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Lucy in the Afternoon: An Intimate Memoir of Lucille Ball Brochu, Jim
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Lucy in the Afternoon: An Intimate Memoir of Lucille Ball Brochu, Jim - signiertes Exemplar

2016, ISBN: 9780688086466

Taschenbuch, ID: 993381815

Dean Martin Fan Center Magazine Issue Number 41, February 2004 - feature: Dean & Elvispublication of The Dean Martin Fan Club, Arcadia, CAPaperback8 1/2 x 11 inches, 35 pagessee Table of ContentsDean Martin (born Dino Paul Crocetti; June 7, 1917 December 25, 1995) was an Italian-American singer, actor, comedian, and film producer. One of the most popular and enduring American entertainers of the mid-20th century, Martin was nicknamed the "King of Cool" for his seemingly effortless charisma and self-assurance.He and Jerry Lewis were partners as the immensely popular comedy team Martin and Lewis, and afterwards he was a member of the "Rat Pack", and a star in concert stages, nightclubs, recordings, motion pictures, and television. He was the host of the television variety program The Dean Martin Show (19651974) and The Dean Martin Celebrity Roast (19741984).Martin's relaxed, warbling crooning voice earned him dozens of hit singles including his signature songs "Memories Are Made of This", "That's Amore", "Everybody Loves Somebody", "You're Nobody till Somebody Loves You", "Sway", "Volare", and "Ain't That a Kick in the Head?".Martin was born on June 7, 1917, in Steubenville, Ohio, to an Italian father, Gaetano Alfonso Crocetti (18941967), and an Italian-American mother, Angela Crocetti (née Barra; 18991966). They were married in 1914. His father, who was a barber, was originally from Montesilvano, in Abruzzo, and his maternal grandparents' origins are believed to be also from Abruzzo although it is not clearly known. Martin had an older brother named William Alfonso Crocetti (1916-1968). Martin's first language was an Abruzzese dialect of Italian, and he did not speak English until he started school at the age of five. He attended Grant Elementary School in Steubenville where he was bullied for his broken English. He later took up the drums as a hobby as a teenager. Martin then dropped out of Steubenville High School in the 10th grade because he thought he was smarter than his teachers. He bootlegged liquor, served as a speakeasy croupier, was a blackjack dealer, worked in a steel mill and boxed as a welterweight.At 15 he was a boxer who billed himself as "Kid Crochet". His prizefighting earned him a broken nose (later straightened), a scarred lip, many broken knuckles (a result of not being able to afford tape used to wrap boxers' hands), and a bruised body. Of his 12 bouts, he said: "I won all but 11." For a time, he roomed with Sonny King, who, like Martin, was starting in show business and had little money. It is said that Martin and King held bare-knuckle matches in their apartment, fighting until one was knocked out; people paid to watch. Martin knocked out King in the first round of an amateur boxing match. Martin gave up boxing to work as a roulette stickman and croupier in an illegal casino behind a tobacco shop, where he had started as a stock boy. At the same time he sang with local bands, calling himself "Dino Martini" (after the Metropolitan Opera tenor, Nino Martini). He got his break working for the Ernie McKay Orchestra. He sang in a crooning style influenced by Harry Mills (of the Mills Brothers), among others. In the early 1940s, he started singing for bandleader Sammy Watkins, who suggested he change his name to Dean Martin.In October 1941 Martin married Elizabeth "Betty" Anne McDonald. They had four children before the marriage ended in 1949. Martin worked for various bands throughout the early 1940s, mostly on looks and personality until he developed his own singing style. Martin flopped at the Riobamba, a nightclub in New York, when he followed Frank Sinatra in 1943, but it was the setting for their meeting. Martin was drafted into the United States Army in 1944 during World War II, serving a year in Akron, Ohio. He was reclassified as 4-F and discharged, possibly because of a double hernia; Jerry Lewis referred to the surgery Martin needed for this in his autobiography). By 1946, Martin was doing well, but he was little more than an East Coast nightclub singer with a common style, similar to that of Bing Crosby.Martin attracted the attention of Metro-Goldwyn-Mayer and Columbia Pictures, but a Hollywood contract was not forthcoming. He met comic Jerry Lewis at the Glass Hat Club in New York, where both were performing. Martin and Lewis formed a fast friendship which led to their participation in each other's acts and the formation of a music-comedy team. Martin and Lewis's debut together occurred at Atlantic City's 500 Club on July 24, 1946, and they were not well received. The owner, Skinny D'Amato, warned them that if they did not come up with a better act for their second show that night, they would be fired. Huddling in the alley behind the club, Lewis and Martin agreed to "go for broke", they divided their act between songs, skits, and ad-libbed material. Martin sang and Lewis dressed as a busboy, dropping plates and making a shambles of Martin's performance and the club's decorum until Lewis was chased from the room as Martin pelted