Less than four months after issuing the landmark and autobiographical {|Captain Fantastic and the Brown Dirt Cowboy|} (1975), {|Elton John|} re-emerged with a new band and a slightly modi… Mehr…
Less than four months after issuing the landmark and autobiographical {|Captain Fantastic and the Brown Dirt Cowboy|} (1975), {|Elton John|} re-emerged with a new band and a slightly modified sound. However, the departure of {|Dee Murray|} (bass) and {|Nigel Olsson|} (drums) would ultimately begin a deceleration in terms of {|John|}'s success, which rivalled only {|the Beatles|}' and {|Elvis Presley|}'s in terms of global acclaim. The revamped band grew to include new associates {|James Newton Howard|} (keyboards) and {|Kenny Passarelli|} (bass) as well as {|Roger Pope|} (drums) and {|Caleb Quaye|} (guitar), who had both performed with {|John|} as far back as his first long-player, {|Empty Sky|} (1968). He also retained the services of {|Davey Johnstone|} (guitar) and {|Ray Cooper|} (percussion) from the most recent lineup. Musically, {|Rock of the Westies|} (1975) maintains the balance of harder-edged material and effective {|ballads|}. In fact, one of the album's strongest suits is the wide spectrum of strong material. The ballsy no-nonsense {|Street Kids|} and the aggressive gringo {|rock|} of the {|ZZ Top|} sound-alike {|Grown Some Funk of Your Own|} contrast the poignant power balladry of {|I Feel Like a Bullet (In the Gun of Robert Ford)|} or the dark and brooding tale of addiction on {|Feed Me.|} Perhaps inspired by the crossover {|R&B|} appeal of {|Philadelphia Freedom,|} the up-tempo {|Island Girl|} bears a distinct and danceable groove that lies somewhere between a slightly Jamaican vibe and {|disco|}. Perhaps more soulful in the traditional sense are the boogie-based {|Hard Luck Story|} or propulsive {|Bo Diddley|} beat that drives {|Billy Bones and the White Bird.|} While the increasingly fickle public as well as lack of a strong follow-up to the chart-topping single {|Island Girl|} may have prevented {|Rock of the Westies|} from becoming the heir apparent to {|Captain Fantastic and the Brown Dirt Cowboy|}, in the wake of {|John|}'s flawless predecessors it remains a strong and worthwhile entry that also sets the stage for its follow-up, {|Blue Moves|} (1976). [The mid-'90s CD remaster of {|Rock of the Westies|} also includes two supplementary cuts -- the outtake {|Planes|} and the {|Kiki Dee|}-penned {|Sugar on the Floor|} -- which were issued as B-sides to {|Island Girl.|}] ~ Lindsay Planer Music>Music>Pop Rock>Pop Rock>Pop Rock, Universal Distribution Core >3<
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Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sou… Mehr…
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sound. However, the departure of {|Dee Murray|} (bass) and {|Nigel Olsson|} (drums) would ultimately begin a deceleration in terms of John's success, which rivalled only {|the Beatles|}' and {|Elvis Presley|}'s in terms of global acclaim. The revamped band grew to include new associates {|James Newton Howard|} (keyboards) and {|Kenny Passarelli|} (bass) as well as {|Roger Pope|} (drums) and {|Caleb Quaye|} (guitar), who had both performed with John as far back as his first long-player, Empty Sky (1968). He also retained the services of {|Davey Johnstone|} (guitar) and {|Ray Cooper|} (percussion) from the most recent lineup. Musically, Rock of the Westies (1975) maintains the balance of harder-edged material and effective ballads. In fact, one of the album's strongest suits is the wide spectrum of strong material. The ballsy no-nonsense Street Kids and the aggressive gringo rock of the {|ZZ Top|} sound-alike Grown Some Funk of Your Own contrast the poignant power balladry of I Feel Like a Bullet (In the Gun of Robert Ford) or the dark and brooding tale of addiction on Feed Me. Perhaps inspired by the crossover R&B appeal of Philadelphia Freedom, the up-tempo Island Girl bears a distinct