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Critical Perspectives on Art History - McEnroe, John C., And Deborah F. Pokinski
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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McEnroe, John C., And Deborah F. Pokinski:
Critical Perspectives on Art History - Taschenbuch

2002, ISBN: 9780130405951

Gebundene Ausgabe, ID: 578448728

Dover Publications. Paperback. New. Paperback. 96 pages. Dimensions: 10.9in. x 8.3in. x 0.4in.This stunning treasury features full-page plates of the finest works by the famed English artist, Arthur Rackham (18671939). A leading figure in the early twentieth centurys Golden Age of Illustration, Rackham interpreted scenes from such diverse material as fairy tales, Wagnerian opera, and Shakespearean comedy. His memorable images, which combine whimsy, romance, and sophistication, continue to enchant children and adults alike. Magnificently reprinted from more than 25 rare early editions, these 86 illustrations were selected from hundreds of possibilities and include many plates that have not been reproduced in decades. They span Rackhams career from his landmark 1905 edition of Rip Van Winkle to masterworks such as Undine and A Midsummer Nights Dream and his final publication, Wind in the Willows, in 1939. Art lovers, book collectors, and anyone with an appreciation for imaginative visual storytelling will prize this marvelous treasury. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN, Momence,IL, Commerce,GA., Dover Publications, W W Norton & Co Inc, 1992-03-01. Hardcover. Like New. 039302993X From Kirkus ReviewsThirteen wide-ranging essays form an introduction to the cutting edge of western scholarship in this Festschrift to Yale historian Howard Roberts Lamar, who also contributes a chapter. The editors, themselves Yale-affiliated, attempt in their introductory remarks to provide a road map to the concerns and orientation of a new generation of historians by describing the settlement of the West in terms of its transition from frontier to region. Defining the parameters of the transition as ``species shifting'' (when ecological changes occur as Old World organisms- -e.g., rats, bluegrass--are introduced), ``market making,'' ``land taking,'' ``boundary setting,'' ``state forming,'' and ``self shaping,'' the writers view the transformation as far more complex and dynamic than allowed in older interpretations of ``westering,'' such as that of 19th-century historian Frederick Jackson Turner. Each editor offers an essay demonstrating the new formulation: Cronon analyzes the Kennecott Copper Company's 30-year presence in Alaska, which ended in 1938; Miles details the significance of the Cherokee Advocate, a Cherokee-language newspaper published intermittently over more than 60 years until 1906; Gitlin tackles the Mississippi Valley ``frontier'' as the site of several competing European traditions, including Spanish, French, and Anglo-American. Other essays cover equally diverse subjects, from Patricia Nelson Limerick's (Univ. of Colorado/Boulder) assessment of western myth and symbol in Turner, Henry Nash Smith, and others to Martha A. Sandweiss's (Mead Art Museum/Amherst) study of western art and visual images captured by 19th-century photographer Timothy O'Sullivan and his peers. An articulate and provocative collection--with something for lovers of western facts and figures, as well as for the more theoretically inclined. (Photographs--not seen.) --Shipped promptly in a padded envelope or cardboard box., W W Norton & Co Inc, 1992-03-01, Indiana University Press. Paperback. New. Paperback. 272 pages. Dimensions: 8.5in. x 5.0in. x 0.8in.Nevilles observations on inner and outer worlds deserve a large readership. Studies in Short FictionBlending fictional and reportorial technique, Ms. Neville unwinds a tapestry of the Indiana seasons. . . in scene after remarkable scene she succeeds in disturbing and undermining ones calm. . . . moving. . . Christopher Lehmann-Haupt, The New York Times. . . shrewedly perceptive studies of the poetics of place. . . Neville pierces the heart of this heart of the country, unloosing disquieting images and poignant scenes that cling to your memory. Belles LettresIf there is darkness in this vision there is also compassion, a lucid and inclusive civility born of remembering how fragile are the houses of our lives. Arts IndianaA collection of essays, works of fiction and blends of those two genres, Indiana Winter is a poetic and disturbing interpretation of phenomena familiar to most of Nevilles fellow Hoosiersso familiar, in fact, that we may not really see them. . . . As a plunge into the blackness and glare of the examined life, Indiana Winter is a testament to courage. Dan Carpenter, Indianapolis StarThese stories and essays are filled with great emotion and affection for the people and the land weve come to know as the Hoosier state. Minneapolis Star Tribune. . . a book that is firmly and honestly rooted in region, yet finds in its careful and lyrical examination of Indianas people and places truths that move the prose pieces away from simple regionalism. Sycamore ReviewA sensitive writers imaginative essay-stories about spiritual boundaries and values in the state of Indiana and everywhere. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Indiana University Press, Lebanon, Indiana, U.S.A.: Prentice Hall, 2002. pp. 304, "Focusing on the dynamic connections between art history and real life, this introductory survey of Western art history introduces readers to the complexity of issues and approaches that characterize the discipline today in a unique, multi-perspective anthology that covers everything from the power of images to shape the way we know things, to the political and policy debates about the place of the arts in our society. Pairs short readings of contrasting views on specific issues and themes in art history, helping readers think critically about differences in interpretations and approaches, and realize that in our increasingly visual world, art history is a vital discipline that is closely tied to the most challenging debates in other disciplines and in society at large—including post-modernism, feminism, “political correctness” , multi-culturalism, and censorship. Features readings from many diverse contributors with different backgrounds and experiences—including critics, literary scholars, political figures, journalists, and art historians. Separates readings into classical, medieval, renaissance and baroque, and modern periods. For art historians and general readers interested in a contemporary and dynamic study of the history of Western art and visual studies. ". Second. Paperback. Very Good/No Dj. 8vo., Prentice Hall, 2002

