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Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 - NA NA
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The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled ´´cakewalking.´´ Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict. Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 Bücher > Fremdsprachige Bücher > Englische Bücher gebundene Ausgabe 15.08.1997 Buch (fremdspr.), Springer, .199

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Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled "cakewalking." Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-312-17363-0, Springer

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The history of African American performance and theatre is a topic that few scholars have closely studied or discussed as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner reveals such a history to be a tremendously rich one, focusing particularly on the end of the nineteenth and the beginning of the 20th century. The fields of history, black literary theory, cultural studies, performance studies and postcolonial theory are utilized in an examination of several major productions. In addition, Krasner looks at the aesthetic significance of African American performers on the American stage and the meaning of the technique entitled ´´cakewalking.´´ Investigating expressions of protest within the theatre, Krasner reveals that this period was replete with moments of resistance to racism, parodies of the minstrel tradition, and double consciousness on the part of performers. An enlightening work which unveils new information about its subject, Resistance, Parody, and Double Consciousness in African American Theatre offers insights into African American artistry during an era of racism and conflict. Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910 Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Springer

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Cultural and Media Studies; Theatre and Performance Studies; Cultural and Media Studies, general; History, general; North American Literature Africa, African, America, consciousness, parody, resistance, theatre, parody, resistance, theatre, theatre and performance studies Books Book, Springer Science+Business Media

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Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910

The rich history of African American performance and theatre is a topic that few scholars have studied as a critical part of American culture. In this fascinating interdisciplinary volume, David Krasner focuses on the end of the 19th and the beginning of the 20th century, and reveals the aesthetic significance of African American performers on the American stage.

Detailangaben zum Buch - Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910


EAN (ISBN-13): 9780312173630
ISBN (ISBN-10): 0312173636
Gebundene Ausgabe
Erscheinungsjahr: 1997
Herausgeber: Palgrave
228 Seiten
Gewicht: 0,376 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 06.11.2007 21:12:46
Buch zuletzt gefunden am 24.07.2017 20:55:29
ISBN/EAN: 9780312173630

ISBN - alternative Schreibweisen:
0-312-17363-6, 978-0-312-17363-0


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