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Breaking the Glass Armor: Neoformalist Film Analysis - Thompson, Kristin
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Breaking the Glass Armor: Neoformalist Film Analysis - Taschenbuch

ISBN: 9780691014531

[ED: Taschenbuch], [PU: PRINCETON UNIV PR], "Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole. 376 pages Versandfertig in 2-4 Wochen, DE, [SC: 0.00], Neuware, gewerbliches Angebot, offene Rechnung (Vorkasse vorbehalten)

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Breaking the Glass Armor
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Classical works have for us become covered with the glassy armor of familiarity, wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by playing with audience expectations. Other chapters deal with Tati's Les Vacances de Monsieur Hulot and Play Time and Godard's Tout va bien and Sauve qui peut (la vie). Although neoformalist analysis is a rigorous, distinctive approach, it avoids extensive specialized vocabulary and esoteric concepts: the essays here can be read separately by those interested in the individual films. The book's overall purpose, however, goes beyond making these particular films more accessible and intriguing to propose new ways of looking at cinema as a whole. Books, [PU: Princeton University Press]

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Breaking the Glass Armor: Neoformalist Film Analysis - Thompson, K,
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Breaking the Glass Armor: Neoformalist Film Analysis - neues Buch

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"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinary Hollywood film, Terror by Night, to such masterpieces as Late Spring and Lancelot du Lac. She proposes a formal historical way of dealing with realism, using Bicycle Thieves and The Rules of the Game as examples. Stage Fright and Laura provide cases in which the classical cinema defamiliarizes its own conventions by play, [PU: Princeton University Press]

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Breaking the Glass Armor: Neoformalist Film Analysis - Kristin Thompson
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Breaking the Glass Armor: Neoformalist Film Analysis - neues Buch

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Here Kristin Thompson ´defamiliarizes´ the reader with eleven different films. Developing the technique formulated in her Eisenstein´s ´Ivan the Terrible´, she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and -dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Breaking the Glass Armor: Neoformalist Film Analysis Buch (fremdspr.) Taschenbuch 01.08.1988 Bücher>Fremdsprachige Bücher>Englische Bücher, Princeton University Press, .198

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Breaking the Glass Armor - Kristin Thompson
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Breaking the Glass Armor - Taschenbuch

1988, ISBN: 9780691014531

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Breaking the Glass Armor: Neoformalist Film Analysis

Here Kristin Thompson 'defamiliarizes' the reader with eleven different films. Developing the technique formulated in her Eisenstein's 'Ivan the Terrible', she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and -dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually.

Detailangaben zum Buch - Breaking the Glass Armor: Neoformalist Film Analysis


EAN (ISBN-13): 9780691014531
ISBN (ISBN-10): 0691014531
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 1988
Herausgeber: PRINCETON UNIV PR
420 Seiten
Gewicht: 0,626 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 08.05.2007 16:13:09
Buch zuletzt gefunden am 20.04.2018 14:09:31
ISBN/EAN: 0691014531

ISBN - alternative Schreibweisen:
0-691-01453-1, 978-0-691-01453-1


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