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Critical Perspectives on Art History - McEnroe, John C., And Deborah F. Pokinski
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
McEnroe, John C., And Deborah F. Pokinski:
Critical Perspectives on Art History - Taschenbuch

2002, ISBN: 9780130405951

ID: 578459709

Oxford University Press. Paperback. New. Paperback. 592 pages. Dimensions: 8.9in. x 5.9in. x 1.3in.For more than two thousand years a familiarity with mathematics has been regarded as an indispensable part of the intellectual equipment of every cultured person. Today, unfortunately, the traditional place of mathematics in education is in grave danger. The teaching and learning of mathematics has degenerated into the realm of rote memorization, the outcome of which leads to satisfactory formal ability but does not lead to real understanding or to greater intellectual independence. This new edition of Richard Courants and Herbert Robbinss classic work seeks to address this problem. Its goal is to put the meaning back into mathematics. Written for beginners and scholars, for students and teachers, for philosophers and engineers, What is Mathematics, Second Edition is a sparkling collection of mathematical gems that offers an entertaining and accessible portrait of the mathematical world. Covering everything from natural numbers and the number system to geometrical constructions and projective geometry, from topology and calculus to matters of principle and the Continuum Hypothesis, this fascinating survey allows readers to delve into mathematics as an organic whole rather than an empty drill in problem solving. With chapters largely independent of one another and sections that lead upward from basic to more advanced discussions, readers can easily pick and choose areas of particular interest without impairing their understanding of subsequent parts. Brought up to date with a new chapter by Ian Stewart, What is Mathematics, Second Edition offers new insights into recent mathematical developments and describes proofs of the Four-Color Theorem and Fermats Last Theorem, problems that were still open when Courant and Robbins wrote this masterpiece, but ones that have since been solved. Formal mathematics is like spelling and grammar--a matter of the correct application of local rules. Meaningful mathematics is like journalism--it tells an interesting story. But unlike some journalism, the story has to be true. The best mathematics is like literature--it brings a story to life before your eyes and involves you in it, intellectually and emotionally. What is Mathematics is like a fine piece of literature--it opens a window onto the world of mathematics for anyone interested to view. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN, Momence,IL, Commerce,GA., Oxford University Press, AuthorHouse. Paperback. New. Paperback. 272 pages. Dimensions: 8.9in. x 5.9in. x 0.8in.This collection of thoughts, feelings, surmises, rants and rhapsodies explores the world of art and cinema Nilsson has watched and experienced over the last 40 years. To him post modern developments in the gallery and museum Arts are largely fatuous and have resulted in market oriented novelties which pretend to significance but depend on profit. Following the lead of the original Duchampian art jokes, (FOUNTAIN or BICYCLE WHEEL) funny only once (in 1917), modern day cultural Sophists continue to promote Warhols sly suggestions that someday, everything will be art by allowing it to happen. Catharsis, transcendence, or anything involving depth of emotion, complex human behavior or intellectual challenge is embarrassingly sincere to these fixers who correct the pretensions of Art in order to create the breathless freedoms of fashion. His view of the so- called American Independent film movement (1959 to the present) is that it never was what it intended (and pretended) to be. From an indigenous cinema created by early American pioneers (inspired by Italian Neo-Realism and the French New Wave (1950s and 60s) John Cassavetes, SHADOWS, FACES, Lionel Rogosin, (ON THE BOWERY), Morris Engel, (THE LITTLE FUGITIVE), Shirley Clarke, (THE COOL WORLD) and later Robert Young and Michael Roemer, (NOTHING BUT A MAN), and Cine Manifest filmmakers Nilsson and John Hanson, (NORTHERN LIGHTS) an Indiewood variant ended up backing the film careers of directors such as Spike Lee, John Waters and Quentin Tarantino who were really on the road to Hollywood all along. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., AuthorHouse, Lebanon, Indiana, U.S.A.: Prentice Hall, 2002. pp. 304, "Focusing on the dynamic connections between art history and real life, this introductory survey of Western art history introduces readers to the complexity of issues and approaches that characterize the discipline today in a unique, multi-perspective anthology that covers everything from the power of images to shape the way we know things, to the political and policy debates about the place of the arts in our society. Pairs short readings of contrasting views on specific issues and themes in art history, helping readers think critically about differences in interpretations and approaches, and realize that in our increasingly visual world, art history is a vital discipline that is closely tied to the most challenging debates in other disciplines and in society at large—including post-modernism, feminism, “political correctness” , multi-culturalism, and censorship. Features readings from many diverse contributors with different backgrounds and experiences—including critics, literary scholars, political figures, journalists, and art historians. Separates readings into classical, medieval, renaissance and baroque, and modern periods. For art historians and general readers interested in a contemporary and dynamic study of the history of Western art and visual studies. ". Paperback. Very Good/No Dj. 8vo., Prentice Hall, 2002

