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THE DRAMA OF IDEAS Platonic Provocations in Theater and Philosophy - Puchner, Martin
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Puchner, Martin:

THE DRAMA OF IDEAS Platonic Provocations in Theater and Philosophy - gebunden oder broschiert

2010, ISBN: 0199730326

ID: 16540580789

[EAN: 9780199730322], Gebraucht, guter Zustand, [PU: Oxford University Press], THEATER & THEATRE GREEK DRAMA CLASSICAL ROMAN PHILOSOPHY PHILOSOPHERS PLATO PLATONIC DIALOGUES, Performing Arts|Theater|History & Criticism, Philosophy|History & Surveys|Ancient & Classical, Jacket, Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism. ; 254 pages

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THE DRAMA OF IDEAS Platonic Provocations in Theater and Philosophy - Puchner, Martin
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Puchner, Martin:

THE DRAMA OF IDEAS Platonic Provocations in Theater and Philosophy - gebunden oder broschiert

2010, ISBN: 9780199730322

ID: 836059246

Oxford University Press. Fine in Near Fine dust jacket. 2010. Hardcover. 0199730326 . Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism. ; 254 pages ., Oxford University Press, 2010

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Most philosophy makes little mention of the theater except to denounce it as a place of illusion and moral decay. The theater has tended to respond in kind by steering away from philosophy, driven by the notion that theater consists of actions, not ideas. The Drama of Ideas argues that despite this mutual evasion, the histories of philosophy and theater have in fact been crucially intertwined. Appointing Plato as a hinge figure, Puchner traces this alternative tradition as well as recounting the long-standing philosophical register in drama and philosophy's more recent theatrical shift. Moving from a consideration of Plato as a dramatist to those Renaissance playwrights who drew on Plato's chief character, Socrates, Puchner articulates an alternative history of the theater which places philosophy front and center. He believes that modern drama should be understood as Platonic, rather than anti-Aristotelian, as it is often labeled. When Oscar Wilde, George Bernard Shaw, August Strindberg, Luigi Pirandello, Georg Kaiser and Bertolt Brecht are contextualized in light of this alternative perspective, they emerge as major contributors to a drama of ideas. Philosophy underwent a corresponding theatrical shift in the modern era, most importantly through the work of Kierkegaard, Nietzsche, Sartre, and Camus. More recently, Kenneth Burke and Gilles Deleuze have used a theatrical models perspective through which to write the history of philosophy, while contemporary descendants of Plato's dramatic imagination include Iris Murdoch, Martha Nussbaum and Alain Badiou. Literary Criticism Literary Criticism eBook, Oxford University Press, USA

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The Drama of Ideas: Platonic Provocations in Theater and Philosophy - Martin Puchner
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Martin Puchner:
The Drama of Ideas: Platonic Provocations in Theater and Philosophy - gebunden oder broschiert

2010, ISBN: 0199730326

[SR: 1400466], Hardcover, [EAN: 9780199730322], OUP USA, OUP USA, Book, [PU: OUP USA], 2010-04-29, OUP USA, 270562, History, 270524, Performing Arts, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 274876, Drama, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books, 496404, History, 276315, Philosophy, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books, 496410, Philosophers, 276315, Philosophy, 60, Society, Politics & Philosophy, 1025612, Subjects, 266239, Books

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The Drama of Ideas: Platonic Provocations in Theater and Philosophy
Autor:

Puchner, Martin

Titel:

The Drama of Ideas: Platonic Provocations in Theater and Philosophy

ISBN-Nummer:

0199730326

Most philosophy makes little mention of the theater except to denounce it as a place of illusion and moral decay. The theater has tended to respond in kind by steering away from philosophy, driven by the notion that theater consists of actions, not ideas. The Drama of Ideas argues that despite this mutual evasion, the histories of philosophy and theater have in fact been crucially intertwined. Appointing Plato as a hinge figure, Puchner traces this alternative tradition as well as recounting the long-standing philosophical register in drama and philosophy's more recent theatrical shift. Moving from a consideration of Plato as a dramatist to those Renaissance playwrights who drew on Plato's chief character, Socrates, Puchner articulates an alternative history of the theater which places philosophy front and center. He believes that modern drama should be understood as Platonic, rather than anti-Aristotelian, as it is often labeled. When Oscar Wilde, George Bernard Shaw, August Strindberg, Luigi Pirandello, Georg Kaiser and Bertolt Brecht are contextualized in light of this alternative perspective, they emerge as major contributors to a drama of ideas. Philosophy underwent a corresponding theatrical shift in the modern era, most importantly through the work of Kierkegaard, Nietzsche, Sartre, and Camus. More recently, Kenneth Burke and Gilles Deleuze have used a theatrical models perspective through which to write the history of philosophy, while contemporary descendants of Plato's dramatic imagination include Iris Murdoch, Martha Nussbaum and Alain Badiou.

Detailangaben zum Buch - The Drama of Ideas: Platonic Provocations in Theater and Philosophy


EAN (ISBN-13): 9780199730322
ISBN (ISBN-10): 0199730326
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2010
Herausgeber: OXFORD UNIV PR
254 Seiten
Gewicht: 0,544 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 27.03.2010 14:32:30
Buch zuletzt gefunden am 23.01.2017 19:29:45
ISBN/EAN: 0199730326

ISBN - alternative Schreibweisen:
0-19-973032-6, 978-0-19-973032-2

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