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Mestizo Modernism
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ISBN: 9780813532165

ID: 17921935

We USE the term "modernism" almost exclusively to characterize the work of European and American writers and artists who struggled to portray a new kind of fractured urban life typified by mechanization and speed. Between the 1880s and 1930s, Latin American artists were similarly engaged - but with a difference. While other modernists drew from "primitive" cultures for an alternative sense of. We USE the term "modernism" almost exclusively to characterize the work of European and American writers and artists who struggled to portray a new kind of fractured urban life typified by mechanization and speed. Between the 1880s and 1930s, Latin American artists were similarly engaged - but with a difference. While other modernists drew from "primitive" cultures for an alternative sense of creativity, Latin American modernists were taking a cue from local sources, primarily indigenous and black populations in their own countries. Although these artists remained outsiders to modernism elsewhere as a result of their race, nation, and identity, their racial heritage served as a positive tool in negotiating their relationship to the dichotomy between tradition and modernity. In Mestizo Modernism Tace Hedrick focuses on four key artists who represent Latin American modernism - Peruvian poet Cesar Vallejo, Chilean poet Gabriela Mistral, Mexican muralist Diego Rivera, and Mexican artist Frida Kahlo. Hedrick interrogates what being "modern" and "American" meant for them and illuminates the cultural contexts within which they worked, as well as the formal methods they shared, including the connection they drew between ancient cultures and modern technologies. In so doing, she defines "modernism" more as a time frame at the turn of the twentieth century, marked broadly across the arts and national boundaries, than as a strict aesthetic or formal category. In fact, this look at Latin American artists will force the reconceptualization of what modernism has meant in academic study and what it might mean for future research. Books, Art, Architecture and Photography~~History of Art~~History of Art & Design Styles: From C 1900, Mestizo Modernism~~Book~~9780813532165~~Tace Hedrick, , , , , , , , , ,, [PU: Rutgers University Press]

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Mestizo Modernism: Race, Nation and Identity in Latin American Culture, 1900-1940 (Hardback) - Tace Hedrick
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2003, ISBN: 0813532167

ID: 11234683163

[EAN: 9780813532165], Neubuch, [PU: Rutgers University Press, United States], History|Latin America|General, Art|Folk & Outsider Art, Art|History|General, Language: English Brand New Book. We use the term modernism almost exclusively to characterize the work of European and American writers and artists who struggled to portray a new kind of fractured urban life typified by mechanization and speed. Between the 1880s and 1930s, Latin American artists were similarly engaged - but with a difference. While other modernists drew from primitive cultures for an alternative sense of creativity, Latin American modernists were taking a cue from local sources, primarily indigenous and black populations in their own countries. Although these artists remained outsiders to modernism elsewhere as a result of their race, nation, and identity, their racial heritage served as a positive tool in negotiating their relationship to the dichotomy between tradition and modernity. In Mestizo Modernism Tace Hedrick focuses on four key artists who represent Latin American modernism - Peruvian poet Cesar Vallejo, Chilean poet Gabriela Mistral, Mexican muralist Diego Rivera, and Mexican artist Frida Kahlo. Hedrick interrogates what being modern and American meant for them and illuminates the cultural contexts within which they worked, as well as the formal methods they shared, including the connection they drew between ancient cultures and modern technologies. In so doing, she defines modernism more as a time frame at the turn of the twentieth century, marked broadly across the arts and national boundaries, than as a strict aesthetic or formal category. In fact, this look at Latin American artists will force the reconceptualization of what modernism has meant in academic study and what it might mean for future research.

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Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940 - Hedrick, Tace
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Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940 - gebunden oder broschiert

ISBN: 9780813532165

[ED: Hardcover], [PU: RUTGERS UNIV PR], Hedrick interrogates what being "modern" and "American" meant for them and illuminates the cultural contexts within which they worked, as well as the formal methods they shared, including the connection they drew between ancient cultures and modern technologies. In so doing, she defines "modernism" more as a time frame at the turn of the twentieth century, marked broadly across the arts and national boundaries, than as a strict aesthetic or formal category. In fact, this look at Latin American artists will force the reconceptualization of what modernism has meant in academic study and what it might mean for future research.Versandfertig in über 4 Wochen, [SC: 0.00]

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Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940 - Hedrick, Tace
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Hedrick, Tace:
Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940 - gebunden oder broschiert

ISBN: 9780813532165

[ED: Hardcover], [PU: RUTGERS UNIV PR], Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940 - Hedrick, Tace
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Hedrick, Tace:
Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940 - gebunden oder broschiert

ISBN: 9780813532165

[ED: Hardcover], [PU: RUTGERS UNIV PR], Versandfertig in über 4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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Details zum Buch
Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940

Focusing on four key artists who represent Latin-American modernism: Cesar Vallejo; Gabriela Mistral; Diego Rivera; and Frida Kahlo, Tace Hendrick examines what being "modern" and "American" meant for them and illuminates the cultural contexts within which they worked.

Detailangaben zum Buch - Mestizo Modernism: Race, Nation, and Identity in Latin American Culture, 1900-1940


EAN (ISBN-13): 9780813532165
ISBN (ISBN-10): 0813532167
Gebundene Ausgabe
Erscheinungsjahr: 2003
Herausgeber: RUTGERS UNIV PR
272 Seiten
Gewicht: 0,572 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 12.07.2007 02:54:35
Buch zuletzt gefunden am 04.07.2017 19:44:38
ISBN/EAN: 0813532167

ISBN - alternative Schreibweisen:
0-8135-3216-7, 978-0-8135-3216-5


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