and danceable groove that lies somewhere between a slightly Jamaican vibe and disco. Perhaps more soulful in the traditional sense are the boogie-based Hard Luck Story or propulsive {|Bo Diddley|} beat that drives Billy Bones and the White Bird. While the increasingly fickle public as well as lack of a strong follow-up to the chart-topping single Island Girl may have prevented Rock of the Westies from becoming the heir apparent to Captain Fantastic and the Brown Dirt Cowboy, in the wake of John's flawless predecessors it remains a strong and worthwhile entry that also sets the stage for its follow-up, {|Blue Moves|} (1976). [The mid-'90s CD remaster of {|Rock of the Westies|} also includes two supplementary cuts -- the outtake Planes and the {|Kiki Dee|}-penned Sugar on the Floor -- which were issued as B-sides to Island Girl.] Music>Music>Pop Rock>Pop Rock>Pop Rock, Island Core >3<
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new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sou… Mehr…
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sound. However, the departure of {|Dee Murray|} (bass) and {|Nigel Olsson|} (drums) would ultimately begin a deceleration in terms of John's success, which rivalled only {|the Beatles|}' and {|Elvis Presley|}'s in terms of global acclaim. The revamped band grew to include new associates {|James Newton Howard|} (keyboards) and {|Kenny Passarelli|} (bass) as well as {|Roger Pope|} (drums) and {|Caleb Quaye|} (guitar), who had both performed with John as far back as his first long-player, Empty Sky (1968). He also retained the services of {|Davey Johnstone|} (guitar) and {|Ray Cooper|} (percussion) from the most recent lineup. Musically, Rock of the Westies (1975) maintains the balance of harder-edged material and effective ballads. In fact, one of the album's strongest suits is the wide spectrum of strong material. The ballsy no-nonsense Street Kids and the aggressive gringo rock of the {|ZZ Top|} sound-alike Grown Some Funk of Your Own contrast the poignant power balladry of I Feel Like a Bullet (In the Gun of Robert Ford) or the dark and brooding tale of addiction on Feed Me. Perhaps inspired by the crossover R&B appeal of Philadelphia Freedom, the up-tempo Island Girl bears a distinct and danceable groove that lies somewhere between a slightly Jamaican vibe and disco. Perhaps more soulful in the traditional sense are the boogie-based Hard Luck Story or propulsive {|Bo Diddley|} beat that drives Billy Bones and the White Bird. While the increasingly fickle public as well as lack of a strong follow-up to the chart-topping single Island Girl may have prevented Rock of the Westies from becoming the heir apparent to Captain Fantastic and the Brown Dirt Cowboy, in the wake of John's flawless predecessors it remains a strong and worthwhile entry that also sets the stage for its follow-up, {|Blue Moves|} (1976). [The mid-'90s CD remaster of Rock of the Westies also includes two supplementary cuts -- the outtake Planes and the {|Kiki Dee|}-penned Sugar on the Floor -- which were issued as B-sides to Island Girl.] Music>Music>Pop Rock>Pop Rock>Pop Rock, Island Core >3<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Nr. Versandkosten:, 3 - 4 gg, zzgl. Versandkosten, Disponibile spedizione veloce in Italia con corriere espresso (1-2 gg). Verifica costi e condizioni sul sito. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Less than four months after issuing the landmark and autobiographical {|Captain Fantastic and the Brown Dirt Cowboy|} (1975), {|Elton John|} re-emerged with a new band and a slightly modi… Mehr…
