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Shakespeare in Parts - Stern, Tiffany; Palfrey, Simon
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ISBN: 9780199272051

ID: 415764

Shakespeare's drama originally circulated in the form of the individual actor's part, containing only a single character's speeches and brief cues. This unique collaboration of original theatre history with exciting literary criticism captures anew Shakespeare's development as a writer, showing how scripting and acting work together to produce characters of unprecedented immediacy. - ;A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor. with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunities inscribed in the script,. and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam. This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare. - ;Elegantly written...a ground-breaking study, which shows how Shakespeare the technician sought always to expand the mental possibilities for the actors. - Ralph Berry, Contemporary Review;Rarely has so much new and exciting information about Shakespeare been gathered in a single study. The challenges of this book for how we conceive of, teach, write about and perform Shakespeare will surely be felt for years to come. - Douglas Bruster, The Review of English Studies;...undeniably of major importance. - Paul Dean English Studies;...a groundbreaking new study...The consideration of characters and their textual construction is a revelation. ..The book is exactly as scrupulous and thorough as the subject deserves...For professional Shakespeareans in the theatre or the university, it is required reading. - Tom Cornfor Literary Criticism Literary Criticism eBook, Oxford University Press, UK

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2007, ISBN: 0199272050

[SR: 2650592], Hardcover, [EAN: 9780199272051], Oxford University Press, Oxford University Press, Book, [PU: Oxford University Press], Oxford University Press, 236551011, Deals in Books, 236580011, All Deals, 236552011, Arts & Photography, 236553011, Biographies & Memoirs, 236554011, Business & Investing, 1259672011, Calendars, 236555011, Children's Books, 236556011, Comics & Graphic Novels, 236557011, Computers & Internet, 236558011, Cooking, Food & Wine, 236559011, Entertainment, 236560011, Gay & Lesbian, 267547011, Health, Mind & Body, 1259673011, History, 236561011, Home & Garden, 236562011, Literature & Fiction, 236563011, Mystery & Thrillers, 236564011, Nonfiction, 236565011, Outdoors & Nature, 236566011, Parenting & Families, 236567011, Reference, 236568011, Religion & Spirituality, 236569011, Romance, 236570011, Science, 236571011, Science Fiction & Fantasy, 1259674011, Sports, 236572011, Teens, 236573011, Travel, 1259623011, Livres Francophones, 1040638, Specialty Stores, 916520, Books, 2205888011, Custom Stores, 7187330011, Amazon Publishing, 13901671, Audiobooks, 14244971, Bargain Books, 13621591, Boxed Sets, 194725011, Canada Day Deals, 377366011, Christian Living Store, 263003011, For Dummies Store, 2354164011, Formats, 714830011, Kids & Family Store, 370821011, Qualifying Textbooks - Fall 2007, 1040638, Specialty Stores, 916520, Books, 934640, History & Criticism, 934628, Theatre, 934626, Performing Arts, 933484, Arts & Photography, 927726, Subjects, 916520, Books, 1099326, History & Criticism, 1099314, Theatre, 1099214, Performing Arts, 941378, Humour & Entertainment, 927726, Subjects, 916520, Books, 932592, Surrealism, 932572, Movements & Periods, 932552, History & Criticism, 927790, Literature & Fiction, 927726, Subjects, 916520, Books, 16170495011, Shakespeare, 932572, Movements & Periods, 932552, History & Criticism, 927790, Literature & Fiction, 927726, Subjects, 916520, Books, 932254, Drama, 16170482011, Genres & Styles, 932552, History & Criticism, 927790, Literature & Fiction, 927726, Subjects, 916520, Books, 953006, Writing, 953008, Academic & Commercial, 953052, Business, 953010, Children's Literature, 953012, Editing, 953022, Erotica, 953016, Fiction, 953034, Journalism, 953026, Mystery, 953036, Newspapers & Magazines, 953038, Nonfiction, 953040, Play & Scriptwriting, 953042, Poetry, 953028, Romance, 953032, Science Fiction & Fantasy, 953050, Technical, 953044, Travel, 953046, Writing Skills, 5502350011, Writing, Research & Publishing Guides, 952366, Education & Reference, 927726, Subjects, 916520, Books, 15306451, Literature, 15306521, American Literature, 15306461, Creative Writing & Composition, 15306531, English Literature, 15306511, Literary Theory, 690380011, World Literature, 15306041, Humanities, 15115321, Textbooks, 927726, Subjects, 916520, Books

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Shakespeare in Parts - Simon Palfrey, Tiffany Stern
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Simon Palfrey, Tiffany Stern:
Shakespeare in Parts - gebunden oder broschiert

