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The Twisted Muse: Musicians and Their Music in the Third Reich - Michael Kater
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Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater´s broad survey of musicians and the music they composed and performed during the Third Reich. Great and small - from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer - are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany´s professional musicians are laid out before the reader. Who collaborated? And to what extent? Who was persecuted, and to what effect? Along the way, Kater manages to debunk, authoritatively, old arguments and expose collaborators - notably Elisabeth Schwarzkopf. This major opera diva of the 1950s and 60s, who has for years adamantly denied her affiliation to the Nazi party, is shown to have ingratiated herself with the Nazi rulers. More widely, Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater´s examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through its manipulation of musicians and German music adds much to our understanding of culture in totalitarian regimes. Musicians and Their Music in the Third Reich Bücher > Fremdsprachige Bücher > Englische Bücher gebundene Ausgabe 01.01.1997 Buch (fremdspr.), Oxford University Press, .199

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The Twisted Muse: Musicians and Their Music in the Third Reich - Kater, Michael
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[ED: Hardcover], [PU: OXFORD UNIV PR], Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small - from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer - are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Who collaborated? And to what extent? Who was persecuted, and to what effect? Along the way, Kater manages to debunk, authoritatively, old arguments and expose collaborators - notably Elisabeth Schwarzkopf. This major opera diva of the 1950s and 60s, who has for years adamantly denied her affiliation to the Nazi party, is shown to have ingratiated herself with the Nazi rulers. More widely, Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through its manipulation of musicians and German music adds much to our understanding of culture in totalitarian regimes. 342 p. - 234 x 156 mm Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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The Twisted Muse: Musicians and Their Music in the Third Reich - Michael Kater
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ISBN: 0195096207

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In literature, music is the food of love and soothes the savage beast; in politics, it can be perverted by the worst of causes. So claims Michael Kater in his compelling study of music and musicians in the Third Reich, The Twisted Muse. What did it mean to compose music for Hitler and his Nazi regime? Kater asks; can artists working in a climate of oppression and fascist demagoguery dismiss their roles by claiming they created or performed for the sake of art alone? To answer these questions, Kater approaches his subject from two different angles: first, he examines the lives of musicians living under the Nazi regime--from little known musicians struggling in the orchestra pit to the great and famous, including Richard Strauss and Elisabeth Schwarzkopf. Next, he examines the role music played in the Third Reich and the ways in which the Nazis manipulated it as propaganda. The Twisted Muse is part biography, part history, but it is wholly fascinating. Michael Kater's unique approach to the subject of music and musicians as tools of the state ensures a wide audience, not only among music lovers, but among all those interested in politics, culture, or psychology. arts music and photography,classical,ethnic and international,europe,home and garden,germany,history,history and criticism,humanities,international Performing Arts, Oxford University Press

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The Twisted Muse - Michael H. Kater
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Hardback, [PU: Oxford University Press Inc], Michael Kater's work probes the relationship of music with society and politics in the Nazi system, 1933-1945. It addresses the question whether the Nazi regime, which utilized music and musicians for the regime's own political purposes, controlled the musicians and the music, or whether these remained in some measure autonomous. A major question answered is: how did the creative genius survive?, 20th Century & Contemporary Classical Music, 20th Century & Contemporary Classical Music

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The Twisted Muse Musicians and Their Music in the Third Reich - Kater, Michael H.
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1997, ISBN: 0195096207

ID: 22392315725

[EAN: 9780195096200], Near Fine, [PU: Oxford University Press], Jacket, Book has a whisper of shelving wear to the edges and corners, otherwise in near fine condition. The dust jacket carries light rubbing to the covers, along with very minor shelving wear. Aside from these items this is a very good copy. It remains crisp with the cover image and text sharp, clear and now protected via mylar.

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Details zum Buch
The Twisted Muse: Musicians and Their Music in the Third Reich

Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent?
These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader.
Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems.
This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.
, In literature, music is the food of love and soothes the savage beast; in politics, it can be perverted by the worst of causes. So claims Michael Kater in his compelling study of music and musicians in the Third Reich, The Twisted Muse. What did it mean to compose music for Hitler and his Nazi regime? Kater asks; can artists working in a climate of oppression and fascist demagoguery dismiss their roles by claiming they created or performed for the sake of art alone? To answer these questions, Kater approaches his subject from two different angles: first, he examines the lives of musicians living under the Nazi regime--from little known musicians struggling in the orchestra pit to the great and famous, including Richard Strauss and Elisabeth Schwarzkopf. Next, he examines the role music played in the Third Reich and the ways in which the Nazis manipulated it as propaganda.

The Twisted Muse is part biography, part history, but it is wholly fascinating. Michael Kater's unique approach to the subject of music and musicians as tools of the state ensures a wide audience, not only among music lovers, but among all those interested in politics, culture, or psychology.

Detailangaben zum Buch - The Twisted Muse: Musicians and Their Music in the Third Reich


EAN (ISBN-13): 9780195096200
ISBN (ISBN-10): 0195096207
Gebundene Ausgabe
Erscheinungsjahr: 1997
Herausgeber: OXFORD UNIV PR
344 Seiten
Gewicht: 0,649 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 28.04.2007 04:19:54
Buch zuletzt gefunden am 02.11.2017 19:23:54
ISBN/EAN: 9780195096200

ISBN - alternative Schreibweisen:
0-19-509620-7, 978-0-19-509620-0


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