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Poems For The Millennium - Volume 3: The University Of California Book Of Romantic & Postromantic Poetry - Rothenberg, Jerome & Robinson, Jeffrey C. (editors)
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Rothenberg, Jerome & Robinson, Jeffrey C. (editors):
Poems For The Millennium - Volume 3: The University Of California Book Of Romantic & Postromantic Poetry - signiertes Exemplar

2016, ISBN: 9780520255982

Taschenbuch, Gebundene Ausgabe, Erstausgabe, ID: 943994785

Penguin Books. 1994. Paperback. Very Good. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. "These funny, filthy, and terrifically smart letters reveal him in a way th at no biographer can." -- New York Newsday Guru of the Beat generation, éminence grise of the international avant-gard e, dark prophet, and blackest of satirists, William S. Burroughs has had a range of influence rivaled by few living writers. This volume of his corres pondence from 1945 to 1959 vividly documents the personal and cultural hist ory through which Burroughs developed, revealing clues to illuminate his li fe and keys to open up his texts. More than that, it shows how letter-writi ng was itself integral to his life and to his fiction. Beginning as surprisingly formal notes from the road to his friends Allen G insberg and Jack Kerouac, the letters deepen in substance and style. Then, in Tangier, comes a dramatic shift in voice and vision and the explosive, d istinctive letters that will become Naked Lunch. Letters were lifelines for Burroughs, the outcast; and works-in-progress for Burroughs, the writer; a nd, they track his turbulent journey across two decades and three continent s. To read them as they were written is to experience a unique merging of l ife and letters, the extraordinary story of Williams S. Burroughs homme de lettres. "Unrelenting impact." -- Los Angeles Reader, Penguin Books, 1994, London: Batsford, 1972. Hb, 168pp. Good+ in Good+ dj which is in protective laminate. Faint tape marks on endpapers but contents otherwise clean. Includes around 100 complete games. Examines : Averbakh System, Three Pawns Attack and Black's avoidance of it, Blockade of the White squares, Pseudo-Austrian Attack, Two Knights' Variation, White plays B-QB4 and Q-K2, Geller's Quiet System, White plays B-K3, the Avant-Garde.. Hard Cover. Good/Good. 8vo - over 7¾" - 9¾" tall., Batsford, 1972, Robert laffont, 1993. 13,6cmx21,3cmx1,7cm Broché Ces prêtres qu'on croyait disparus, ou du moins écartés par la réforme conciliaire de Vatican II, non seulement existent toujours mais leur nombre a augmenté depuis quelques années. Ils étaient une dizaine dans les années 70. Ils sont aujourd'hui près de cent. Satan, dont l'histoire s'est confondue avec celle des hommes, avait baissé pavillon devant la science et la raison. Voilà qu'il resurgit. Obscurantisme ? Signe des temps. Autrefois, l'Eglise abusait du Malin pour effrayer les fidèles. Aujourd'hui, plus discrète, elle s'interroge sur ces phénomènes inexplicables. Les prêtres exorcistes ne croient plus guère, en général, au diable dans sa version cornue, mais se considèrent comme de véritables psychothérapeutes de l'âme, chassant avant tout la peur. Pourtant, certains d'entre eux observent, comme au XVIIe siècle, un rituel long et désuet, affirment l'existence du diable et mettent en avant la nécessité du combat spirituel. Qui a tort, qui a raison ? Mgr Meindre, en charge des prêtres exorcistes pour l'Eglise de France, se garde bien de trancher. La raison imposerait de ne plus croire au démon mais aux troubles d'ordre psychiatrique. Que dire cependant des êtres guéris sous le coup d'un grand exorcisme. Cette étiquète, appuyée sur de nombreux témoignages, met en lumière l'un des malaises et l'une des peurs les plus étranges de notre société., Robert laffont, 1993, 120 pages with photographs and movie stills. Octavo (8" x 5 1/2") bound in original publisher's pictorial wrappers. First edition. Luis Buñuel Portolés was a Spanish filmmaker who worked in Spain, Mexico and France. When Luis Buñuel died at age 83, his obituary in the New York Times called him "an iconoclast, moralist, and revolutionary who was a leader of avant-garde surrealism in his youth