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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Bertellini, Giorgio
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Giorgio Bertellini traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic -- the picturesque. Once associated with landscape painting in northern Europe, the picturesque came to symbolize Mediterranean Europe through comforting views of distant landscapes and exotic characters. Showing readers how this aesthetic was transferred from 19th-century American painters to early 20th-century American filmmakers, Bertellini moves from the picturesque in silent films to the Godfather trilogy, perhaps the definitive example of the picturesque in modern cinema. Italy in Early American Cinema offers readings of early films that pay close attention to how landscape representations that were related to narrative settings and filmmaking locations conveyed distinct ideas about racial difference and national destiny. Italy in Early American Cinema: Race, Landscape, and the Picturesque Bertellini, Giorgio, Indiana University Press

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Race, Landscape, and the Picturesque Giorgio Bertellini traces the origins of American cinema's century-longfascination with Italy and Italian immigrants to the popularity of thepre-photographic aesthetic -- the picturesque. Once associated with landscapepainting in northern Europe, the picturesque came to symbolize Mediterranean Europethrough comforting views of distant landscapes and exotic characters. Taking its cuefrom a picturesque stage backdrop from The Godfather Part II, Italy in EarlyAmerican Cinema shows how this aesthetic was transferred from 19th-century Americanpainters to early 20th-century American filmmakers. Italy in Early American Cinemaoffers readings of early films that pay close attention to how landscaperepresentations that were related to narrative settings and filmmaking locationsconveyed distinct ideas about racial difference and national destiny. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-253-22128-5, Indiana University Press

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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Bertellini, Giorgio
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[EAN: 9780253221285], Gebraucht, guter Zustand, [PU: Indiana University Press], Art|Popular Culture, Performing Arts|Film|History & Criticism, 0253221285 Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Giorgio Bertellini
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Indiana University Press. Used - Acceptable. Shows definite wear, and perhaps considerable marking on inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!, Indiana University Press

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Italy in Early American Cinema: Race, Landscape, and the Picturesque - Giorgio Bertellini
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Giorgio Bertellini:
Italy in Early American Cinema: Race, Landscape, and the Picturesque - Taschenbuch

2009, ISBN: 9780253221285

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Indiana University Press, 2009-11-16. Paperback. Acceptable. Buy with confidence. Excellent Customer Service & Return policy. Ships Fast. 24*7 Customer Service., Indiana University Press, 2009-11-16

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Italy in Early American Cinema: Race, Landscape, and the Picturesque

Giorgio Bertellini traces the origins of American cinema's century-longfascination with Italy and Italian immigrants to the popularity of thepre-photographic aesthetic -- the picturesque. Once associated with landscapepainting in northern Europe, the picturesque came to symbolize Mediterranean Europethrough comforting views of distant landscapes and exotic characters. Taking its cuefrom a picturesque stage backdrop from The Godfather Part II, Italy in EarlyAmerican Cinema shows how this aesthetic was transferred from 19th-century Americanpainters to early 20th-century American filmmakers. Italy in Early American Cinemaoffers readings of early films that pay close attention to how landscaperepresentations that were related to narrative settings and filmmaking locationsconveyed distinct ideas about racial difference and national destiny.

Detailangaben zum Buch - Italy in Early American Cinema: Race, Landscape, and the Picturesque


EAN (ISBN-13): 9780253221285
ISBN (ISBN-10): 0253221285
Taschenbuch
Erscheinungsjahr: 2009
Herausgeber: INDIANA UNIV PR
443 Seiten
Gewicht: 0,736 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 03.04.2009 14:51:51
Buch zuletzt gefunden am 10.04.2017 13:20:26
ISBN/EAN: 9780253221285

ISBN - alternative Schreibweisen:
0-253-22128-5, 978-0-253-22128-5


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