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Aretinos Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art - Raymond Waddington
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Pietro Aretino''s literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer''s work and persona has hitherto been sparse. Raymond B. Waddington''s study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino''s carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts.In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino''s own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino''s deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period.Aretino''s Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. Raymond Waddington, Books, Fiction and Literature, Aretinos Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art Books>Fiction and Literature, University of Toronto Press, Scholarly Publishing Division

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[EAN: 9780802088147], Neubuch, [PU: University of Toronto Press, Canada], ITALIAN STUDIES. SATIRE, COMEDY. DRAMA. ITALY. ART LITERATURE., History|Renaissance, Literary Criticism|European|Italian, Literary Criticism|General, The book is clean. No writings on the pages.

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Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art

Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.

Detailangaben zum Buch - Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art


EAN (ISBN-13): 9780802088147
ISBN (ISBN-10): 0802088147
Gebundene Ausgabe
Erscheinungsjahr: 2004
Herausgeber: UNIV OF TORONTO PR
279 Seiten
Gewicht: 0,694 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 12.06.2007 10:44:40
Buch zuletzt gefunden am 06.08.2017 20:21:22
ISBN/EAN: 0802088147

ISBN - alternative Schreibweisen:
0-8020-8814-7, 978-0-8020-8814-7


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