and a dominant international movie director half a century later". His first picturemade in the silent erawas called "the most famous short film ever made" by critic Roger Ebert, and his last filmmade 48 years laterwon him Best Director awards from the National Board of Review and the National Society of Film Critics. Often associated with the surrealist movement of the 1920s, Buñuel created films from the 1920s through the 1970s. His work spans two continents, three languages, and an array of genres, including experimental film, documentary, melodrama, satire, musical, erotica, comedy, romance, costume dramas, fantasy, crime film, adventure, and western. Despite this variety, filmmaker John Huston believed that, regardless of genre, a Buñuel film is so distinctive as to be instantly recognizable, or, as Ingmar Bergman put it, "Buñuel nearly always made Buñuel films". (Wikipedia). Condition: Underlining through out, soiled else about very good., Simon and Schuster, 1968, Dover Publications, 2006-06-23. Paperback. New/No Jacket. New paperback book copy of Heretics by G.K. Chesterton. Dover (2006) unabridged republication of the edition published by the John Lane Company, London and New York, 1905. Publisher summary: This 1905 collection of articles focuses on the era's heretics, those who pride themselves in their superiority to conservative views. G. K. Chesterton's companion book to Orthodoxy assesses avant garde artists and writers (including Kipling, Shaw, Wells, and Whistler) with the author's characteristic wisdom and good humor. Dover Publications, Mineola NY. 208 pages, 5-3/8 x 8-1/2 inches, 22 cm. Retail price of this edition printing 7.95.Accurately described because we look! Out the door in 24! (except Sunday & Postal Hoidays), Dover Publications, 2006-06-23, London, England: Marshall Cavendish. Hardcover. B0011YIDZS 9 1/4" X 11 3/4" Art; Ex Lib GOOD+/NO DJ issued. Library non-circulating reference; very clean and unmarked except for library treatments. 144 pp, with a little soilage on page edges; front hinge starting to loosen. Dark green boards (leatherette?) are tight, straight and clean, with a scratch on the front, bomped corners, and slight cocking; call number taped to spine. Bright, clear silver lettering and borders on front and spine. Dozens of color and b&w photos of the artists and their work, some full page. Beautiful illustrations. . Good. 1988. Special: Reference Edition (1st Thus)., Marshall Cavendish, 1988, New York. 1992. Simon & Schuster. 1st American Edition. Very Good In Dustjacket. Translated from the Spanish by Toby Talbot. 220 pages. May 1992. hardcover. Jacket design by Louise Fili. Author photograph by Brendan Hennessy. ISBN: 0671687646. inventory # 23297. FROM THE PUBLISHER - There’s something more to Valenzuela’s art than just mastery. I think she may be divinely inspired.’ - The Saturday Review. New York City. Three A.M. The present. A man emerges from a building, a revolver in his pocket. Upstairs, in her apartment, alone in her bed, lies a woman-an actress the man met for the first time earlier that evening. She is dead. There is no motive, no history. All there is to know is that the paths of two strangers crossed one random night, and only one has emerged alive. The man is Agustin, an Argentine novelist adrift in New York, trying desperately to write. ‘Write with your body,’ his Argentine lover, Roberta, once urged him, and somewhere between an evening at an avant-garde play and that furtive early-morning escape, he has followed her advice, written indelibly, and opened the way to madness. Luisa Valenzuela’s dark story is a novel of obsession and crime, a commentary on the fine line between creativity and insanity. Following in Dostoyevsky’s footsteps, Valenzuela leads us through Agustin’s psyche as he struggles through his guilt to understand the nature and origin of his crime. She plunges us, as well, into the life and mind of Roberta, who becomes obsessed with the murder, understanding that it was probably she who inspired it. Black Novel is a stark and powerful work, literary to its core. Valenzuela is at home on the streets of New York, and she draws a penetrating portrait of the sub-city, complete with its filth and sadomasochism, its