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Epic and Empire: Politics and Generic Form from Virgil to Milton - David Quint
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors'' side (the Aeneid itself, Camoes''s Lusíadas, Tasso''s Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan''s Pharsalia, Ercilla''s Araucana, and d''Aubigné''s Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with romance, the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein''s epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form. David Quint, Books, Fiction and Literature, Epic and Empire: Politics and Generic Form from Virgil to Milton Books>Fiction and Literature, Princeton University Press

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Epic and Empire: Politics and Generic Form from Virgil to Milton - Quint, David
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the "Iliad," kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the "Aeneid" as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the "Aeneid" itself, Camoes's "Lusiadas," Tasso's "Gerusalemme liberata") and the countervailing epic of the defeated and of republican liberty (Lucan's "Pharsalia," Ercilla's "Araucana," and d'Aubigne's "Les tragiques"). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates "Paradise Lost" and "Paradise Regained" within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, "Alexander Nevsky." Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, "Epic and Empire" provides new models for exploring the relationship between ideology and literary form. Epic and Empire: Politics and Generic Form from Virgil to Milton Quint, David, Princeton University Press

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Quint, D: Epic and Empire - David Quint
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the ´´Iliad,´´ kept alongside a † on a more pronounced ideological level, ancient Romans looked to the ´´Aeneid´´ as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors´ side (the ´´Aeneid´´ itself, Camoes´s ´´Lusiadas,´´ Tasso´s ´´Gerusalemme liberata´´) and the countervailing epic of the defeated and of republican liberty (Lucan´s ´´Pharsalia,´´ Ercilla´s ´´Araucana,´´ and d´Aubigne´s ´´Les tragiques´´). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with ´´romance,´´ the story told of and by the defeated.Quint situates ´´Paradise Lost´´ and ´´Paradise Regained´´ within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein´s epic film, ´´Alexander Nevsky.´´ Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, ´´Epic and Empire´´ provides new models for exploring the relationship between ideology and literary form. Politics and Generic Form from Virgil to Milton Buch (fremdspr.) Taschenbuch 25.01.1993 Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press, .199

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Epic and Empire - David Quint
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lus?adas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubign?'s Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new mo ancient and classical literature,criticism and theory,education and reference,fantasy epics,greek,history and criticism,literary criticism,literary criticism and collections,literature and fiction,poetry Fantasy Epics, Princeton University Press

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Epic and Empire
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ISBN: 9780691015200

ID: 9780691015200

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form. Books, [PU: Princeton University Press]

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Epic and Empire: Politics and Generic Form from Virgil to Milton

Alexander the Great, according to Plutarch, carried on his campaigns a copy of the "Iliad," kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the "Aeneid" as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the "Aeneid" itself, Camoes's "Lusiadas," Tasso's "Gerusalemme liberata") and the countervailing epic of the defeated and of republican liberty (Lucan's "Pharsalia," Ercilla's "Araucana," and d'Aubigne's "Les tragiques"). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated.Quint situates "Paradise Lost" and "Paradise Regained" within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, "Alexander Nevsky." Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, "Epic and Empire" provides new models for exploring the relationship between ideology and literary form.

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EAN (ISBN-13): 9780691015200
ISBN (ISBN-10): 0691015201
Taschenbuch
Erscheinungsjahr: 1993
Herausgeber: PRINCETON UNIV PR
448 Seiten
Gewicht: 0,608 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 22.03.2007 13:18:39
Buch zuletzt gefunden am 01.12.2017 23:39:07
ISBN/EAN: 0691015201

ISBN - alternative Schreibweisen:
0-691-01520-1, 978-0-691-01520-0


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