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The Politics of Display - Macdonald, Sharon MacDonald, S.
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[ED: Hardcover], [PU: ROUTLEDGE CHAPMAN HALL], Table of contents: Notes on contributors, List of illustrations, Preface - Sharon Macdonald, 1. Exhibitions of power and powers of exhibitions: an introduction to the politics of display - Sharon Macdonald, Sheffield University, UK, 2. Speaking to the eyes: museums, legibility and the social order - Tony Bennett, Griffith University, Australia, 3. The visibility of difference: nineteenth century French anthropological collections - Nelia Dias, University of Lisbon, Portugal, 4. Reifying race: science and art in 'Races of Mankind' at the Field Museum of Natural History - Tracy Lang Teslow, University of Chicago, USA, 5. Making nature 'real' again: natural history and public rhetorics of science at the Smithsonian - Steven W. Allison-Bunnell, Discovery Online Channel, 6. On interactivity: consumer, citizens and culture - Andrew Barry, Goldsmith's College, London University, UK, 7. Supermarket science? Consumers and 'the public understanding of science' - Sharon Macdonald, 8. Nations on Display: technology and culture in Expo '92 - Penny Harvey, Manchester University, UK, 9. Strangers in paradise: an encounter with fossil man at the Dutch Museum of Natural History - Mary Bouquet, 10. Can science museums take history seriously? - Jim Bennett, Museum of the History of Science, Oxford, 11. 'Birth and Breeding: politics on display at the Wellcome Institute of Medical History - Ken Arnold, Wellcome Trust, 12. Balancing acts: science, Enola Gay and history wars at the Smithsonian - Tom Gieryn, Indiana University, USA, Afterword: From war to debate? - Sharon Macdonald The assumption that museum exhibitions, particularly those concerned with science and technology, are somehow neutral and impartial is today being challenged both in the public arena and in the academy. The Politics of Display brings together studies of contemporary and historical exhibitions and contends that exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about 'science' and 'objectivity' are mobilized to tell stories of progress, citizenship, racial and national difference. The display of the Enola Gay, the aircraft which dropped the atomic bomb on Hiroshima is a well-known case in point. The Politics of Display charts the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. The Politics of Display brings together an array of international scholars in the disciplines of sociology, anthropology and history. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies. 264 pages - 234 x 156 mm Versandfertig in 2-4 Wochen, Neuware, gewerbliches Angebot

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The Politics of Display - Macdonald, Sharon (ed.)
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[ED: Hardcover], [PU: ROUTLEDGE CHAPMAN HALL], Table of contents: Notes on contributors, List of illustrations, Preface - Sharon Macdonald, 1. Exhibitions of power and powers of exhibitions: an introduction to the politics of display - Sharon Macdonald, Sheffield University, UK, 2. Speaking to the eyes: museums, legibility and the social order - Tony Bennett, Griffith University, Australia, 3. The visibility of difference: nineteenth century French anthropological collections - Nelia Dias, University of Lisbon, Portugal, 4. Reifying race: science and art in 'Races of Mankind' at the Field Museum of Natural History - Tracy Lang Teslow, University of Chicago, USA, 5. Making nature 'real' again: natural history and public rhetorics of science at the Smithsonian - Steven W. Allison-Bunnell, Discovery Online Channel, 6. On interactivity: consumer, citizens and culture - Andrew Barry, Goldsmith's College, London University, UK, 7. Supermarket science? Consumers and 'the public understanding of science' - Sharon Macdonald, 8. Nations on Display: technology and culture in Expo '92 - Penny Harvey, Manchester University, UK, 9. Strangers in paradise: an encounter with fossil man at the Dutch Museum of Natural History - Mary Bouquet, 10. Can science museums take history seriously? - Jim Bennett, Museum of the History of Science, Oxford, 11. 'Birth and Breeding: politics on display at the Wellcome Institute of Medical History - Ken Arnold, Wellcome Trust, 12. Balancing acts: science, Enola Gay and history wars at the Smithsonian - Tom Gieryn, Indiana University, USA, Afterword: From war to debate? - Sharon Macdonald The assumption that museum exhibitions, particularly those concerned with science and technology, are somehow neutral and impartial is today being challenged both in the public arena and in the academy. The Politics of Display brings together studies of contemporary and historical exhibitions and contends that exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about 'science' and 'objectivity' are mobilized to tell stories of progress, citizenship, racial and national difference. The display of the Enola Gay, the aircraft which dropped the atomic bomb on Hiroshima is a well-known case in point. The Politics of Display charts the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. The Politics of Display brings together an array of international scholars in the disciplines of sociology, anthropology and history. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies. 264 pages - 234 x 156 mm Versandfertig in über 4 Wochen, Neuware, gewerbliches Angebot