quirky and marginalized denizens, its seductive perversity. Valenzuela has made a name for herself as the dark sorceress of Latin-American fiction. With this bracing, unconventional novel, she brings her originality and storytelling mastery to the heart of America. LUISA VALENZUELA is an internationally known author. She has won many awards and honors, both as a journalist and as a writer of fiction. She was born in Buenos Aires, Argentina, later moved to Paris, and then to New York City, where she was a writer-in-residence at Columbia University and the City University of New York. This is her seventh book to be translated into English; her novel Lizard’s Tail brought her particular acclaim in the United States. Valenzuela currently resides in Buenos Aires. Originally published in Spanish by Ediciones Del Norte as Novela Negra Con Argentinos in 1990. . ISBN: 0671687646., London. Routledge and Kegan Paul For the Association of Art Historians. 1st edition. 1979. Softcovers. Small 4to. Pp.,iii,106. 45 photo plates, 5 figs in text. Advert on inside of rear cover Publishers card covers. Not pre-owned; taken into stock nen. Near mint condition., though fade to spine. - .##. - Essays cover training; Greek/Roman religion; cast medals; purpose of art; Italian renaissance; language; historiography; Marcel Duchamp's sources; avant-garde; art market. - .##. - We specialise in Scholarly Books.. . . **. Business Est. 1970., London. Routledge and Kegan Paul For the Association of Art Historians. 1st edition, Berkeley. 2009. University Of California Press. 1st American Edition. Very Good In Wrappers. 67 pages. paperback. Cover illustration: Cy Twombly, 'Tiznit' (1953). ISBN: 9780520258747. inventory # 36830. FROM THE PUBLISHER - At once uncompromising and highly inventive, David Lau's poems are imbued with a musicality that lightens the dark undertones of spoliation and entropy. Many of the poems embody a nexus of interaction with historical events, films, modernist poetic texts, and works of art—but from this allusion and evocation, a multifarious voice emerges. In these pages, the electric linguistic experiment meets a new urban, postnatural poetics, one in which poetry is not just a play of signs and seemings but also a prismatic investigation of our contemporary order: ‘Hurry up before our factory leaves. / The first column of the Freedom Tower / traduces its ensorcellment in the facade.’ Here is a poetry both deeply lyrical and resistant, a poetry relentless in its invention and its stance against the apathy of convention and consumption. CONTENTS – Acknowledgments; I – Prosopopeia; Day to Start on the Floorboards, Rain to the South, Any View a Machine; New Organic Shifts; Suburbatross; Immortality; Going Out; Man with Archiving Machine; Iovis Omnia Plena; Happiness Is for the Terrestre; Many Jasons; Absolute, The; Tell Pearl; The Tupperware Concerto; Black Line Drawing; II - Oil Trees; Awkwardnesses; They Camped for This Day in the Villages Overlooking the Plain of the River; Sir Not-Appearing-in-This-Film; The Spy's Council of Breezes; Civil War; Yucca Flats; Stag; Metacinematic Skirt Border of a Traumatophile; Parade; Boom Kiss Boom Boom Kiss; Restlessness on the Hummock; To an Ectopic Shepherd; Apotheosis of Groundlessness; III - Tears Open the Sky behind Every Gesture; Now Now There There You Know Her Skirt Settles on a Cow; Vertigo Fastener; Exclusion Act; Scene; Heroes of Our America; Domesticity Effect; July Montaigne; Toward Disunion's Opal; Land Bridge; Extra Strength Resistant Resistance; Songs about the Avant-Garde; Protest in Philippines; Where I Shall Need No Glass; Moved Only by Mechanical Device; The Birth of Reality Out of Appearance; Seiche; Yesterday Lectures; Virgil and the Mountain Cat; Jellyfish; Notes. ISBN: 9780520258747., Knopf. Hardcover. B000PGMUCK Not A Former Library Book, Not A Remainder Or Book Club, Not Clipped, Hardcover. Some Water Marks On The Bottom Edge,Of Stated First Edition. Writing With All The Brilliance, Authority, And Pungent Wit That Have Distinguished His Art Criticism For Time Magazine And His Greatly Acclaimed Study Of Modern Art, The Shock Of The New, Robert Hughes Now Addresses His Largest Subject: The History Of Art In America. The Intense