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Hunger for Aesthetics - Michael Kelly
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Michael Kelly:

Hunger for Aesthetics - neues Buch

2003, ISBN: 9780231526784

ID: 9780231526784

Enacting the Demands of Art For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands.Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontags aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person suffering only aestheticizes the suffering for the viewers pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richters and Doris Salcedos art, chosen because theyre often identified with the anti-aesthetic though their work is clearly aesthetic. Focusing first on Richters Baader-Meinhof series, Kelly concludes with Salcedos enactments of suffering caused by social injustice. Throughout, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art. Hunger for Aesthetics: For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands.Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontags aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person suffering only aestheticizes the suffering for the viewers pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richters and Doris Salcedos art, chosen because theyre often identified with the anti-aesthetic though their work is clearly aesthetic. Focusing first on Richters Baader-Meinhof series, Kelly concludes with Salcedos enactments of suffering caused by social injustice. Throughout, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art., Columbia University Press

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A Hunger for Aesthetics - Michael Kelly
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Michael Kelly:

A Hunger for Aesthetics - neues Buch

6, ISBN: 9780231526784

ID: 100859780231526784

For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis o For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontag's aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person suffering only aestheticizes the suffering for the viewer's pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richter's and Doris Salcedo's art, chosen because they're often identified with the anti-aesthetic though their work is clearly aesthetic. Focusing first on Richter's Baader-Meinhof series, Kelly concludes with Salcedo's enactments of suffering caused by social injustice. Throughout, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art. Aesthetics, Philosophy, A Hunger for Aesthetics~~ Michael Kelly~~Aesthetics~~Philosophy~~9780231526784, en, A Hunger for Aesthetics, Michael Kelly, 9780231526784, Columbia University Press, 06/12/2012, , , , Columbia University Press, 06/12/2012

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A Hunger for Aesthetics - Michael Kelly
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Michael Kelly:
A Hunger for Aesthetics - neues Buch

6

ISBN: 9780231526784

ID: 100859780231526784

For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis o For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontag's aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person suffering only aestheticizes the suffering for the viewer's pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richter's and Doris Salcedo's art, chosen because they're often identified with the anti-aesthetic though their work is clearly aesthetic. Focusing first on Richter's Baader-Meinhof series, Kelly concludes with Salcedo's enactments of suffering caused by social injustice. Throughout, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art. Aesthetics, Philosophy, A Hunger for Aesthetics~~ Michael Kelly~~Aesthetics~~Philosophy~~9780231526784, en, A Hunger for Aesthetics, Michael Kelly, 9780231526784, Columbia University Press, 06/12/2012, , , , Columbia University Press, 06/12/2012

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Hunger For Aesthetics - COLUMBIA UNIVERSITY PRESS
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2012, ISBN: 9780231526784

ID: 15330396

For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics. For decades, aesthetics has been subjected to a variety of critiques, often concerning its treatment of beauty or the autonomy of art. Collectively, these complaints have generated an anti-aesthetic stance now prevalent in the contemporary art world. Yet if we examine the motivations for these critiques, Michael Kelly argues, we find theorists and artists hungering for a new kind of aesthetics, one better calibrated to contemporary art and its moral and political demands. Following an analysis of the work of Stanley Cavell, Arthur Danto, Umberto Eco, Susan Sontag, and other philosophers of the 1960s who made aesthetics more responsive to contemporary art, Kelly considers Sontags aesthetics in greater detail. In On Photography (1977), she argues that a photograph of a person suffering only aestheticizes the suffering for the viewers pleasure, yet she insists in Regarding the Pain of Others (2003) that such a photograph can have a sustainable moral-political effect precisely because of its aesthetics. Kelly considers this dramatic change to be symptomatic of a cultural shift in our understanding of aesthetics, ethics, and politics. He discusses these issues in connection with Gerhard Richters and Doris Salcedos art, chosen because theyre often identified with the anti-aesthetic though their work is clearly aesthetic. Focusing first on Richters Baader-Meinhof series, Kelly concludes with Salcedos enactments of suffering caused by social injustice. Throughout, he reveals the place of critique in contemporary art, which, if we understand aesthetics as critique, confirms that it is integral to art. Meeting the demand for aesthetics voiced by many who participate in art, Kelly advocates for a critical aesthetics that confirms the power of art. eBooks, Society and Social Sciences~~Philosophy~~Philosophy: Aesthetics, Hunger For Aesthetics~~EBook~~9780231526784~~Michael Kelly, , Hunger For Aesthetics, Michael Kelly, 9780231526784, COLUMBIA UNIVERSITY PRESS, 06/12/2012, , , , COLUMBIA UNIVERSITY PRESS

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Hunger for Aesthetics - Michael Kelly
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2012, ISBN: 9780231526784

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Enacting the Demands of Art, [ED: 1], Auflage, eBook Download (EPUB), eBooks, [PU: Columbia University Press]

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A Hunger for Aesthetics
Autor:

Kelly, Michael

Titel:

A Hunger for Aesthetics

ISBN-Nummer:

9780231526784

Detailangaben zum Buch - A Hunger for Aesthetics


EAN (ISBN-13): 9780231526784
Erscheinungsjahr: 6
Herausgeber: Columbia University Press

Buch in der Datenbank seit 20.03.2009 12:54:54
Buch zuletzt gefunden am 19.01.2017 00:44:25
ISBN/EAN: 9780231526784

ISBN - alternative Schreibweisen:
978-0-231-52678-4

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