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The assumption that museum exhibitions, particularly those concerned with science and technology, are somehow neutral and impartial is today being challenged both in the public arena and in the academy. The Politics of Display brings together studies of contemporary and historical exhibitions and contends that exhibitions are never, and never have been, above politics. Rather, technologies of display and ideas about 'science' and 'objectivity' are mobilized to tell stories of progress, citizenship, racial and national difference. The display of the Enola Gay, the aircraft which dropped the atomic bomb on Hiroshima is a well-known case in point. The Politics of Display charts the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive, multimedia and reflexive modes of display. The Politics of Display brings together an array of international scholars in the disciplines of sociology, anthropology and history. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine, and locations include the United States of America, Australia, the United Kingdom, France, the Netherlands and Spain. This book is an excellent contribution to debates about the politics of public culture. It will be of interest to students of sociology, anthropology, cultural studies, museum studies and science studies. Business Business eBook, Taylor and Francis

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ID: 078951eb03b92d1659d61ac306a05964

Museums, Science, Culture "The Politics of Display" brings together studies of contemporary and historical museum shows and challenges the notion that these exhibitions are politically exempt. For example, what does it mean when the Enola Gay, the aircraft which dropped atomic bombs on Hiroshima, is displayed? The contributors to this volume chart the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive and multimedia displays. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine. Contributors include Steven W. Allison-Bunnell, Ken Arnold, Tony Bennett, Thomas F. Gieryn, Penelope Harvey, Sharon Macdonald and Tracy Lang Teslow. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-415-15325-6, Routledge Chapman Hall

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The Politics of Display´´ brings together studies of contemporary and historical museum shows and challenges the notion that these exhibitions are politically exempt. For example, what does it mean when the Enola Gay, the aircraft which dropped atomic bombs on Hiroshima, is displayed? The contributors to this volume chart the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive and multimedia displays. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine. Contributors include Steven W. Allison-Bunnell, Ken Arnold, Tony Bennett, Thomas F. Gieryn, Penelope Harvey, Sharon Macdonald and Tracy Lang Teslow. Museums, Science, Culture Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Routledge Chapman Hall

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The Politics of Display: Museums, Science, Culture

"The Politics of Display" brings together studies of contemporary and historical museum shows and challenges the notion that these exhibitions are politically exempt. For example, what does it mean when the Enola Gay, the aircraft which dropped atomic bombs on Hiroshima, is displayed? The contributors to this volume chart the changing relationship between displays and their audience and analyzes the consequent shift in styles of representation towards interactive and multimedia displays. Examples are taken from exhibitions of science, technology and industry, anthropology, geology, natural history and medicine. Contributors include Steven W. Allison-Bunnell, Ken Arnold, Tony Bennett, Thomas F. Gieryn, Penelope Harvey, Sharon Macdonald and Tracy Lang Teslow.

Detailangaben zum Buch - The Politics of Display: Museums, Science, Culture


EAN (ISBN-13): 9780415153256
ISBN (ISBN-10): 0415153255
Gebundene Ausgabe
Erscheinungsjahr: 1997
Herausgeber: ROUTLEDGE CHAPMAN & HALL
264 Seiten
Gewicht: 0,542 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 23.05.2007 08:57:51
Buch zuletzt gefunden am 12.05.2017 16:19:43
ISBN/EAN: 9780415153256

ISBN - alternative Schreibweisen:
0-415-15325-5, 978-0-415-15325-6


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