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Depositions: Scenes from the Late Medieval Church and the Modern Museum - Amy Knight Powell
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A provocative study of the iconoclastic impulse in medieval and modern art.From late medieval reenactments of the Deposition from the Cross to Sol Lewitt''s Buried Cube, Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely--no truer to their first appearance than to their later reappearances.In Depositions, Amy Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the Imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of dead images during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated deaths of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book.In these vignettes, images that once stood in late medieval churches now find themselves among works of art from the more recent past with which they share certain formal characteristics. These surreal encounters compel us to reckon with affinities between images from different times and places. Turning pseudomorphosis--formal resemblance where there is no similarity of artistic intent -- on its head, Powell explores what happens to our understanding of historically and conceptually distant works of art when they look alike. Amy Knight Powell, Books, Art and Architecture, Depositions: Scenes from the Late Medieval Church and the Modern Museum Books>Art and Architecture, Zone Books

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Depositions - Scenes from the late Medieval Church and the Modern Museum - Amy Powell
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Hardback, [PU: ZONE BOOKS], A provocative study of the iconoclastic impulse in medieval and modern art.From late medieval reenactments of the Deposition from the Cross to Sol Lewitt's Buried Cube, Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely--no truer to their first appearance than to their later reappearances.In Depositions, Amy Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the Imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of "dead images" during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated "deaths" of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book.In these vignettes, images that once stood in late medieval churches now find themselves among works of art from the more recent past with which they share certain formal characteristics. These surreal encounters compel us to reckon with affinities between images from different times and places. Turning pseudomorphosis--formal resemblance where there is no similarity of artistic intent -- on its head, Powell explores what happens to our understanding of historically and conceptually distant works of art when they look alike., Art History: Byzantine & Medieval c 500 CE to c 1400

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Depositions: Scenes from the Late Medieval Church and the Modern Museum - Powell, Amy
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From late medieval reenactments of the Deposition from the Cross to SolLewitt's " Buried Cube," "Depositions" is abouttaking down images and about images that anticipate being taken down. Foretellingtheir own depositions, as well as their re-elevations in contexts far from those inwhich they were made, the images studied in this book reveal themselves to beuntimely--no truer to their first appearance than to their laterreappearances. In "Depositions," Amy Powell makesthe case that late medieval paintings and ritual reenactments of the Deposition fromthe Cross not only picture the deposition of Christ (the Imago Dei) but alsoallegorize the deposition of the image as such and, in so doing, prefigure thelowering of "dead images" during the Protestant Reformation. Late medievalpre-figurations of Reformation iconoclasm anticipate, in turn, the repeated"deaths" of art since the advent of photography: that is the premise ofthe vignettes devoted to twentieth-century works of art that conclude each chapterof this book. In these vignettes, images that once stood in latemedieval churches now find themselves among works of art from the more recent pastwith which they share certain formal characteristics. These surreal encounterscompel us to reckon with affinities between images from different times and places.Turning "pseudomorphosis"--formal resemblance where there is nosimilarity of artistic intent -- on its head, Powell explores what happens to ourunderstanding of historically and conceptually distant works of art when they lookalike. Depositions: Scenes from the Late Medieval Church and the Modern Museum Powell, Amy, Zone Books (NY)

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Depositions - Scenes from the late Medieval Church and the Modern Museum
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Depositions - Scenes from the late Medieval Church and the Modern Museum - neues Buch

ISBN: 9781935408208

ID: 9781935408208

From late medieval reenactments of the Deposition from the Cross to Sol Lewitt'sBuried Cube, Depositions is about taking down images and about images that anticipate being taken down. Foretelling their own depositions, as well as their re-elevations in contexts far from those in which they were made, the images studied in this book reveal themselves to be untimely--no truer to their first appearance than to their later reappearances. In Depositions, Amy Powell makes the case that late medieval paintings and ritual reenactments of the Deposition from the Cross not only picture the deposition of Christ (the Imago Dei) but also allegorize the deposition of the image as such and, in so doing, prefigure the lowering of "dead images" during the Protestant Reformation. Late medieval pre-figurations of Reformation iconoclasm anticipate, in turn, the repeated "deaths" of art since the advent of photography: that is the premise of the vignettes devoted to twentieth-century works of art that conclude each chapter of this book. In these vignettes, images that once stood in late medieval churches now find themselves among works of art from the more recent past with which they share certain formal characteristics. These surreal encounters compel us to reckon with affinities between images from different times and places. Turning pseudomorphosis--formal resemblance where there is no similarity of artistic intent -- on its head, Powell explores what happens to our understanding of historically and conceptually distant works of art when they look alike. Books

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Depositions: Scenes from the Late Medieval Church and the Modern Museum - Amy Knight Powell
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ISBN: 9781935408208

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Depositions: Scenes from the Late Medieval Church and the Modern Museum Depositions~~Amy-Knight-Powell Art>Art Crit/Theory>Art Crit/Theory Hardcover, Zone Books

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Detailangaben zum Buch - Depositions: Scenes from the Late Medieval Church and the Modern Museum


EAN (ISBN-13): 9781935408208
ISBN (ISBN-10): 1935408208
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2012
Herausgeber: ZONE BOOKS
392 Seiten
Gewicht: 0,733 kg
Sprache: Englisch

Buch in der Datenbank seit 07.09.2009 22:34:54
Buch zuletzt gefunden am 05.12.2017 19:46:06
ISBN/EAN: 1935408208

ISBN - alternative Schreibweisen:
1-935408-20-8, 978-1-935408-20-8


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