Neal Gabler:Walt Disney: Der Triumph der amerikanischen Phantasie von Neal Gabler (englisch) Pa
- Taschenbuch ISBN: 9780679757474
He has also served as the chief nonfiction judge of the National Book Awards. Gabler is currently a professor for the MFA program at Stonybrook Southampton. by Neal Gabler. "Illuminating.… Mehr…
He has also served as the chief nonfiction judge of the National Book Awards. Gabler is currently a professor for the MFA program at Stonybrook Southampton. by Neal Gabler. "Illuminating.. Engrossing.. Gabler paints a vivid portrait.". The Nile on eBay FREE SHIPPING UK WIDE Walt Disney by Neal Gabler Gabler presents the definitive biography of Walt Disney, one of the most important cultural figures of the 20th century. FORMATPaperback LANGUAGEEnglish CONDITIONBrand New Publisher Description ONE OF THE HOLLYWOOD REPORTER'S 100 GREATEST FILM BOOKS OF ALL TIME • The definitive portrait of one of the most important cultural figures in American history: Walt Disney. Walt Disney was a true visionary whose desire for escape, iron determination and obsessive perfectionism transformed animation from a novelty to an art form, first with Mickey Mouse and then with his feature films–most notably Snow White, Fantasia, and Bambi. In his superb biography, Neal Gabler shows us how, over the course of two decades, Disney revolutionized the entertainment industry. In a way that was unprecedented and later widely imitated, he built a synergistic empire that combined film, television, theme parks, music, book publishing, and merchandise. Walt Disney is a revelation of both the work and the man–of both the remarkable accomplishment and the hidden life. Winner of the Los Angeles Times Book Prize for Biography and USA Today Biography of the Year Author Biography Neal Gabler is the author of five books: An Empire of Their Own: How the Jews Invented Hollywood, Winchell: Gossip, Power and the Culture of Celebrity, Life the Movie: How Entertainment Conquered Reality, Walt Disney: The Triumph of the American Imagination, and, most recently, Barbra Streisand: Redefining Beauty, Femininity and Power for the Yale Jewish Lives series. His essays and articles have appeared in numerous newspapers and magazines, including The Atlantic, Vanity Fair, Esquire, Playboy, Newsweek, and Vogue, and he has been the recipient of two Los Angeles Times Book Prizes, Time magazine's nonfiction book of the year, USA Today's biography of the year, a National Book Critics Circle nomination, a Guggenheim Fellowship, a Public Policy Scholarship at the Woodrow Wilson Center, a Shorenstein Fellowship at the Harvard Kennedy School, and a Patrick Henry Fellowship at Washington College's C.V. Starr Center. He has also served as the chief nonfiction judge of the National Book Awards. Gabler is currently a professor for the MFA program at Stonybrook Southampton. Review "Mesmerizing. . . . There's nothing Mickey Mouse about this terrific biography. . . . The definitive portrait of Walt Disney, the Dream-King." —Washington Post Book World "Gabler's restless eye invigorates each page. . . . Part of the author's formidable achievement is to take the intricacies of Disney's devoted artistry and intertwine them with [his] life." —Los Angeles Times Book Review "Far outshines any previous Disney bio, both in scope and in specificity. The domestic details are revelatory. . . . Walt Disney is looking at us–seemingly for the first time." —Entertainment Weekly "Illuminating. . . . Engrossing. . . . Gabler paints a vivid portrait." —The New York Times Book Review Review Quote "Mesmerizing. . . . There's nothing Mickey Mouse about this terrific biography. . . . The definitive portrait of Walt Disney, the Dream-King." Washington Post Book World "Gabler's restless eye invigorates each page. . . . Part of the author's formidable achievement is to take the intricacies of Disney's devoted artistry and intertwine them with [his] life." Los Angeles Times Book Review "Far outshines any previous Disney bio, both in scope and in specificity. The domestic details are revelatory. . . . Walt Disney is looking at usseemingly for the first time." Entertainment Weekly "Illuminating. . . . Engrossing. . . . Gabler paints a vivid portrait." The New York Times Book Review Excerpt from Book Chapter One Escape Elias Disney was a hard man. He worked hard, lived modestly, and worshiped devoutly. His son would say that he believed in "walking a straight and narrow path," and he did, neither smoking nor drinking nor cursing nor carousing. The only diversion he allowed himself as a young man was playing the fiddle, and even then his upbringing was so strict that as a boy he would have to sneak off into the woods to practice. He spoke deliberately, rationing his words, and generally kept his emotions in check, save for his anger, which could erupt violently. He looked hard too, his body thin and taut, his arms ropy, his blue eyes and copper-colored hair offset by his stern