him with breadrolls.They did slapstick, reeled off old vaudeville jokes, and did whatever else popped into their heads. The audience laughed. This success led to a series of well-paying engagements on the Eastern seaboard, culminating in a run at New York's Copacabana. The act consisted of Lewis interrupting and heckling Martin while he was trying to sing, with the two ultimately chasing each other around the stage. The secret, both said, is that they ignored the audience and played to each other. The team made its TV debut on the first broadcast of CBS-TV network's The Ed Sullivan Show (then called "The Toast Of The Town") on June 20, 1948, with composers Rodgers and Hammerstein also appearing. Hoping to improve their act, the two hired young comedy writers Norman Lear and Ed Simmons to write their bits. With the assistance of both Lear and Simmons, the two would take their act beyond nightclubs.A radio series began in 1949, the year Martin and Lewis signed with Paramount producer Hal B. Wallis as comedy relief for the movie My Friend Irma. Their agent, Abby Greshler, negotiated one of Hollywood's best deals: although they received only $75,000 between them for their films with Wallis, Martin and Lewis were free to do one outside film a year, which they would co-produce through their own York Productions.They also controlled their club, record, radio and television appearances, and through these they earned millions of dollars. In Dean & Me, Lewis calls Martin one of the great comic geniuses of all time. They were friends as well, Lewis acting as best man when Martin remarried in 1949. But harsh comments from critics, as well as frustration with the similarity of Martin and Lewis movies, which producer Hal Wallis refused to change, led to Martin's dissatisfaction. He put less enthusiasm into the work, leading to escalating arguments with Lewis. Martin told his partner he was "nothing to me but a dollar sign". The act broke up in 1956, 10 years to the day from the first teaming. Martin's first solo film, Ten Thousand Bedrooms (1957), was a box office failure. He was still popular as a singer, but with rock and roll to the fore, the era of the pop crooner was waning.Martin wanted to become a real actor, known for more than slapstick comedy films. Though offered a fraction of his former salary to co-star in a war drama, The Young Lions (1958), his part would be with Marlon Brando and Montgomery Clift. Tony Randall already had the part, but talent agency MCA realized that with this film, Martin would become a triple threat: they could make money from his work in night clubs, films and records. Martin replaced Randall and the film turned out to be the beginning of Martin's comeback. Martin starred alongside Frank Sinatra for the first time in the Vincente Minnelli drama, Some Came Running (1958). By the mid-1960s, Martin was a movie, recording, television and nightclub star, while Lewis' film career declined. Martin was acclaimed as Dude in Rio Bravo (1959), directed by Howard Hawks and also starring John Wayne and singer Ricky Nelson. He would team again with Wayne in The Sons of Katie Elder (1965), cast as brothers. In 1960, Martin was cast in the film version of the Judy Holliday stage musical comedy Bells Are Ringing. He won a Golden Globe nomination for his performance in the 1960 film comedy Who Was That Lady? but continued to seek dramatic roles, portraying a Southern politician in 1961's Ada and starring in 1963's screen adaptation of an intense stage drama, Toys in the Attic, opposite Geraldine Page, as well as in 1970's drama Airport, a huge box-office success.He and Sinatra teamed up for several more movies, the crime caper Ocean's 11, the musical Robin and the 7 Hoods and the western comedies Sergeants 3 and 4 for Texas, some featuring their so-called Rat Pack pals Sammy Davis, Jr., Peter Lawford and Joey Bishop, as well as a romantic comedy, Marriage on the Rocks. Martin also co-starred with Shirley MacLaine in a number of films, including Some Came Running, Artists and Models, Career, All in a Night's Work and What a Way to Go! He played a satiric variation of his own womanizing persona as Las Vegas singer "Dino" in Billy Wilder's comedy Kiss Me, Stupid (1964) with Kim Novak, and he poked fun at his image in films such as the Matt Helm spy spoofs of the 1960s, in which he was a co-producer. In the third Matt Helm film The Ambushers (1967), Helm, about to be executed, receives a last cigarette and tells the provider, "I'll remember you from the great beyond," continuing sotto voce, "somewhere around Steubenville, I hope."As a singer, Martin copied the styles of Harry Mills (of the Mills Brothers), Bing Crosby, and Perry Como until he developed his own and could hold his own in duets with Sinatra and Crosby. Like Sinatra, he could not read music, but he recorded more than 100 albums and 600 songs. His signature tune, "Everybody Loves Somebody", knocked the Beatles' "A Hard Day's Night" off number one in the United States in 1964. This was followed by "The Door is Still Open to My Heart", which reached number six that year. Elvis Presley was said to have been influenced by Martin, and patterned "Love Me Tender" after his style. Martin, like Elvis, was influenced by country music. By 1965, some of Martin's albums, such as Dean "Tex" Martin Rides Again, Houston, Welcome