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Pictura Nova PICT 14 Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter - K. Jonckheere
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
K. Jonckheere:
Pictura Nova PICT 14 Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter - gebunden oder broschiert

2007, ISBN: 2503525547

ID: 20181851506

[EAN: 9782503525549], [SC: 5.0], [PU: Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung], Verlagsfrisch New copy Pictura Nova PICT 14 Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter K. Jonckheere 396 p., 199 b/w ill. + 38 colour ill., 190 x 250 mm, 2007 ISBN: 978-2-503-52554-9 Languages: English Hardback The publication is available. Retail price: EUR 105,00 Art history has not given Adriaen Thomasz. Key's legacy its proper due, to say the least. After a short and successful artistic career in a turbulent period, Adriaen Thomasz. Key vanished from the stage for centuries. Barring his art, he left few other traces behind and over time even this came to be riddled with the most far-fetched attributions. In the past, connoisseurs were often at a complete loss. Adriaen Thomasz.'s pictures were ascribed to a host of painters from numerous countries and periods. The names of Frans Pourbus the Elder and Willem Key, for instance, were linked to several of Adriaen Thomasz.'s panels. Other works had to endure attributions which had nothing in common with the quality, let alone the art, of the master. Dozens of inferior portraits were given to Adriaen Thomasz. and many of his altarpieces and devotional scenes were not recognised as such because he was considered solely as a portraitist. Consequently, up until now the image of Adriaen Thomasz.'s art has been clouded and inconsistent. Adriaen Thomasz. Key richly deserved his reputation as a portraitist. Some ninety percent of his preserved oeuvre consists of likenesses of the Antwerp and the Dutch elite. Adriaen Thomasz.'s skills as a portraitist were and are generally acknowledged. With a finesse and sobriety recalling that of Flemish Primitives such as Jan van Eyck and Hans Memling, he recorded his sitters with ruthless objectivity. The same sobriety and objectivity are to be found in his altarpieces and devotional paintings, a less known facet of his art. Often incorrectly ascribed as a lack of ingenuity or understanding of the Italian Renaissance and typified as archaising, Key's history and devotional paintings prove to be of a huge intellectual resourcefulness and artistic talent. His art was a conscious, reformatory and humanistic intellectual discourse with his famous predecessors and contemporaries. The striving for photographic realism and sobriety in the oeuvre of the painter is tackled in this monograph, bearing in mind Adriaen Thomasz.'s humanistic concerns with iconography. This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz. Key's art will be a eye opener to all scholars interested in the Netherlandish Renaissance and will hopefully induce new research into Adriaen Thomasz. Key and his contemporaries.

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Uwe Loeb Antiquariat-Versandbuchhandel, Bamberg, Germany [1368562] [Rating: 5 (von 5)]
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Pictura Nova PICT 14 Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter - K. Jonckheere
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
K. Jonckheere:
Pictura Nova PICT 14 Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter - gebunden oder broschiert

2007, ISBN: 2503525547

ID: 20181851506

[EAN: 9782503525549], [PU: Brepols Publishers 0, Versand an Institutionen auch gegen Rechnung], Verlagsfrisch New copy Pictura Nova PICT 14 Adriaen Thomasz Key (ca.1545- ca.1589). Portrait of a Calvinist Painter K. Jonckheere 396 p., 199 b/w ill. + 38 colour ill., 190 x 250 mm, 2007 ISBN: 978-2-503-52554-9 Languages: English Hardback The publication is available. Retail price: EUR 105,00 Art history has not given Adriaen Thomasz. Key's legacy its proper due, to say the least. After a short and successful artistic career in a turbulent period, Adriaen Thomasz. Key vanished from the stage for centuries. Barring his art, he left few other traces behind and over time even this came to be riddled with the most far-fetched attributions. In the past, connoisseurs were often at a complete loss. Adriaen Thomasz.'s pictures were ascribed to a host of painters from numerous countries and periods. The names of Frans Pourbus the Elder and Willem Key, for instance, were linked to several of Adriaen Thomasz.'s panels. Other works had to endure attributions which had nothing in common with the quality, let alone the art, of the master. Dozens of inferior portraits were given to Adriaen Thomasz. and many of his altarpieces and devotional scenes were not recognised as such because he was considered solely as a portraitist. Consequently, up until now the image of Adriaen Thomasz.'s art has been clouded and inconsistent. Adriaen Thomasz. Key richly deserved his reputation as a portraitist. Some ninety percent of his preserved oeuvre consists of likenesses of the Antwerp and the Dutch elite. Adriaen Thomasz.'s skills as a portraitist were and are generally acknowledged. With a finesse and sobriety recalling that of Flemish Primitives such as Jan van Eyck and Hans Memling, he recorded his sitters with ruthless objectivity. The same sobriety and objectivity are to be found in his altarpieces and devotional paintings, a less known facet of his art. Often incorrectly ascribed as a lack of ingenuity or understanding of the Italian Renaissance and typified as archaising, Key's history and devotional paintings prove to be of a huge intellectual resourcefulness and artistic talent. His art was a conscious, reformatory and humanistic intellectual discourse with his famous predecessors and contemporaries. The striving for photographic realism and sobriety in the oeuvre of the painter is tackled in this monograph, bearing in mind Adriaen Thomasz.'s humanistic concerns with iconography. This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz. Key's art will be a eye opener to all scholars interested in the Netherlandish Renaissance and will hopefully induce new research into Adriaen Thomasz. Key and his contemporaries.

gebrauchtes bzw. antiquarisches Buch Abebooks.de
Uwe Loeb Antiquariat-Versandbuchhandel, Bamberg, Germany [1368562] [Rating: 5 (von 5)]
Versandkosten: EUR 5.00
Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter - K. Jonckheere#Koenraad Jonckheere
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
K. Jonckheere#Koenraad Jonckheere:
Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter - neues Buch