Relationship Between The American People And Their Surroundings Has Been The Source Of A Rich Artistic Tradition. American Visions Is A Consistently Revealing Demonstration... Of The Many Ways In Which Artists Have Expressed This Pervasive Connection. In Nine Eloquent Chapters, Which Span The Whole Range Of Events, Movements, And Personalities Of More Than Three Centuries, Robert Hughes Shows Us The Myriad Associations Between The Unique Society That Is America And The Art It Has Produced: "O My America, My New Founde Land" Explores The Churches, Religious Art, And Artifacts Of The Spanish Invaders Of The Southwest And The Puritans Of New England; The Austere Esthetic Of The Amish, The Quakers, And The Shakers; And The Anglophile Culture Of Virginia. "The Republic Of Virtue" Sets Forth The Ideals Of Neo-Classicism As Interpreted In The Paintings Of Benjamin West, John Singleton Copley, And The Peale Family, And In The Public Architecture Of Thomas Jefferson, Benjamin Latrobe, And Charles Bulfinch. "The Wilderness And The West" Discusses The Work Of Landscape Painters Such As Thomas Cole, Frederick Church, And The Luminists, Who Viewed The Natural World As "The Fingerprint Of God's Creation," And Of Those Who Recorded America's Westward Expansion--George Caleb Bingham, Albert Bierstadt, And Frederic Remington--And The Accompanying Shift In The Perception Of The Indian, From Noble Savage To Outright Demon. "American Renaissance" Describes The Opulent Era That Followed The Civil War, A Cultural Flowering Expressed In The Sculpture Of Augustus Saint-Gaudens; The Paintings Of John Singer Sargent, Mary Cassatt, And Childe Hassam; The Newport Cottages Of The Super-Rich; And The Beaux-Arts Buildings Of Stanford White And His Partners. "The Gritty Cities" Looks At The Post-Civil War Years From Another Perspective: Cast-Iron Cityscapes, The Architecture Of Louis Henri Sullivan, And The New Realism Of Thomas Eakins, Winslow Homer, The Trompe-L'oeil Painters, And The Ashcan School. "Early Modernism" Introduces The First American Avant Garde: The Painters Arthur Dove, Marsden Hartley, Joseph Stella, Charles Demuth, Charles Sheeler, And Georgia O'keeffe, And The Premier Architect Of His Time, Frank Lloyd Wright. "Streamlines And Breadlines" Surveys The Boom Years, When Skyscrapers And Art Deco Were All The Rage . . . And The Bust Years That Followed, When Painters Such As Edward Hopper, Stuart Davis, Thomas Hart Benton, Diego Rivera, And Jacob Lawrence Showed Americans "The Way We Live Now." "The Empire Of Signs" Examines The American Hegemony After World War Ii, When The Abstract Expressionists (Jackson Pollock, Willem De Kooning, Mark Rothko, Et Al.) Ruled The Artistic Roost, Until They Were Dethroned By Jasper Johns, Robert Rauschenberg, The Pop Artists, And Andy Warhol, While Individualists Such As David Smith And Joseph Cornell Marched To Their Own Music. "The Age Of Anxiety" Considers Recent Events: The Return Of Figurative Art And The Appearance Of Minimal And Conceptual Art; The Speculative Mania Of The 1980S, Which Led To Scandalous Auction Practices And Inflated Reputations; And The Trends And Issues Of Art In The 90S. Lavishly Illustrated And Packed With Biographies, Anecdotes, Astute And Stimulating Critical Commentary, And Sharp Social History, American Visions Is Published In Association With A New Eight-Part Pbs Television. All Books Shipped Within 24 Hours With U.S. Postal Service Delivery Confirmation, Each Order Is Packaged In A New Box With Bubble Wrap, And Always Your Satisfaction Is Guaranteed. . Good. 1997. 1st Edition., Knopf, 1997, UK,8vo HB+dw/dj,1st edn.