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Opera in the Novel from Balzac to Proust - Cormac Newark
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ISBN: 9780511985393

ID: 9780511985393

The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac&apos s La Comedie humaine to Proust&apos s A la recherche du temps perdu, by way of (among others) Dumas pere&apos s Le Comte de Monte-Cristo and Leroux&apos s Le Fantome de l&apos Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. Opera in the Novel from Balzac to Proust: The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac&apos s La Comedie humaine to Proust&apos s A la recherche du temps perdu, by way of (among others) Dumas pere&apos s Le Comte de Monte-Cristo and Leroux&apos s Le Fantome de l&apos Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience., Cambridge University Press

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Opera in the Novel from Balzac to Proust - Cormac Newark
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Cormac Newark:

Opera in the Novel from Balzac to Proust - neues Buch

ISBN: 9780511985393

ID: 9780511985393

The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac`s La Comedie humaine to Proust`s A la recherche du temps perdu, by way of (among others) Dumas pere`s Le Comte de Monte-Cristo and Leroux`s Le Fantome de l`Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. Opera in the Novel from Balzac to Proust: The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac`s La Comedie humaine to Proust`s A la recherche du temps perdu, by way of (among others) Dumas pere`s Le Comte de Monte-Cristo and Leroux`s Le Fantome de l`Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience., Cambridge University Press

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Opera in the Novel from Balzac to Proust - Newark, Cormac
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Opera in the Novel from Balzac to Proust - neues Buch

2

ISBN: 9780511985393

ID: 101159780511985393

The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fa The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. Opera, Classical & Opera, Opera in the Novel from Balzac to Proust~~ Newark, Cormac~~Opera~~Classical & Opera~~9780511985393, en, Opera in the Novel from Balzac to Proust, Newark, Cormac, 9780511985393, Cambridge University Press, 02/01/2011, , , , Cambridge University Press, 02/01/2011

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Opera In The Novel From Balzac To Proust - Cambridge University Press
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2011, ISBN: 9780511985393

ID: 10835547

The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la. The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Comedie humaine to Proust's A la recherche du temps perdu, by way of (among others) Dumas pere's Le Comte de Monte-Cristo and Leroux's Le Fantome de l'Opera. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. eBooks, Poetry & Drama~~Literature - History & Criticism~~Literary Theory, Opera In The Novel From Balzac To Proust~~EBook~~9780511985393~~Cormac Newark, , Opera In The Novel From Balzac To Proust, Cormac Newark, 9780511985393, Cambridge University Press, 03/31/2011, , , , Cambridge University Press

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Opera in the Novel from Balzac to Proust
Autor:

Newark, Cormac

Titel:

Opera in the Novel from Balzac to Proust

ISBN-Nummer:

9780511985393

Detailangaben zum Buch - Opera in the Novel from Balzac to Proust


EAN (ISBN-13): 9780511985393
Erscheinungsjahr: 2011
Herausgeber: Cambridge University Press

Buch in der Datenbank seit 12.07.2008 01:18:39
Buch zuletzt gefunden am 19.12.2016 14:29:35
ISBN/EAN: 9780511985393

ISBN - alternative Schreibweisen:
978-0-511-98539-3

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