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Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To? - David Roche
(*)
David Roche:
Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To? - Taschenbuch

2000, ISBN: 1496802543

[SR: 1669034], Paperback, [EAN: 9781496802545], University Press of Mississippi, University Press of Mississippi, Book, [PU: University Press of Mississippi], 2015-01-30, University Press of Mississippi, In "Making and Remaking Horror in the 1970s and 2000s" author David Roche takes up the assumption shared by many fans and scholars that original horror movies are more "disturbing," and thus better than the remakes. He assesses the qualities of movies, old and recast, according to criteria that include subtext, originality, and cohesion. With a methodology that combines a formalist and cultural studies approach, Roche sifts aspects of the American horror movie that have been widely addressed (class, the patriarchal family, gender, and the opposition between terror and horror) and those that have been somewhat neglected (race, the Gothic, style, and verisimilitude). Containing seventy-eight black and white illustrations, the book is grounded in a close comparative analysis of the politics and aesthetics of four of the most significant independent American horror movies of the 1970s--"The Texas Chain Saw Massacre, The Hills Have Eyes, Dawn of the Dead, " and "Halloween"--and their twenty-first-century remakes. To what extent can the politics of these films be described as "disturbing" insomuch as they promote subversive subtexts that undermine essentialist perspectives? Do the politics of the film lie on the surface or are they wedded to the film's aesthetics? Early in the book, Roche explores historical contexts, aspects of identity (race, ethnicity, and class), and the structuring role played by the motif of the American nuclear family. He then asks to what extent these films disrupt genre expectations and attempt to provoke emotions of dread, terror, and horror through their representations of the monstrous and the formal strategies employed? In this inquiry, he examines definitions of the genre and its metafictional nature. Roche ends with a meditation on the extent to which the technical limitations of the horror films of the 1970s actually contribute to this "disturbing" quality. Moving far beyond the genre itself, "Making and Remaking Horror" studies the redux, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 270447, Criticism & Theory, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 513004, Horror, 512986, Film Genres, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 512994, United States, 512982, History of Film, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270440, Direction & Production, 512984, Production & Technology, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 275068, History & Criticism, 275070, Children's Literature Studies, 275071, Drama & Dramatists, 274863, History of Books, 591858, Key Critics, 275080, Literary Studies, 275096, Literary Theory & Movements, 275105, Novels & Novelists, 275110, Poetry & Poets, 591932, Study Guides, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books, 496720, Radio, 496718, Media & Communication Industries, 275700, Communication Studies, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books, 496674, Cultural Studies, 276411, Social Sciences, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books

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Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To? - David Roche
(*)
David Roche:
Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To? - Taschenbuch

2000, ISBN: 1496802543

ID: 18072687812

[EAN: 9781496802545], Neubuch, [PU: University Press of Mississippi], BRAND NEW PRINT ON DEMAND., Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To?, David Roche, In "Making and Remaking Horror in the 1970s and 2000s" author David Roche takes up the assumption shared by many fans and scholars that original horror movies are more "disturbing," and thus better than the remakes. He assesses the qualities of movies, old and recast, according to criteria that include subtext, originality, and cohesion. With a methodology that combines a formalist and cultural studies approach, Roche sifts aspects of the American horror movie that have been widely addressed (class, the patriarchal family, gender, and the opposition between terror and horror) and those that have been somewhat neglected (race, the Gothic, style, and verisimilitude). Containing seventy-eight black and white illustrations, the book is grounded in a close comparative analysis of the politics and aesthetics of four of the most significant independent American horror movies of the 1970s--"The Texas Chain Saw Massacre, The Hills Have Eyes, Dawn of the Dead, " and "Halloween"--and their twenty-first-century remakes. To what extent can the politics of these films be described as "disturbing" insomuch as they promote subversive subtexts that undermine essentialist perspectives? Do the politics of the film lie on the surface or are they wedded to the film's aesthetics? Early in the book, Roche explores historical contexts, aspects of identity (race, ethnicity, and class), and the structuring role played by the motif of the American nuclear family. He then asks to what extent these films disrupt genre expectations and attempt to provoke emotions of dread, terror, and horror through their representations of the monstrous and the formal strategies employed? In this inquiry, he examines definitions of the genre and its metafictional nature. Roche ends with a meditation on the extent to which the technical limitations of the horror films of the 1970s actually contribute to this "disturbing" quality. Moving far beyond the genre itself, "Making and Remaking Horror" studies the redux as a form of adaptation and enables a more complete discussion of the evolution of horror in contemporary American cinema.

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Making and Remaking Horror in the 1970s and 2000s
(*)
Making and Remaking Horror in the 1970s and 2000s - neues Buch

2000, ISBN: 9781496802545

ID: 9781496802545

In Making and Remaking Horror in the 1970s and 2000s author David Roche takes up the assumption shared by many fans and scholars that original horror movies are more "disturbing," and thus better than the remakes. He assesses the qualities of movies, old and recast, according to criteria that include subtext, originality, and cohesion. With a methodology that combines a formalist and cultural studies approach, Roche sifts aspects of the American horror movie that have been widely addressed (class, the patriarchal family, gender, and the opposition between terror and horror) and those that have been somewhat neglected (race, the Gothic, style, and verisimilitude). Containing seventy-eight black and white illustrations, the book is grounded in a close comparative analysis of the politics and aesthetics of four of the most significant independent American horror movies of the 1970s--The Texas Chain Saw Massacre, The Hills Have Eyes, Dawn of the Dead, andHalloween--and their twenty-first-century remakes. To what extent can the politics of these films be described as "disturbing" insomuch as they promote subversive subtexts that undermine essentialist perspectives? Do the politics of the film lie on the surface or are they wedded to the film's aesthetics? Early in the book, Roche explores historical contexts, aspects of identity (race, ethnicity, and class), and the structuring role played by the motif of the American nuclear family. He then asks to what extent these films disrupt genre expectations and attempt to provoke emotions of dread, terror, and horror through their representations of the monstrous and the formal strategies employed? In this inquiry, he examines definitions of the genre and its metafictional nature. Roche ends with a meditation on the extent to which the technical limitations of the horror films of the 1970s actually contribute to this "disturbing" quality. Moving far beyond the genre itself,Making and Remaking Horror studies the redux as a f ... Books

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Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do it Like They Used to?
(*)
Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do it Like They Used to? - neues Buch

2000, ISBN: 9781496802545

ID: 32368914

Takes up the assumption shared by many fans and scholars that original horror movies are more disturbing," and thus better than the remakes. David Roche assesses the..." Books

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Making and Remaking Horror in the 1970s and 2000s - David Roche
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David Roche:
Making and Remaking Horror in the 1970s and 2000s - gebrauchtes Buch

2000, ISBN: 9781496802545

ID: 451018726_us

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Detailangaben zum Buch - Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To?


EAN (ISBN-13): 9781496802545
ISBN (ISBN-10): 1496802543
Taschenbuch
Erscheinungsjahr: 2000
Herausgeber: University Press of Mississippi

Buch in der Datenbank seit 2015-08-28T15:25:54+02:00 (Berlin)
Detailseite zuletzt geändert am 2018-06-19T14:38:25+02:00 (Berlin)
ISBN/EAN: 1496802543

ISBN - alternative Schreibweisen:
1-4968-0254-3, 978-1-4968-0254-5


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