[Complete number line 1 3 5 7 9 10 8 6 4 2.] FINE/FINE. Owner b/w adhesive name+address label to top right-hand corner of ffe with an ink date below,but no price-clip to dw/dj - absence of publisher's pice - generally believed to be an export copy,which usually precedes the UK trade edn issues. Bright,crisp,clean,matt,monochrome author/subject full-length photographic illustrated front panel of dw/dj,with b/w+gilt lettering,rear panel with thumbnail colour painting detail and with black+grey lettered critics' reviews; with negligible shelf-wear or creasing to edges and corners - no nicks or tears present.Top+fore- edges slightly aged/toned with minimal sporadic foxing/spotting otherwise generally clean; contents bright,tight,clean,solid and sound - no dog-ear reading creases to any pages' corners,appears unread - apart from my own collation.Bright, crisp,clean,sharp-cornered,publisher's original plain dark grey cloth bds with bright, crisp,stamped gilt letters to spine/backstrip,a beige+yellow striped headband and clean plain paler grey eps.UK,8vo HB+dw/dj,1st edn,1-245pp [paginated] includes author's preface,22 chapters,plus [unpaginated] half-title page with subject's b/w portrait illustration to it's reverse,a title page,dedication,contents list/table and acknowledgements. 'My Name Escapes Me' (see my book ID's rja600 and rja620616 for UK,8vo HB+ dw/dj,1st edns),the diaries of Sir Alec Guinness,became an international bestseller when published in 1996.This new volume contains Sir Alec's journal since the summer of that year.                                                                                       The summer of 1996 ended well,with an operation that successfully treated an eye which had been useless for almost ten years.Further good news on the health front followed in March 1997.Thus fortified,Sir Alec continued his journal for the next eighteen months.These were tumultuous times for the nation - the election of Mr Blair,the death of Diana - but other matters continued to hold equal importance in Hampshire: the difficulties of the plane trees during the dry summer,the extraordinary appearance in the skies of the Hale-Bopp comet,the vulnerability of the hassocks in Steep Church and the experiments with Chinese cooking, encouraged by Ken Hom's TV enthusiasm.                                                       And then of course there are the books,films and plays that were enjoyed - mostly - throughout the year.Dickens and Patrick O'brian are read with delight. Shakespeare's birthday (his 433rd) is celebrated with a visit to Baz Lurmann's film Wiliam Shakespeare's 'Romeo and Juliet',which gives pleasure despite its title and despite the fact that it leads to the melancholy thought that the worst Romeo ever was 'none other than me,moi-meme'.And a revival of Terence Rattigan's 'Cause Celebre' at the Lyric Theatre prompts some memories of the playwright who is putting bums on seats thirty years after he was dismissed by the avant-garde.       Sir Alec reports on these ,matters - local,national and cultural - with varying measures of acerbity and affection,and muses fascinatingly on books,films and theatre.The result is a worthy successor to the highly acclaimed volume of diaries.   Since April 2013 and again in March 2015,and again in 2016 too,the UK Post Office has altered it's Pricing in Proportion template,altering it's prices,weight allowances, dimensions and lowered it's qualifying compensation rates too! So,please contact rpaxtonden@blueyonder.co.uk for correct shipping/P+p quotes - particularly ALL overseas buyers - BEFORE ordering through the order page!, LONDON.HAMISH HAMILTON,1999., John Knox Press. Fine in Very Good dust jacket. 1969. 1st Edition. Hardcover. Dust jacket has two small tears at head of spine, light rubbing, price-clipped, now protected by fresh mylar cover. Book has no defects; pages are clean and crisp, binding is tight; book appears unread. . Author brings a Christian perspective to his critical examination of the avant-garde. Three general chapters with separate chapters devoted to Beckett, Ionesco, Genet, and Arthur Adamov. . 8vo - 8" to 9" tall. 160 pages. E5 ., John Knox Press, 1969, St. Petersburg, Russia: Sudarynya, 2006. A revealing profile of the distinguished Hungarian composer, embedded in this probing analysis of his piano cycle "Games". CONTENTS: Preface; Introduction; (1) Gyorgy Kurtag and his piano cycle "Games" - a panoramic view; (2) twentieth century compositional techniques in Kurtag's "Games"; (3) stylistic games; Conclusion; 31 pages of musical examples. [--- and see the scan image of the Russian-language Table of Contents.] 137 pages. CONDITION: a bright, tight, square, unmarked, uncreased Near Fine copy with minimal shelf-wear, compromised only by a bent upper right corner. This rare item is now in a clear, protective polypropylene bag with archival backing board.. First Edition. Soft Cover. Very Good Plus. 5.5" x 8"., Sudarynya, 2006, Austin Texas: University of Texas Press, 1962. 