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Thinking on Screen: Film as Philosophy
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Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films' ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films' ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker, and Empire, Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book is essential reading for students of philosophy with an interest in film, aesthetics, and film theory. It will also be of interest to film enthusiasts intrigued by the philosophical implications of film. Textbooks New, Books~~Performing Arts~~Film & Video~~General, Thinking-on-Screen~~Thomas-E-Wartenberg, , , , , , , , , , Taylor & Francis

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Thinking on Screen: Film as Philosophy is an accessible and thought-provoking examination of the way films raise and explore complex philosophical ideas. Written in a clear and engaging style, Thomas Wartenberg examines films' ability to discuss, and even criticize ideas that have intrigued and puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. Beginning with a demonstration of how specific forms of philosophical discourse are presented cinematically, Wartenberg moves on to offer a systematic account of the ways in which specific films undertake the task of philosophy. Focusing on the films The Man Who Shot Liberty Valance, Modern Times, The Matrix, Eternal Sunshine of the Spotless Mind, The Third Man, The Flicker , and Empire , Wartenberg shows how these films express meaningful and pertinent philosophical ideas. This book isessential reading for students of philosophy with an interest in film, aesthetics, and film theory. Itwill also be ofinterest to film enthusiasts intrigued by the philosophical implications of film. Performing Arts Performing Arts eBook, Taylor and Francis

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Thinking on Screen: Film as Philosophy - Thomas, Jeanette Ed.; Thomas E. , Warte; Wartenberg, Thomas E.
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Internationaler Buchtitel. In englischer Sprache. Verlag: ROUTLEDGE CHAPMAN & HALL, 176 Seiten, [GR: 15880 - HC/Theater/Ballett/Film/Fernsehen], [SW: - Pop Arts / Pop Culture], Gebunden, Klappentext: Examines films' ability to discuss, and criticize ideas that have puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. This book offers a systematic account of the ways in which specific films undertake the task of philosophy. It is of interest to students of philosophy. Examines films' ability to discuss, and criticize ideas that have puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. This book offers a systematic account of the ways in which specific films undertake the task of philosophy. It is of interest to students of philosophy.

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[ED: Hardcover], [PU: ROUTLEDGE CHAPMAN & HALL], Examines films' ability to discuss, and criticize ideas that have puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. This book offers a systematic account of the ways in which specific films undertake the task of philosophy. It is of interest to students of philosophy. 208 p. - 16 b/w ill. - 234 x 156 mm Versandfertig in 2-4 Wochen

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Thinking on Screen: Film as Philosophy - Thomas, Jeanette Ed.; Thomas E. , Warte; Wartenberg, Thomas E.
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Thomas, Jeanette Ed.; Thomas E. , Warte; Wartenberg, Thomas E.:
Thinking on Screen: Film as Philosophy - gebunden oder broschiert

ISBN: 9780415774307

[ED: Hardcover], [PU: ROUTLEDGE CHAPMAN & HALL], Examines films' ability to discuss, and criticize ideas that have puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. This book offers a systematic account of the ways in which specific films undertake the task of philosophy. It is of interest to students of philosophy. 208 p. - 16 b/w ill. - 234 x 156 mm Versandfertig in 2-4 Wochen

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Thinking on Screen: Film as Philosophy
Autor:

Thomas, Jeanette Ed.; Thomas E. , Warte; Wartenberg, Thomas E.

Titel:

Thinking on Screen: Film as Philosophy

ISBN-Nummer:

9780415774307

Examines films' ability to discuss, and criticize ideas that have puzzled philosophers over the centuries such as the nature of personhood, the basis of morality, and epistemological skepticism. This book offers a systematic account of the ways in which specific films undertake the task of philosophy. It is of interest to students of philosophy.

Detailangaben zum Buch - Thinking on Screen: Film as Philosophy


EAN (ISBN-13): 9780415774307
ISBN (ISBN-10): 0415774306
Gebundene Ausgabe
Erscheinungsjahr: 2007
Herausgeber: ROUTLEDGE CHAPMAN & HALL
176 Seiten
Sprache: eng/Englisch

Buch in der Datenbank seit 15.06.2008 09:37:22
Buch zuletzt gefunden am 13.02.2017 01:36:33
ISBN/EAN: 9780415774307

ISBN - alternative Schreibweisen:
0-415-77430-6, 978-0-415-77430-7

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