2007, ISBN: 0199272050

[SR: 2650592], Hardcover, [EAN: 9780199272051], Oxford University Press, Oxford University Press, Book, [PU: Oxford University Press], Oxford University Press, 236551011, Deals in Books, 236580011, All Deals, 236552011, Arts & Photography, 236553011, Biographies & Memoirs, 236554011, Business & Investing, 1259672011, Calendars, 236555011, Children's Books, 236556011, Comics & Graphic Novels, 236557011, Computers & Internet, 236558011, Cooking, Food & Wine, 236559011, Entertainment, 236560011, Gay & Lesbian, 267547011, Health, Mind & Body, 1259673011, History, 236561011, Home & Garden, 236562011, Literature & Fiction, 236563011, Mystery & Thrillers, 236564011, Nonfiction, 236565011, Outdoors & Nature, 236566011, Parenting & Families, 236567011, Reference, 236568011, Religion & Spirituality, 236569011, Romance, 236570011, Science, 236571011, Science Fiction & Fantasy, 1259674011, Sports, 236572011, Teens, 236573011, Travel, 1259623011, Livres Francophones, 1040638, Specialty Stores, 916520, Books, 2205888011, Custom Stores, 7187330011, Amazon Publishing, 13901671, Audiobooks, 14244971, Bargain Books, 13621591, Boxed Sets, 194725011, Canada Day Deals, 377366011, Christian Living Store, 263003011, For Dummies Store, 2354164011, Formats, 714830011, Kids & Family Store, 370821011, Qualifying Textbooks - Fall 2007, 1040638, Specialty Stores, 916520, Books, 934640, History & Criticism, 934628, Theatre, 934626, Performing Arts, 933484, Arts & Photography, 927726, Subjects, 916520, Books, 1099326, History & Criticism, 1099314, Theatre, 1099214, Performing Arts, 941378, Humour & Entertainment, 927726, Subjects, 916520, Books, 932592, Surrealism, 932572, Movements & Periods, 932552, History & Criticism, 927790, Literature & Fiction, 927726, Subjects, 916520, Books, 16170495011, Shakespeare, 932572, Movements & Periods, 932552, History & Criticism, 927790, Literature & Fiction, 927726, Subjects, 916520, Books, 932254, Drama, 16170482011, Genres & Styles, 932552, History & Criticism, 927790, Literature & Fiction, 927726, Subjects, 916520, Books, 953006, Writing, 953008, Academic & Commercial, 953052, Business, 953010, Children's Literature, 953012, Editing, 953022, Erotica, 953016, Fiction, 953034, Journalism, 953026, Mystery, 953036, Newspapers & Magazines, 953038, Nonfiction, 953040, Play & Scriptwriting, 953042, Poetry, 953028, Romance, 953032, Science Fiction & Fantasy, 953050, Technical, 953044, Travel, 953046, Writing Skills, 5502350011, Writing, Research & Publishing Guides, 952366, Education & Reference, 927726, Subjects, 916520, Books, 15306451, Literature, 15306521, American Literature, 15306461, Creative Writing & Composition, 15306531, English Literature, 15306511, Literary Theory, 690380011, World Literature, 15306041, Humanities, 15115321, Textbooks, 927726, Subjects, 916520, Books

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[SR: 1169231], Hardcover, [EAN: 9780199272051], OUP Oxford, OUP Oxford, Book, [PU: OUP Oxford], 2007-09-27, OUP Oxford, A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunities inscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade; here is where his imagination, verbal and technical, learnt to roam. This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time. Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare., 274876, Drama, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books, 275068, History & Criticism, 275070, Children's Literature Studies, 275071, Drama & Dramatists, 274863, History of Books, 591858, Key Critics, 275080, Literary Studies, 275096, Literary Theory & Movements, 275105, Novels & Novelists, 275110, Poetry & Poets, 591932, Study Guides, 275389, Poetry, Drama & Criticism, 1025612, Subjects, 266239, Books

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A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare''s drama overwhelmingly circulated. This was not the full play-text; it was not the publicperformance. It was the actor''s part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what hewas going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. It demanded the most sensitive attention to the opportunities inscribed in the script, and to the ongoing dramatic moment. Here is where the young actor Shakespeare learnt his trade;here is where his imagination, verbal and technical, learnt to roam. This is the story of Shakespeare in Parts. As Shakespeare developed his playwriting, the apparent limitations of the medium get transformed into expressive opportunities. Both cue and speech become promise-crammed repositories of meaning and movement, and of individually discoverable space and time.Writing always for the same core group of players, Shakespeare could take - and insist upon - unprecedented risks. The result is onstage drama of astonishing immediacy. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern''s mould-altering work of historical and imaginative recovery provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-riddenactor, but a new Shakespeare. Simon Palfrey, Tiffany Stern, Books, Shakespeare in Parts Books, Oxford University Press

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Shakespeare in Parts
Autor:

Palfrey, Simon; Stern, Tiffany

Titel:

Shakespeare in Parts

ISBN-Nummer:

Shakespeare's drama originally circulated in the form of the individual actor's part, containing only a single character's speeches and brief cues. This unique collaboration of original theatre history with exciting literary criticism captures anew Shakespeare's development as a writer, showing how scripting and acting work together to produce characters of unprecedented immediacy.

Detailangaben zum Buch - Shakespeare in Parts


EAN (ISBN-13): 9780199272051
ISBN (ISBN-10): 0199272050
Gebundene Ausgabe
Erscheinungsjahr: 2007
Herausgeber: OXFORD UNIV PR
545 Seiten
Gewicht: 1,089 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 21.10.2007 19:21:35
Buch zuletzt gefunden am 23.05.2017 08:03:24
ISBN/EAN: 0199272050

ISBN - alternative Schreibweisen:
0-19-927205-0, 978-0-19-927205-1


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