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Critical Perspectives on Art History - McEnroe, John C., And Deborah F. Pokinski
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
McEnroe, John C., And Deborah F. Pokinski:
Critical Perspectives on Art History - Taschenbuch

2002, ISBN: 9780130405951

ID: 690298366

Lebanon, Indiana, U.S.A.: Prentice Hall, 2002. pp. 304, "Focusing on the dynamic connections between art history and real life, this introductory survey of Western art history introduces readers to the complexity of issues and approaches that characterize the discipline today in a unique, multi-perspective anthology that covers everything from the power of images to shape the way we know things, to the political and policy debates about the place of the arts in our society. Pairs short readings of contrasting views on specific issues and themes in art history, helping readers think critically about differences in interpretations and approaches, and realize that in our increasingly visual world, art history is a vital discipline that is closely tied to the most challenging debates in other disciplines and in society at large—including post-modernism, feminism, “political correctness” , multi-culturalism, and censorship. Features readings from many diverse contributors with different backgrounds and experiences—including critics, literary scholars, political figures, journalists, and art historians. Separates readings into classical, medieval, renaissance and baroque, and modern periods. For art historians and general readers interested in a contemporary and dynamic study of the history of Western art and visual studies. ". Second. Paperback. Very Good/No Dj. 8vo., Prentice Hall, 2002

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Critical Perspectives on Art History - McEnroe, John C. / Pokinski, Deborah F. / Pokinski, Deborah Frances
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McEnroe, John C. / Pokinski, Deborah F. / Pokinski, Deborah Frances:
Critical Perspectives on Art History - gebrauchtes Buch

ISBN: 9780130405951

ID: 343781

Focusing on the dynamic connections between art history and real life, this introductory survey of Western art history introduces readers to the complexity of issues and approaches that characterize the discipline today in a unique, multi-perspective anthology that covers everything from the power of images to shape the way we know things, to the political and policy debates about the place of the arts in our society. Pairs short readings of contrasting views on specific issues and themes in art history, helping readers think critically about differences in interpretations and approaches, and realize that in our increasingly visual world, art history is a vital discipline that is closely tied to the most challenging debates in other disciplines and in society at large -- including post-modernism, feminism, "political correctness," multi-culturalism, and censorship. Features readings from many diverse contributors with different backgrounds and experiences -- including critics, literary scholars, political figures, journalists, and art historians. Separates readings into classical, medieval, renaissance and baroque, and modern periods. Critical Perspectives on Art History McEnroe, John C. / Pokinski, Deborah F. / Pokinski, Deborah Frances, Prentice Hall

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Critical Perspectives on Art History - John C. McEnroe Ph.D., Deborah F. Pokinski Ph.D.
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John C. McEnroe Ph.D., Deborah F. Pokinski Ph.D.:
Critical Perspectives on Art History - Taschenbuch

ISBN: 9780130405951

ID: 1016474658

Pearson. Paperback. GOOD. Gently used may contain ex-library markings, possibly has some light highlighting, textual notations, and or underlining. Text is still easily readable., Pearson

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Details zum Buch
Critical Perspectives on Art History

"Critical Perspectives on Art History" introduces the complexity of issues and critical debates that characterize art history today: Presents themes including postmodernism, feminist theory, gender and racial stereotypes, "political correctness," multiculturalism, and censorshipProvides a wide range of authors/critics, literary scholars, art historians, and journalistsContrasts different points of view and perspectivesEncourages critical analysis and debateReflects the dynamic force of art in our lives

Detailangaben zum Buch - Critical Perspectives on Art History


EAN (ISBN-13): 9780130405951
ISBN (ISBN-10): 0130405957
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2001
Herausgeber: Prentice Hall
304 Seiten
Gewicht: 0,381 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 17.10.2007 18:29:10
Buch zuletzt gefunden am 28.09.2017 11:46:25
ISBN/EAN: 0130405957

ISBN - alternative Schreibweisen:
0-13-040595-7, 978-0-13-040595-1


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