to My World and Gentle on My Mind, were composed of country and western songs by artists such as Johnny Cash, Merle Haggard and Buck Owens. Martin hosted country performers on his TV show and was named "Man Of the Year" by the Country Music Association in 1966. The final album of his recording career was 1983's The Nashville Sessions.But the image of Martin as a Vegas entertainer in a tuxedo has been an enduring one. "Ain't That a Kick in the Head?", a song Martin performed in Ocean's 11, did not become a hit at the time, but has enjoyed a revival in the media and pop culture. For three decades, Martin was among the most popular acts in Las Vegas. Martin sang and was one of the smoothest comics in the business, benefiting from the decade of comedy with Lewis. Martin's daughter, Gail, also sang in Vegas and on many TV shows including his, co-hosting his summer replacement series on NBC. Daughter Deana Martin continues to perform, as did youngest son Ricci Martin until his death in August 2016. Eldest son Craig was a producer on Martin's television show and daughter Claudia was an actress in films such as For Those Who Think Young. Though often thought of as a ladies' man, Martin spent a lot of time with his family; as second wife Jeanne put it, prior to the couple's divorce, "He was home every night for dinner."As Martin's solo career grew, he and Frank Sinatra became friends. In the late 1950s and early 1960s, Martin and Sinatra, along with friends Joey Bishop, Peter Lawford, and Sammy Davis, Jr. formed the Rat Pack, so-called after an earlier group of social friends, the Holmby Hills Rat Pack centered on Humphrey Bogart and Lauren Bacall, of which Sinatra had been a member (The Martin-Sinatra-Davis-Lawford-Bishop group referred to themselves as "The Summit" or "The Clan" and never as "The Rat Pack", although this has remained their identity in popular imagination). The men made films together, formed part of the Hollywood social scene, and were politically influential (through Lawford's marriage to Patricia Kennedy, sister of President John F. Kennedy).The Rat Pack was legendary for its Las Vegas Strip performances. For example, the marquee at the Sands Hotel might read DEAN MARTINMAYBE FRANKMAYBE SAMMY. Their appearances were valuable because the city would flood with wealthy gamblers. Their act (always in tuxedo) consisted of each singing individual numbers, duets and trios, along with seemingly improvised slapstick and chatter. In the socially charged 1960s, their jokes revolved around adult themes, such as Sinatra's womanizing and Martin's drinking, as well as Davis's race and religion. Sinatra and Martin supported the civil rights movement and refused to perform in clubs that would not allow African-American or Jewish performers. Posthumously, the Rat Pack has experienced a popular revival, inspiring the George Clooney/Brad Pitt "Ocean's Trilogy."In 1965, Martin launched his weekly NBC comedy-variety series, The Dean Martin Show, which ran for 264 episodes until 1974. He won a Golden Globe Award for Best Actor - Television Series Musical or Comedy in 1966 and was nominated again the following three years.The show exploited his image as a carefree boozer. Martin capitalized on his laid-back persona of the half-drunk crooner, hitting on women with remarks that would get anyone else slapped, and making snappy if slurred remarks about fellow celebrities during his roasts. During an interview on the British TV documentary Wine, Women and Song, aired in 1983, he stated, perhaps tongue-in-cheek, that he had someone record them on cassette tape so he could listen to them. His TV show was a success. The show's loose format featured quick-witted improvisation from Martin and his weekly guests. This prompted a battle between Martin and NBC censors, who insisted on more scrutiny of the content. The show was often in the Top Ten. Martin, appreciative of the show's producer, his friend Greg Garrison, made a handshake deal giving Garrison, a pioneer TV producer in the 1950s, 50% of the show.However, the validity of that ownership is the subject of a lawsuit brought by NBCUniversal. Despite Martin's reputation as a drinker perpetuated via his vanity license plate "DRUNKY" he masked his self-discipline. He was often the first to call it a night, and when not on tour or on a film location, liked to go home to see his wife and children. He borrowed the lovable-drunk shtick from Joe E. Lewis, but his convincing portrayals of heavy boozers, The Dean Martin Fan Club, 2004, Good. ex-library clean

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Lucy in the Afternoon: An Intimate Memoir of Lucille Ball

A close friend of the late Queen of Comedy presents an account of her life and thoughts, from New York to Hollywood and through the show that remains an American institution

Detailangaben zum Buch - Lucy in the Afternoon: An Intimate Memoir of Lucille Ball


EAN (ISBN-13): 9780688086466
ISBN (ISBN-10): 0688086462
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Taschenbuch
Erscheinungsjahr: 1990
Herausgeber: William Morrow & Co

Buch in der Datenbank seit 2008-02-23T23:11:16+01:00 (Berlin)
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ISBN/EAN: 0688086462

ISBN - alternative Schreibweisen:
0-688-08646-2, 978-0-688-08646-6


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