysis, span Mozart's entire career and the full range of genres--string quartets, operas, choral music, keyboard music, concertos, and symphonies. He goes into the genesis of major works such as Cosi fan tutte, the "Prague" Symphony, the Piano Sonata K.333, the "Haydn" quartets, and La clemenza di Tito. His conclusions about chronology bear directly on biographical questions and current accounts of Mozart's stylistic development as well as his compositional methods. We learn here, for example, that the "first" horn concerto was in fact Mozart's last, and that he did not even complete the second movement, which was finished after his death by his pupil S?ssmayr. The writing (and, in some cases, rewriting) of his later operas such as Figaro and Cosi fan tutte arts music and photography,classical,education and reference,home and garden,music,musical genres,performing arts,reference Performing Arts, Harvard University Press

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Mozart: Studies of the Autograph Scores
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Tyson, Alan

Titel:

Mozart: Studies of the Autograph Scores

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The results and implications of Alan Tyson's work on Mozart have had a profound impact on virtually every aspect of research on this composer: biography, chronology of compositions, working methods, stylistic analysis. Central, perhaps, are Tyson's discoveries on chronology: time and again he has proved that datings, often of large, well-known works, that have been accepted for generations are not only erroneous but based on little more than speculation. This book assembles his major articles, previously scattered through magazines, journals, and festschrifts, plus two unpublished pieces, into a treasure trove for musicologists and music lovers. Tyson's investigations, using primarily paper analysis, span Mozart's entire career and the full range of genres--string quartets, operas, choral music, keyboard music, concertos, and symphonies. He goes into the genesis of major works such as Cosi fan tutte, the Prague Symphony, the Piano Sonata K.333, the Haydn quartets, and La clemenza di Tito. His conclusions about chronology bear directly on biographical questions and current accounts of Mozart's stylistic development as well as his compositional methods. We learn here, for example, that the first horn concerto was in fact Mozart's last, and that he did not even complete the second movement, which was finished after his death by his pupil Sussmayr. The writing (and, in some cases, rewriting) of his later operas such as Figaro and Cosi fan tutte also lends itself to investigation by the same techniques; this is resulting in the rediscovery of some lost measures and little-known variant versions of arias. Tyson's style is clear and elegant, and the originality of his work and the soundness of his inferences make this book a pleasure.

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EAN (ISBN-13): 9780674588318
ISBN (ISBN-10): 0674588312
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 1990
Herausgeber: HARVARD UNIV PR
391 Seiten
Gewicht: 0,553 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 11.06.2007 14:29:56
Buch zuletzt gefunden am 29.04.2017 06:31:34
ISBN/EAN: 9780674588318

ISBN - alternative Schreibweisen:
0-674-58831-2, 978-0-674-58831-8


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