1993, ISBN: 9780130126184

Englewood Cliffs, NJ: Prentice Hall, 1993. xvii, 329 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. CONTENTS: 1. Kim Levin, Farewell to Modernis… Mehr…

Englewood Cliffs, NJ: Prentice Hall, 1993. xvii, 329 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. CONTENTS: 1. Kim Levin, Farewell to Modernism. 2. Marcia Hafif, Beginning Again. 3. Barbara Rose, American Painting: The Eighties. 4. Richard Marshall, New Image Painting. 5. Peter Plagens, The Academy of the Bad. 6. Henry Geldzahler, Determining Aesthetic Values. 7. Craig Owens, Honor, Power, and the Love of Women. 8. Mira Schor, Appropriated Sexuality. 9. Thomas Lawson, Last Exit: Painting. 10. Sylvere Lotringer, Third Wave: Art and the Commodification of Theory. 11. Lisa Phillips, Image World: Art and Media Culture. 12. Donald Kuspit, European Sensibility Today. 13. Peter Schjeldahl, Death and the Painter. 14. Colin Gardner, Bringing It All Back Home: Jeremy Gilbert-Rolfe's New Paintings. 15. Jeremy Gilbert-Rolfe, Seriousness and Difficulty in Contemporary Art and Culture. 16. Douglas Crimp, The Boys in My Bedroom. 17. Allan Sekula, Dismantling Modernism. 18. Susan Rubin Suleiman, Feminism and Postmodernism. 19. Linda S. Klinger, Where's the Artist? Feminist Practice and Poststructural Theories of Authorship. 20. Amelia Jones, The Politics of Difference: Artists Explore Issues of Identity. 21. John Brumfield, On the Question of Teaching a Dentist to Shave. 22. Daniel Buren, Function of the Museum. 23. Allan Kaprow, The Event. 24. Buzz Spector, A Profusion of Substance. 25. Eric Troncy, No Man's Time. 26. Norman Klein, The Audience Culture. 27. Jacki Apple, Commerce on the Edge. 28. Carter Ratcliff, The Marriage of Art and Money. 29. Suzi Gablik, Toward an Ecological Self. Size: 8vo - over 7¾" - 9¾" tall. 2nd.. Paperback. Very Good., Prentice Hall, 1993, 3<

1993, ISBN: 9780130126184

Englewood Cliffs, NJ: Prentice Hall, 1993. xvii, 329 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. CONTENTS: 1. Kim Levin, Farewell to Modernis… Mehr…

Englewood Cliffs, NJ: Prentice Hall, 1993. xvii, 329 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. CONTENTS: 1. Kim Levin, Farewell to Modernism. 2. Marcia Hafif, Beginning Again. 3. Barbara Rose, American Painting: The Eighties. 4. Richard Marshall, New Image Painting. 5. Peter Plagens, The Academy of the Bad. 6. Henry Geldzahler, Determining Aesthetic Values. 7. Craig Owens, Honor, Power, and the Love of Women. 8. Mira Schor, Appropriated Sexuality. 9. Thomas Lawson, Last Exit: Painting. 10. Sylvere Lotringer, Third Wave: Art and the Commodification of Theory. 11. Lisa Phillips, Image World: Art and Media Culture. 12. Donald Kuspit, European Sensibility Today. 13. Peter Schjeldahl, Death and the Painter. 14. Colin Gardner, Bringing It All Back Home: Jeremy Gilbert-Rolfe's New Paintings. 15. Jeremy Gilbert-Rolfe, Seriousness and Difficulty in Contemporary Art and Culture. 16. Douglas Crimp, The Boys in My Bedroom. 17. Allan Sekula, Dismantling Modernism. 18. Susan Rubin Suleiman, Feminism and Postmodernism. 19. Linda S. Klinger, Where's the Artist? Feminist Practice and Poststructural Theories of Authorship. 20. Amelia Jones, The Politics of Difference: Artists Explore Issues of Identity. 21. John Brumfield, On the Question of Teaching a Dentist to Shave. 22. Daniel Buren, Function of the Museum. 23. Allan Kaprow, The Event. 24. Buzz Spector, A Profusion of Substance. 25. Eric Troncy, No Man's Time. 26. Norman Klein, The Audience Culture. 27. Jacki Apple, Commerce on the Edge. 28. Carter Ratcliff, The Marriage of Art and Money. 29. Suzi Gablik, Toward an Ecological Self.. 2nd. Paperback. Very Good. 8vo - over 7¾" - 9¾" tall., Prentice Hall, 1993, 3<

1993, ISBN: 9780130126184

Englewood Cliffs, NJ: Prentice Hall, 1993. xvii, 329 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. CONTENTS: 1. Kim Levin, Farewell to Modernis… Mehr…

Englewood Cliffs, NJ: Prentice Hall, 1993. xvii, 329 pages, illustrations; 23 cm. Near fine. Firm binding, clean inside copy. Light shelfwear. CONTENTS: 1. Kim Levin, Farewell to Modernism. 2. Marcia Hafif, Beginning Again. 3. Barbara Rose, American Painting: The Eighties. 4. Richard Marshall, New Image Painting. 5. Peter Plagens, The Academy of the Bad. 6. Henry Geldzahler, Determining Aesthetic Values. 7. Craig Owens, Honor, Power, and the Love of Women. 8. Mira Schor, Appropriated Sexuality. 9. Thomas Lawson, Last Exit: Painting. 10. Sylvere Lotringer, Third Wave: Art and the Commodification of Theory. 11. Lisa Phillips, Image World: Art and Media Culture. 12. Donald Kuspit, European Sensibility Today. 13. Peter Schjeldahl, Death and the Painter. 14. Colin Gardner, Bringing It All Back Home: Jeremy Gilbert-Rolfe's New Paintings. 15. Jeremy Gilbert-Rolfe, Seriousness and Difficulty in Contemporary Art and Culture. 16. Douglas Crimp, The Boys in My Bedroom. 17. Allan Sekula, Dismantling Modernism. 18. Susan Rubin Suleiman, Feminism and Postmodernism. 19. Linda S. Klinger, Where's the Artist? Feminist Practice and Poststructural Theories of Authorship. 20. Amelia Jones, The Politics of Difference: Artists Explore Issues of Identity. 21. John Brumfield, On the Question of Teaching a Dentist to Shave. 22. Daniel Buren, Function of the Museum. 23. Allan Kaprow, The Event. 24. Buzz Spector, A Profusion of Substance. 25. Eric Troncy, No Man's Time. 26. Norman Klein, The Audience Culture. 27. Jacki Apple, Commerce on the Edge. 28. Carter Ratcliff, The Marriage of Art and Money. 29. Suzi Gablik, Toward an Ecological Self.. 2nd. Paperback. Very Good. 8vo., Prentice Hall, 1993, 3<

ISBN: 9780130126184

Pearson. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library co… Mehr…

Pearson. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included., Pearson, 2.5<