355 Pages Indexed. Discarded Houston library book. Library binding with green boards. Discard stamped on top page edges and on copyright pages. Back endpaper has circulation envelope pasted down. Tight book with no interior marks or stamps. Illustrated with 15 woodcuts by Lowell Collins. In 1850 Texas was producing less than half million bales of cotton on land capable of producing 3 to 5 million bales. The problems were transportation, slave labor and the associated problem of bringing slaves through Cuba and Central America. With secession this brought Texas in direct conflict with the federal government. Galveston dominated the Texas coastal areas in terms of trade, banking and journalism. It was the largest city in Texas and known as Queen City of the Gulf. The study of this struggle is the theme of this book. Contents in Three Parts: A Profile of Galveston, Texas Crescent Cotton Expansion Avant-Garde of Secession, and The Climax. This story is told in Seven Chapters: The Island City An Introduction, Formal and informal Institutions, The Social Scene, Editor-Publisher Politicians, The Railroads Transportation for Cotton, the Problem of Slave Labor, and Secession Galveston. Includes Sources and Bibliography.. Second Edition. Hard Back. Good/No Dust Jacket. Illus. by Collins, Lowell - Woodcuts. 5 1/2" X 9"., University of Texas Press, 1962, Five volume paperback set. "The American Historical Review (AHR) is the official publication of the American Historical Association (AHA), a body of academics, professors, teachers, students, historians, curators and others, founded in 1895 "for the promotion of historical studies, the collection and preservation of historical documents and artifacts, and the dissemination of historical research." The AHR targets readers interested in all periods and facets of history, not (as some might assume, given the name) only or even primarily those with a professional interest in American History. The AHR is published in February, April, June, October and December as a book-like academic publication with research papers and book reviews, among other items (each issue typically runs to about 400 pages). Each year in the AHR there are approximately 25 articles and review essays and 1,000 book reviews. Founded in 1895, it refers to itself as the "journal of record for the history profession in the United States", and has approximately 18,000 subscribers, mostly university and college libraries and history professors." - Wikipedia. 9.4 x 6.5. CONTENTS (articles) - The Medieval Commune and Internal Violence: Police Power and Public Safety in Siena, 1287-1355 - William M. Bowsky; Puritanism, Capitalism, Democracy, and the New Science - Leo F. Solt; Church and State In Peru and Chile Since 1840: A Study in Contrasts - Frederick B. Pike; The Serbian Campaign of 1915: Its Diplomatic Background - Gerard E. Silbertstein; The New Deal and the States - James T. Patterson; Constitution Liberty and the Law of Libel: A Historian's View - Alfred H. Kelly; Changing Concepts of Party in the United States: New York, 1815-1828 - Michael Wallace; Inukai Tsuyoshi: Some Dilemmas in Party Development in Pre-World War II Japan - Tetsuo Najita; Political Leadership in the German Reichstag, 1871-1918 - James J. Sheehan; The Nineteenth-Century Discovery of Italy: An Essay in American Cultural History. Prolegomena to a Historiographical Problem - A. William Salomone; Issac Backus and the Separation of Church and State in America - William G. McLoughlin; Italy's Neutrality and Entrance into the Great War: A Re-Examination - William A. Renzi; The Dissolution of the German Democratic Party in 1930 - Attila Chanady; Completing Japan's Political Reorientation, 1947-1952: Critical Phase of the Allied Occupation - Justin Williams; Some Recent Directions in American Cultural History - David Brion Davis; 1066: The "Feudal Revolution" - C. Warren Hollister; The Aims of Drake's Expedition of 1577-1580 - K.R. Andrews; The Myth of the China Market, 1890-1914 - Paul A. Varg; The Idea of "Avant-Garde" in Art And Politics - Donald D. Egbert; An Immigrant Groups Interest in Progressive Reform: The Case of the German-American Catholics - Philip Gleason; The Labour Party and the Welfare State in Britain, 1900-1948 - Arthur Marwick; National Socialism: Totalitarianism or Fascism? - Wolfgang Sauer; The Value of the Themistocles Decree - Charles W. Fornara.Keywords: HISTORY MAGAZINE ARTICLES AMERICANA AMERICAN UNITED STATES WORLD HISTORY Spines sunned, lightly edge worn slipcase originally from a set of Machiavelli books. The Macmillan Company, 1968. Very Good/Not Applicable., The Macmillan Company, 1968, NY:: Thunder's Mouth Pr.. VG, unmarked, illus. 