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Men, Women, and Chain Saws: Gender in the Modern Horror Film - Carol J. Clover
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Carol J. Clover:
Men, Women, and Chain Saws: Gender in the Modern Horror Film - Taschenbuch

ISBN: 0691006202

[SR: 487661], Paperback, [EAN: 9780691006208], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling. Men, Women, and Chain Saws investigated the appeal of horror cinema, in particular the phenomenal popularity of those "low" genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the "final girl," as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets., Before Men, Women, and Chain Saws, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the "final girl," a climactic moment of female power. As the Boston Globe writes, Men, Women, and Chain Saws "challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going. Related title: The Dread of Difference: Gender and the Horror Film by Barry Keith Grant, 521000, Performing Arts, 1474, Dance, 11160393011, Individual Directors, 1099186, Magic & Illusion, 271614011, Reference, 2154, Theater, 1, Arts & Photography, 1000, Subjects, 283155, Books, 4495, History & Criticism, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 194810011, Genre Films, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books, 194811011, Theory, 4484, Movies, 86, Humor & Entertainment, 1000, Subjects, 283155, Books

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Clover, Carol J.
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ID: 2543666

Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Clover, a medievalist, had written extensively on the literature and culture of early northern Europe, especially the Old Norse sagas. From her expertise in formulaic narrative grew her interest in contemporary cinema, which is, after all, yet another form of oral storytelling. "Men, Women, and Chain Saws" investigated the appeal of horror cinema, in particular the phenomenal popularity of those "low" genres that feature female heroes and play to male audiences: slasher, occult, and rape-revenge films. Such genres seem to offer sadistic pleasure to their viewers, and not much else. Clover, however, argued the reverse: that these films are designed to align spectators not with the male tormentor, but with the female tormented--with the suffering, pain, and anguish that the "final girl," as Clover calls the victim-hero, endures before rising, finally, to vanquish her oppressor. The book has found an avid readership from students of film theory to major Hollywood filmmakers, and the figure of the final girl has been taken up by a wide range of artists, inspiring not just filmmakers but also musicians and poets. Men, Women, and Chain Saws: Gender in Modern Horror Film Clover, Carol J., Princeton University Press

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Carol J. Clover
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Carol J. Clover:
Men, Women, and Chain Saws: Gender in Modern Horror Film - Taschenbuch

ISBN: 0691006202

[SR: 178447], Taschenbuch, [EAN: 9780691006208], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], Princeton University Press, Before Men, Women, and Chain Saws, most film critics assumed that horror (especially slasher) films entail a male viewer sadistically watching the plight of a female victim. Carol Clover argues convincingly that both male and female viewers not only identify with the victim, but experience, through the actions of the "final girl," a climactic moment of female power. As the Boston Globe writes, Men, Women, and Chain Saws "challenges simplistic assumptions about the relationship between gender and culture... [Clover] suggests that the 'low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." Be forewarned, though: Clover addresses an academic audience, so her language can be heavy going. Related title: The Dread of Difference: Gender and the Horror Film by Barry Keith Grant, 64307011, Geschichte & Kritik, 64299011, Filme, 64226011, Unterhaltung & Kultur, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Carol J. Clover
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Carol J. Clover:
Men, Women, and Chain Saws: Gender in Modern Horror Film - Taschenbuch

ISBN: 0691006202

[SR: 443541], Paperback, [EAN: 9780691006208], Princeton University Press, Princeton University Press, Book, [PU: Princeton University Press], 1993-04-11, Princeton University Press, Clover, Carol J, 512778, Modernism, 512776, Criticism & Theory, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 270447, Criticism & Theory, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 513004, Horror, 512986, Film Genres, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 515342, Horror, 515338, TV Genres, 270584, Television, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books

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Men, Women, and Chain Saws: Gender in Modern Horror Film - Carol J. Clover
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Carol J. Clover:
Men, Women, and Chain Saws: Gender in Modern Horror Film - Taschenbuch

ISBN: 9780691006208

ID: INF3003072335

Do the pleasures of horror movies really begin and end in sadism So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression. Men, Women, and Chain Saws: Gender in Modern Horror Film: Do the pleasures of horror movies really begin and end in sadism So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression., Princeton University Press

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Details zum Buch
Men, Women, and Chain Saws: Gender in Modern Horror Film
Autor:

Clover, Carol J.

Titel:

Men, Women, and Chain Saws: Gender in Modern Horror Film

ISBN-Nummer:

Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero, who suffers fright but rises to vanquish the forces of oppression.

Detailangaben zum Buch - Men, Women, and Chain Saws: Gender in Modern Horror Film


EAN (ISBN-13): 9780691006208
ISBN (ISBN-10): 0691006202
Taschenbuch
Erscheinungsjahr: 1993
Herausgeber: PRINCETON UNIV PR
276 Seiten
Gewicht: 0,386 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 19.05.2007 21:26:03
Buch zuletzt gefunden am 14.12.2016 17:04:06
ISBN/EAN: 0691006202

ISBN - alternative Schreibweisen:
0-691-00620-2, 978-0-691-00620-8


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