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The Schreiber Theory: A Radical Rewrite of American Film History - Kipen, David
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With Oscar season upon us, David Kipen asks who's responsible for Hollywood's best movies? In an edgy and funny manifesto, critic David Kipen says au contraire to that old film school theory--the auteur theory--that gives all the credit to the director. Instead, in honor of "the mother tongue of America's first screenwriters," Kipen uses the Yiddish word for "writer" to coin The Schreiber Theory, which decrees that knowing who wrote a movie is often a far better guide to knowing whether the movie will be any good or not. Kipen's new heresy topples the old orthodoxy by studying the careers of screenwriters past and present in a witty, two-pronged attack: In part one, he dismantles the auteur theory and presents a convincing argument that screenwriters are the guiding creative geniuses behind the best films. In part two, he offers a compendium of mini-biographies of great screenwriters past and present. Who wrote Casablanca? Who wrote Twelve Monkeys? Who wrote Dead Girls Don't Tango? What else did they write? It all makes "The Schreiber Theory" an engaging read and a one-of-a-kind reference for movie lovers and film students alike. The Schreiber Theory: A Radical Rewrite of American Film History Kipen, David, Melville House Publishing

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Schreiber Theory, The (Melville Manifestos) - David Kipen
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David Kipen:
Schreiber Theory, The (Melville Manifestos) - Taschenbuch

2009, ISBN: 097665833X

[SR: 1150159], Paperback, [EAN: 9780976658337], MELVILLE HOUSE PUBLISHING, MELVILLE HOUSE PUBLISHING, Book, [PU: MELVILLE HOUSE PUBLISHING], 2009-04-09, MELVILLE HOUSE PUBLISHING, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 512994, United States, 512982, History of Film, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270446, Screenwriting, 512984, Production & Technology, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 277144, Writing Skills, 277126, Writing, 59, Reference, 1025612, Subjects, 266239, Books

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David Kipen:
The Schreiber Theory: a Radical Rewrite of American Film History (Melville Manifestos) - Taschenbuch

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Trade paperback, Gebraucht, guter Zustand, Former Library book. Shows some signs of wear, and may have some markings on the inside. Shipped to over one million happy customers. Your purchase benefits world literacy!, [PU: Melville House Publishing]

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David Kipen:
The Schreiber Theory: A Radical Rewrite of American Film History (Melville Manifestos) - Taschenbuch

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Details zum Buch
The Schreiber Theory: A Radical Rewrite of American Film History
Autor:

Kipen, David

Titel:

The Schreiber Theory: A Radical Rewrite of American Film History

ISBN-Nummer:

In this wonderfully witty and wide-ranging manifesto, noted book and movie critic David Kipen takes dead aim at that old film school canard, the "auteur theory," and blows it sky-high with a theory of his own that he supports with a rollicking tour through movie history. Thanks to the "auteurists," everyone nowadays credits the director with being the creative genius behind every movie. But, in what may be the first significant counter-theory to the notion invented by legendary critics Andrew Sarris, Francois Truffaut, and others, Kipen says, ""Au contraire."" Instead, inspired by "the mother tongue of America's first screenwriters," he uses the Yiddish word for writer to coin "The Schreiber Theory," which decrees that knowing who wrote a film is often a far better-and far more consistent-guide to whether it was any good. Kipen's new heresy topples the old orthodoxy by studying the careers of the early writers who came to Hollywood from Broadway and the modern scriptwriters coming out of TV. Most usefully, the second half of the book is a who's who of screenwriters past and present, with entries on over 40 of Hollywood's most significant "schreibers." There's plenty of film-world gossip along the way, as well as smart discussion of how the "auteur" theory took hold and what some other opponents-such as Pauline Kael-had to say about it. From the early days-when Faulkner, Fitzgerald, and Hemingway labored in Hollywood-to today, when international sales are turning scripts into pidgin affairs, it's a clever and savvy consideration of movie-making from a whole new perspective. David Kipen is the former editor of "Buzz Magazine" and has written about movies for "TheHollywood Reporter," "Variety," "Boxoffice," "The Atlantic Monthly," and "The Los Angeles Times." He is currently the book critic for "San Francisco Chronicle," as well as a weekly commentator on NPR's "Day to Day" program and on KCRW-FM in southern California.

Detailangaben zum Buch - The Schreiber Theory: A Radical Rewrite of American Film History


EAN (ISBN-13): 9780976658337
ISBN (ISBN-10): 097665833X
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2006
Herausgeber: MELVILLE HOUSE PUB
172 Seiten
Gewicht: 0,190 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 03.07.2007 21:25:55
Buch zuletzt gefunden am 09.01.2017 13:31:05
ISBN/EAN: 097665833X

ISBN - alternative Schreibweisen:
0-9766583-3-X, 978-0-9766583-3-7


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