visage--long and gaunt, sunken-cheeked and grim-mouthed. It was a pioneer''s weathered face--a no-nonsense face, the face of American Gothic. But it was also a face etched with years of disappointment--disappointment that would shade and shape the life of his famous son, just as the Disney tenacity, drive, and pride would. The Disneys claimed to trace their lineage to the d''Isignys of Normandy, who had arrived in England with William the Conqueror and fought at the Battle of Hastings. During the English Restoration in the late seventeenth century, a branch of the family, Protestants, moved to Ireland, settling in County Kilkenny, where, Elias Disney would later boast, a Disney was "classed among the intellectual and well-to-do of his time and age." But the Disneys were also ambitious and opportunistic, always searching for a better life. In July 1834, a full decade before the potato famine that would trigger mass migrations, Arundel Elias Disney, Elias Disney''s grandfather, sold his holdings, took his wife and two young children to Liverpool, and set out for America aboard the New Jersey with his older brother Robert and Robert''s wife and their two children. They had intended to settle in America, but Arundel Elias did not stay there long. The next year he moved to the township of Goderich in the wilderness of southwestern Ontario, Canada, just off Lake Huron, and bought 149 acres along the Maitland River. In time Arundel Elias built the area''s first grist mill and a sawmill, farmed his land, and fathered sixteen children--eight boys and eight girls. In 1858 the eldest of them, twenty-five-year-old Kepple, who had come on the boat with his parents, married another Irish immigrant named Mary Richardson and moved just north of Goderich to Bluevale in Morris Township, where he bought 100 acres of land and built a small pine cabin. There his first son, Elias, was born on February 6, 1859. Though he cleared the stony land and planted orchards, Kepple Disney was a Disney, with airs and dreams, and not the kind of man inclined to stay on a farm forever. He was tall, nearly six feet, and in his nephew''s words "as handsome a man as you would ever meet." For a religious man he was also vain, sporting long black whiskers, the ends of which he liked to twirl, and jet-black oiled hair, always well coifed. And he was restless--a trait he would bequeath to his most famous descendant as he bequeathed his sense of self-importance. When oil was struck nearby in what came to be known as Oil Springs, Kepple rented out his farm, deposited his family with his wife''s sister, and joined a drilling crew. He was gone for two years, during which time the company struck no oil. He returned to Bluevale and his farm, only to be off again, this time to drill salt wells. He returned a year later, again without his fortune, built himself a new frame house on his land, and reluctantly resumed farming. But that did not last either. Hearing of a gold strike in California, he set out in 1877 with eighteen-year-old Elias and his second-eldest son, Robert. They got only as far as Kansas when Kepple changed plans and purchased just over three hundred acres from the Union Pacific Railroad, which was trying to entice people to settle at division points along the train route it was laying through the state. (Since the Disneys were not American citizens, they could not acquire land under the Homestead Act.) The area in which the family settled, Ellis County in the northwestern quadrant of Kansas about halfway across the state, was frontier and rough. Indian massacres were fresh in memory, and the Disneys themselves waited out one Indian scare by stationing themselves all night at their windows with guns. Crime was rampant too. One visitor called the county seat, Hays, the "Sodom of the Plains." The climate turned out to be as inhospitable as the inhabitants--dry and bitter cold. At times it was so difficult to farm that the men would join the railroad crews while their wives scavenged for buffalo bones to sell to fertilizer manufacturers. Most of those who stayed on the land turned to livestock since the fields rippled with yellow buffalo grass on which sheep and cows could graze. Farming there either broke men or hardened them, as Elias would be hardened, but being as opportunistic as his Disney forebears, he had no more interest in farming than his father had. He wanted escape. Father and son now set their sights on Florida. The winter of 1885-86 had been especially brutal in Ellis. Will Disney, Kepple''s youngest son, remembered the snow drifting into ten-to-twelve-foot banks, forcing the settlers from the wagon trains heading west to camp in the schoolhouse for six weeks until the weather broke. The snow was so deep that the train tracks were cleared only when six engines were hitched to a dead locomotive with a snowplow and made run after run at the drifts, inching forward and backing up, graduall, [PU: Random House; Alfred A. Knopf]<
