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The Naked And The Undead: Evil And The Appeal Of Horror - Cynthia Freeland
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Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil—both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others. Cynthia Freeland, Books, Entertainment, The Naked And The Undead: Evil And The Appeal Of Horror Books>Entertainment, Avalon Publishing

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Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In "The Naked and the Undead: Evil and the Appeal of Horror," Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil--both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like "The Texas Chainsaw Massacre." Written for both students and film enthusiasts, the book examines a wide array of films including: "The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, "and many others. The Naked and the Undead: Evil and the Appeal of Horror Freeland, Cynthia A., Westview Press

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[ED: Taschenbuch], [PU: WESTVIEW PR], In this book, Cynthia Freeland explores aesthetic disdain and moral condemnation toward horror by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and the nature of evil. In exploring these films, including The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, Blue Velvet, Eraserhead, Hellraiser, and many others, Freeland argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. Versandfertig in 2-4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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2001, ISBN: 9780813365633

ID: 3161420

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ISBN: 9780813365633

ID: 9780813365633

paperback, [PU: Westview Press]

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The Naked and the Undead: Evil and the Appeal of Horror

The Naked and the Undead Examines philosophical aspects of evil by looking at horror films from a feminist perspective Full description

Detailangaben zum Buch - The Naked and the Undead: Evil and the Appeal of Horror


EAN (ISBN-13): 9780813365633
ISBN (ISBN-10): 0813365635
Taschenbuch
Erscheinungsjahr: 2002
Herausgeber: WESTVIEW PR
320 Seiten
Gewicht: 0,522 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 18.01.2008 17:31:54
Buch zuletzt gefunden am 19.06.2017 11:38:18
ISBN/EAN: 0813365635

ISBN - alternative Schreibweisen:
0-8133-6563-5, 978-0-8133-6563-3


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