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Nobody Knows Where the Blues Come From: Lyrics and History - Robert Springer (Editor)
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ISBN: 9781934110294

ID: 9781934110294

Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. "High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. "High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood," by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In "Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire," Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. "Lookin' for the Bully: An Enquiry into a Song and Its Story," by Paul Oliver traces the origins and the many avatars of the Bully song. In "That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s," Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. "Coolidge's Blues: African American Blues from the Roaring Twenties" is Guido van Rijn's survey of blues of that decade. Robert Springer's "On the Electronic Trail of Blues Formulas" presents a number of conclusions about the spread of patterns in blues narratives. In "West Indies Blues: An Historical Overview 1920s-1950s," John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in "Ethel Waters: 'Long, Lean, Lanky Mama,'" Randall Cherry reappraises the early career of this blues and vaudeville singer. Robert Springer is a professor of English at the University of Metz in Longeville les Metz, France. Among other works, he is the author of Authentic Blues: Its History and Its Themes and the editor of The Lyrics in African American Popular Music. Books, Music~~Genres & Styles~~Blues, Nobody-Knows-Where-the-Blues-Come-from~~Robert-Springer, 999999999, Nobody Knows Where the Blues Come From: Lyrics and History, Robert Springer (Editor), 1934110299, University Press of Mississippi, , , , , University Press of Mississippi

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ISBN: 9781934110294

ID: 7821704

Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to "Nobody Knows Where the Blues Come From" explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. "High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood," by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In "Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire," Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. "Lookin' for the Bully: An Enquiry into a Song and Its Story," by Paul Oliver traces the origins and the many avatars of the Bully song. In "That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s," Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. "Coolidge's Blues: African American Blues from the Roaring Twenties" is Guido van Rijn's survey of blues of that decade. Robert Springer's "On the Electronic Trail of Blues Formulas" presents a number of conclusions about the spread of patterns in blues narratives. In "West Indies Blues: An Historical Overview 1920s-1950s," John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in "Ethel Waters: 'Long, Lean, Lanky Mama, '" Randall Cherry reappraises the early career of this blues and vaudeville singer. Robert Springer is a professor of English at the University of Metz in Longeville les Metz, France. Among other works, he is the author of "Authentic Blues: Its History and Its Themes" and the editor of "The Lyrics in African American Popular Music." Nobody Knows Where the Blues Come from: Lyrics and History Springer, Robert, University Press of Mississippi

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Nobody Knows Where the Blues Come from: Lyrics and History
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Nobody Knows Where the Blues Come from: Lyrics and History - Taschenbuch

ISBN: 9781934110294

ID: 592896624

University Press of Mississippi. Paperback. New. Paperback. 316 pages. Dimensions: 8.9in. x 6.3in. x 0.9in.Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood, by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire, Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. Lookin for the Bully: An Enquiry into a Song and Its Story, by Paul Oliver traces the origins and the many avatars of the Bully song. In That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s, Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. Coolidges Blues: African American Blues from the Roaring Twenties is Guido van Rijns survey of blues of that decade. Robert Springers On the Electronic Trail of Blues Formulas presents a number of conclusions about the spread of patterns in blues narratives. In West Indies Blues: An Historical Overview 1920s-1950s, John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in Ethel Waters: Long, Lean, Lanky Mama, Randall Cherry reappraises the early career of this blues and vaudeville singer. Robert Springer is a professor of English at the University of Metz in Longeville les Metz, France. Among other works, he is the author of Authentic Blues: Its History and Its Themes and the editor of The Lyrics in African American Popular Music. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., University Press of Mississippi

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Nobody Knows Where the Blues Come From - Springer, Robert
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Springer, Robert:
Nobody Knows Where the Blues Come From - neues Buch

ISBN: 9781934110294

ID: 840333

Musicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to Nobody Knows Where the Blues Come From explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. "High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood," by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In "Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire," Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. "Lookin' for the Bully: An Enquiry into a Song and Its Story," by Paul Oliver traces the origins and the many avatars of the Bully song. In "That Dry Creek Eaton Clan: A North Mississippi Murder Ballad of the 1930s," Tom Freeland and Chris Smith study a ballad recorded in 1939 by a black convict at Parchman prison farm. "Coolidge's Blues: African American Blues from the Roaring Twenties" is Guido van Rijn's survey of blues of that decade. Robert Springer's "On the Electronic Trail of Blues Formulas" presents a number of conclusions about the spread of patterns in blues narratives. In "West Indies Blues: An Historical Overview 1920s-1950s," John Cowley turns his attention to West Indian songs produced on the American mainland. Finally, in "Ethel Waters: 'Long, Lean, Lanky Mama,'" Randall Cherry reappraises the early career of this blues and vaudeville singer. Robert Springer is a professor of English at the University of Metz in Longeville les Metz, France. Among other works, he is the author of Authentic Blues: Its History and Its Themes and the editor of The Lyrics in African American Popular Music. Music Music eBook, University Press of Mississippi

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Nobody Knows Where the Blues Come From - Robert Springer
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Nobody Knows Where the Blues Come From - Taschenbuch

2005, ISBN: 9781934110294

ID: 8022199

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Details zum Buch
Nobody Knows Where the Blues Come from: Lyrics and History
Autor:

Robert Springer

Titel:

Nobody Knows Where the Blues Come from: Lyrics and History

ISBN-Nummer:

A vibrant and varied look at African American songs and the history behind the lyricsMusicians and music scholars rightly focus on the sounds of the blues and the colorful life stories of blues performers. Equally important and, until now, inadequately studied are the lyrics. The international contributors to "Nobody Knows Where the Blues Come From" explore this aspect of the blues and establish the significance of African American popular song as a neglected form of oral history. "High Water Everywhere: Blues and Gospel Commentary on the 1927 Mississippi River Flood," by David Evans, is the definitive study of songs about one of the greatest natural disasters in the history of the United States. In "Death by Fire: African American Popular Music on the Natchez Rhythm Club Fire," Luigi Monge analyzes a continuum of songs about exclusively African American tragedy. "Lookin' for the Bully: An Enquiry into a Song and Its Story," by Paul Oliver traces the origins and the many ava

Detailangaben zum Buch - Nobody Knows Where the Blues Come from: Lyrics and History


EAN (ISBN-13): 9781934110294
ISBN (ISBN-10): 1934110299
Taschenbuch
Erscheinungsjahr: 2007
Herausgeber: UNIV PR OF MISSISSIPPI
316 Seiten
Gewicht: 0,463 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 20.12.2007 12:04:50
Buch zuletzt gefunden am 29.05.2017 22:41:47
ISBN/EAN: 1934110299

ISBN - alternative Schreibweisen:
1-934110-29-9, 978-1-934110-29-4


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