2007, ISBN: 9782503525549

ID: 677926385

Art history has not given Adriaen Thomasz Key´s legacy its proper due. After a short and successful artistic career in a turbulent period, Thomasz Key vanished from the stage for centuries. Barring his art, he left few other traces behind and over time even this came to be riddled with the most far-fetched attributions. In the past, connoisseurs were often at a complete loss. Adriaen Thomasz´s pictures were ascribed to a host of painters from numerous countries and periods. The names of Frans Pourbus the Elder and Willem Key, for instance, were linked to several of Adriaen Thomasz´s panels. Other works had to endure attributions which had nothing in common with the quality, let alone the art, of the master. Dozens of inferior portraits were given to Adriaen Thomasz and many of his altarpieces and devotional scenes were not recognised as such because he was considered solely as a portraitist. Consequently, up until now the image of Adriaen Thomasz´s art has been clouded and inconsistent. Adriaen Thomasz Key richly deserved his reputation as a portraitist. Some ninety percent of his preserved oeuvre consists of likenesses of the Antwerp and the Dutch elite. Adriaen Thomasz´s skills as a portraitist were and are generally acknowledged. With a finesse and sobriety recalling that of Flemish Primitives such as Jan van Eyck and Hans Memling, he recorded his sitters with ruthless objectivity. The same sobriety and objectivity are to be found in his altarpieces and devotional paintings, a less known facet of his art. Often incorrectly ascribed as a lack of ingenuity or understanding of the Italian Renaissance and typified as archaising, Key´s history and devotional paintings prove to be of a huge intellectual resourcefulness and artistic talent. His art was a conscious, reformatory and humanistic intellectual discourse with his famous predecessors and contemporaries. The striving for photographic realism and sobriety in the oeuvre of the painter is tackled in this monograph, bearing in mind Adriaen Thomasz.´s humanistic concerns with iconography. This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz Key´s art will be a eye opener to all scholars interested in the Netherlandish Renaissance and will hopefully induce new research into Adriaen Thomasz Key and his contemporaries. Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter Bücher > Fremdsprachige Bücher > Englische Bücher gebundene Ausgabe 01.05.2007 Buch (fremdspr.), Brepols, .200

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Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter - K. Jonckheere#Koenraad Jonckheere
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
K. Jonckheere#Koenraad Jonckheere:
Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter - neues Buch

ISBN: 9782503525549

ID: 118519935

Art history has not given Adriaen Thomasz Key´s legacy its proper due. After a short and successful artistic career in a turbulent period, Thomasz Key vanished from the stage for centuries. Barring his art, he left few other traces behind and over time even this came to be riddled with the most far-fetched attributions. In the past, connoisseurs were often at a complete loss. Adriaen Thomasz´s pictures were ascribed to a host of painters from numerous countries and periods. The names of Frans Pourbus the Elder and Willem Key, for instance, were linked to several of Adriaen Thomasz´s panels. Other works had to endure attributions which had nothing in common with the quality, let alone the art, of the master. Dozens of inferior portraits were given to Adriaen Thomasz and many of his altarpieces and devotional scenes were not recognised as such because he was considered solely as a portraitist. Consequently, up until now the image of Adriaen Thomasz´s art has been clouded and inconsistent. Adriaen Thomasz Key richly deserved his reputation as a portraitist. Some ninety percent of his preserved oeuvre consists of likenesses of the Antwerp and the Dutch elite. Adriaen Thomasz´s skills as a portraitist were and are generally acknowledged. With a finesse and sobriety recalling that of Flemish Primitives such as Jan van Eyck and Hans Memling, he recorded his sitters with ruthless objectivity. The same sobriety and objectivity are to be found in his altarpieces and devotional paintings, a less known facet of his art. Often incorrectly ascribed as a lack of ingenuity or understanding of the Italian Renaissance and typified as archaising, Key´s history and devotional paintings prove to be of a huge intellectual resourcefulness and artistic talent. His art was a conscious, reformatory and humanistic intellectual discourse with his famous predecessors and contemporaries. The striving for photographic realism and sobriety in the oeuvre of the painter is tackled in this monograph, bearing in mind Adriaen Thomasz.´s humanistic concerns with iconography. This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz Key´s art will be a eye opener to all scholars interested in the Netherlandish Renaissance and will hopefully induce new research into Adriaen Thomasz Key and his contemporaries. Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Brepols

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Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter - K. Jonckheere
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Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter - neues Buch

ISBN: 9782503525549

ID: 245362572_nw

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Details zum Buch
Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter

This richly illustrated monograph brings to light, for the first time, the oeuvre of a painter, called the most talented of his generation by David Freedberg. It consists of portraits and altarpieces, devotional paintings and chiaroscuro prints. The rediscovery of Adriaen Thomasz Key's art will be an eye opener to all scholars interested in the Netherlandish Renaissance.

Detailangaben zum Buch - Adriaen Thomasz Key (CA.1545- CA.1589): Portrait of a Calvinist Painter


EAN (ISBN-13): 9782503525549
ISBN (ISBN-10): 2503525547
Gebundene Ausgabe
Erscheinungsjahr: 2007
Herausgeber: BREPOLS PUBL
396 Seiten
Sprache: eng/Englisch

Buch in der Datenbank seit 04.07.2008 14:22:00
Buch zuletzt gefunden am 08.11.2017 09:14:33
ISBN/EAN: 2503525547

ISBN - alternative Schreibweisen:
2-503-52554-7, 978-2-503-52554-9


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