8 3/4" x 9 1/2" Paperback; bottom edge ink. 1992. ISBN: mark. xvi + 287 pp.. Catalogs: ART. Keywords: ART, POETRY, AVANT-GARDE, VIEW, MAX ERNST, MACEL DUCHAMP., Thunder's Mouth Pr., 1992, New York: Rizzoli Publications International, 1992 First Edition. 4to. 10 1/4" square. Russian expression of the avant-garde. 204pp. Loaded with innumerable B & W and color photos, drawings. Black cloth stamped in metallic blue on spine. Dust jacket has a 5" tear along one side of spine coming up from tail. There is a little chipping at two corners of jacket. Mint/ Good.., Rizzoli Publications International, 1992, Chester, NY: Heaven Bone. Very Good with No dust jacket as issued. 1987. Softcover. Sound binding. Clean, off-white pages. Wrappers have some tanning and overall shelf wear.; Contents: Cynthia Russell, Confessions of a Skeptic. Lynn Cochran, Return to the Deep. Man with Ravans, The Shaman's Song. New Age poetry by Joyce Nower, Kirpal Gordon, Kate Horsely, Jinadeva, Joan Dobbie, Richard Moss, Frank E. Gray III, J. B. Mulligan, John Grey, John Wingo Long, Mary Pat Glynn, Kirk Lumpkin, Bob Couteau, Terance Davis, J. H. Kennedy, Moonrider White Eagle, Shirley Greif, Steven Hirsch. ; 11" tall; 54 pages ., Heaven Bone, 1987, Schirmer Books, New York - sixth edition 1978 hardcover, 9 1/2" x 7 3/4", with dust jacket. ISBN 0-02-870240-9. Ours is an ex-library copy in transparent protective covering, with usual stamps, stickers etc. Barcode excised from ffep. VERY GOOD book in VERY GOOD unclipped dust jacket Black cloth-bound boards with gold & white type to spine and front, and tan endpapers. From Erkki AALTONEN, Finnish composer, to Otto M ZYKAN, Austrian pianist, this outstanding one-volume work of musical biography contains over 12,000 entries, varying in length from a few lines to multi-page accounts of the lives and works of the musical greats. Spanning the history of music from the Middle Ages to the age of rock, it offers detailed information on musicians of the classical tradition, composers of the avant garde, and the prominent names in jazz, blues, country music, and popular music. Packed book weighs 3kgs (6.5lbs) - expect higher shipping cost., Schirmer Books, New York - sixth edition, 1978, Manchester Uiniversity Press, Manchester - 1988 hardcover, 8 3/4" x 5 1/2", with dust jacket Ours is an ex-library copy in transparent protective covering, with usual stamps, stickers, barcode, pocket etc. VERY GOOD book in VERY GOOD unclipped dust jacket Dark-blue cloth-bound boards with gold type to spine, a few diagrams in text, notes, bibliography, index. The first part of the book deals with the conceptual background of film theory (historical materialism, semiotics, psychoanalysis), while the second part concentrates on particular topics - authorship, narrative, realism, and the avante-garde and postmodernism., Manchester Uiniversity Press, Manchester -, 1988, New York & London: Columbia University Press, 1966. 276 pp. Original blue cloth covers w/ gilt title on spine. Binding very bright and clean. Top of spine and bottom corner of front cover bumped. DJ lightly soiled and rubbed w/ mild wear to edges. Tiny chip to top of spine. Approx. 3/4" closed tear from top edge of front panel; approx. 1/2" closed tear from bottom edge of rear panel. Illust. w/ b/w photos. Contents very nice.. Second Edition. Hard Cover. Very Good/Very Good-. 