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The Address of the Eye : A Phenomenology of Film Experience - Vivian Sobchack
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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture. arts music and photography,film and television,history and criticism,humanities,humor and entertainment,movies,performing arts,textbooks,theory Movies, Princeton University Press

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The Address of the Eye: A Phenomenology of Film Experience - Sobchack, Vivian
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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture. The Address of the Eye: A Phenomenology of Film Experience Sobchack, Vivian, Princeton University Press

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The Address of the Eye
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ISBN: 9780691008745

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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture. Books, [PU: Princeton University Press]

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The Address of the Eye : A Phenomenology of Film Experience - Michael Brenner
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Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject.This title challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus.; Paperback \ Michael Brenner; Music, Stage & Screen > Film, TV & radio > Films, cinema > Film theory & criticism, Princeton University Press

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The Address of the Eye: A Phenomenology of Film Experience - Vivian Sobchack
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The Address of the Eye: A Phenomenology of Film Experience The-Address-of-the-Eye-A-Phenomenology-of-Film-Experience~~Vivian-Sobchack On Screen>Film Studies>Film Studies Paperback, Princeton University Press

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The Address of the Eye: A Phenomenology of Film Experience

A professor of theater arts shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's". In this attempt to account for cinematic intellegibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Detailangaben zum Buch - The Address of the Eye: A Phenomenology of Film Experience


EAN (ISBN-13): 9780691008745
ISBN (ISBN-10): 0691008744
Taschenbuch
Erscheinungsjahr: 1991
Herausgeber: PRINCETON UNIV PR
354 Seiten
Gewicht: 0,526 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 05.06.2007 21:37:47
Buch zuletzt gefunden am 29.08.2017 11:33:45
ISBN/EAN: 0691008744

ISBN - alternative Schreibweisen:
0-691-00874-4, 978-0-691-00874-5


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