8vo - over 7¾" - 9¾" tall., Columbia University Press, 1966, Moscow: Sovetsky Kompozitor Publishers, 1988. Three fascinating works by one of the courageous avant-garde composers who "survived" the aesthetic constraints of the old Soviet system. CONTENTS: (1) Memoria 2: Concerto is scored for percussion (6 players, membranophones), tubular bells, piano, celeste, and string orchestra (12/10/8/8/6); duration ca. 14 minutes. (2) Returning Home is for baritone and 13 instrumentalists (horn, 2 percussion, 2 pianos, and two vn/va/vc/cb string groups - one of them "con sordino"); duration ca. 13 minutes (poem by D. Shchedrovitskogo). (3) Dedication to Beethoven is a concerto for percussion ensemble (5-6 players) and chamber orchestra (single woodwinds, horn, and 12/10/8/6 strings); duration ca. 18 minutes. 184 pages total. CONDITION: a bright, solid, uncreased copy with minimal shelf-wear, unmarked but for a small inked catalogue (?) number on the back cover. This treasure is now in a clear, protective polypropylene bag with archival backing board. NOTE: multiple score orders, depending on weight, may qualify for a generous shipping charge reduction.. Signed by the Composer. First Thus. Soft Cover. Near Fine. 7.25" x 10.5". Music Score., Sovetsky Kompozitor Publishers, 1988, Moscow: Sovetsky Kompozitor Publishers, 1989. An exceedingly scarce collection of Soviet works for chamber orchestra. CONTENTS: (1) The 1979 Chamber Symphony #1 by Armenian composer Vahram Babayan (born 1948) is in three movements: quarter = 108 (Poco marcato), dotted half = 84, and quarter = 40 (Grave - Mistico quasi memoria). Nikolai Korndorf's "Confessions": Symphony for Chamber Orchestra is an extended single-movement avant-garde work, prefaced by a Notation Key (indicating microtones, unconventional articulations, and aleatoric features). Vladislav Shoot's likewise adventurous 1978 Sinfonia da Camera #3 is scored for flute, oboe, two percussion batteries, and two string groups - each consisting of 3 violins plus viola, cello, and bass. It is in four sections: Prologo; I: Adagio; II: Sostenuto, poco a poco accelerando e cresc.; Epilogo. 200 pages. CONDITION: a bright, solid copy with light shelf-wear, unmarked but for a small inked catalogue (?) number on the back cover. This excellent score is now in a clear, protective polypropylene bag with archival backing board. NOTE: multiple score orders, depending on weight, may qualify for a generous shipping charge reduction.. First Thus. Soft Cover. Near Fine. 8.25" x 11.25". Music Score., Sovetsky Kompozitor Publishers, 1989, Berkeley. 2008. University of California Press. 1st American Edition. Very Good In Wrappers. 929 pages. paperback. ISBN: 9780520255982. inventory # 36773. FROM THE PUBLISHER - The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism. ISBN: 9780520255982.

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The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism. Poems for the Millennium, Volume Three: The University of California Book of Romantic & Postromantic Poetry Rothenberg, Jerome / Robinson, Jeffrey C., University of California Press

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The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism. anthologies,education and reference,gothic and romantic,history and criticism,humanities,literature,literature and fiction,movements and periods,poetry,textbooks Poetry, University of California Press

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[EAN: 9780520255982], Neubuch, [PU: University of California Press, United States], Poetry|Anthologies (multiple authors), Language: English . Brand New Book. The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism.Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism.

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Details zum Buch
Poems for the Millennium Volume 3

Rothenberg and Robinson bring a radically new interpretation to the poetry of the 19th century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism.

Detailangaben zum Buch - Poems for the Millennium Volume 3


EAN (ISBN-13): 9780520255982
ISBN (ISBN-10): 0520255984
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2009
Herausgeber: University Presses of CA
926 Seiten
Gewicht: 1,252 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 08.05.2008 11:05:00
Buch zuletzt gefunden am 12.12.2017 15:19:58
ISBN/EAN: 9780520255982

ISBN - alternative Schreibweisen:
0-520-25598-4, 978-0-520-25598-2


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