Less than four months after issuing the landmark and autobiographical {|Captain Fantastic and the Brown Dirt Cowboy|} (1975), {|Elton John|} re-emerged with a new band and a slightly modified sound. However, the departure of {|Dee Murray|} (bass) and {|Nigel Olsson|} (drums) would ultimately begin a deceleration in terms of {|John|}'s success, which rivalled only {|the Beatles|}' and {|Elvis Presley|}'s in terms of global acclaim. The revamped band grew to include new associates {|James Newton Howard|} (keyboards) and {|Kenny Passarelli|} (bass) as well as {|Roger Pope|} (drums) and {|Caleb Quaye|} (guitar), who had both performed with {|John|} as far back as his first long-player, {|Empty Sky|} (1968). He also retained the services of {|Davey Johnstone|} (guitar) and {|Ray Cooper|} (percussion) from the most recent lineup. Musically, {|Rock of the Westies|} (1975) maintains the balance of harder-edged material and effective {|ballads|}. In fact, one of the album's strongest suits is the wide spectrum of strong material. The ballsy no-nonsense {|Street Kids|} and the aggressive gringo {|rock|} of the {|ZZ Top|} sound-alike {|Grown Some Funk of Your Own|} contrast the poignant power balladry of {|I Feel Like a Bullet (In the Gun of Robert Ford)|} or the dark and brooding tale of addiction on {|Feed Me.|} Perhaps inspired by the crossover {|R&B|} appeal of {|Philadelphia Freedom,|} the up-tempo {|Island Girl|} bears a distinct and danceable groove that lies somewhere between a slightly Jamaican vibe and {|disco|}. Perhaps more soulful in the traditional sense are the boogie-based {|Hard Luck Story|} or propulsive {|Bo Diddley|} beat that drives {|Billy Bones and the White Bird.|} While the increasingly fickle public as well as lack of a strong follow-up to the chart-topping single {|Island Girl|} may have prevented {|Rock of the Westies|} from becoming the heir apparent to {|Captain Fantastic and the Brown Dirt Cowboy|}, in the wake of {|John|}'s flawless predecessors it remains a strong and worthwhile entry that also sets the stage for its follow-up, {|Blue Moves|} (1976). [The mid-'90s CD remaster of {|Rock of the Westies|} also includes two supplementary cuts -- the outtake {|Planes|} and the {|Kiki Dee|}-penned {|Sugar on the Floor|} -- which were issued as B-sides to {|Island Girl.|}] ~ Lindsay Planer Music>Music>Pop Rock>Pop Rock>Pop Rock, Universal Distribution Core >3<
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sou… Mehr…
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sound. However, the departure of {|Dee Murray|} (bass) and {|Nigel Olsson|} (drums) would ultimately begin a deceleration in terms of John's success, which rivalled only {|the Beatles|}' and {|Elvis Presley|}'s in terms of global acclaim. The revamped band grew to include new associates {|James Newton Howard|} (keyboards) and {|Kenny Passarelli|} (bass) as well as {|Roger Pope|} (drums) and {|Caleb Quaye|} (guitar), who had both performed with John as far back as his first long-player, Empty Sky (1968). He also retained the services of {|Davey Johnstone|} (guitar) and {|Ray Cooper|} (percussion) from the most recent lineup. Musically, Rock of the Westies (1975) maintains the balance of harder-edged material and effective ballads. In fact, one of the album's strongest suits is the wide spectrum of strong material. The ballsy no-nonsense Street Kids and the aggressive gringo rock of the {|ZZ Top|} sound-alike Grown Some Funk of Your Own contrast the poignant power balladry of I Feel Like a Bullet (In the Gun of Robert Ford) or the dark and brooding tale of addiction on Feed Me. Perhaps inspired by the crossover R&B appeal of Philadelphia Freedom, the up-tempo Island Girl bears a distinct and danceable groove that lies somewhere between a slightly Jamaican vibe and disco. Perhaps more soulful in the traditional sense are the boogie-based Hard Luck Story or propulsive {|Bo Diddley|} beat that drives Billy Bones and the White Bird. While the increasingly fickle public as well as lack of a strong follow-up to the chart-topping single Island Girl may have prevented Rock of the Westies from becoming the heir apparent to Captain Fantastic and the Brown Dirt Cowboy, in the wake of John's flawless predecessors it remains a strong and worthwhile entry that also sets the stage for its follow-up, {|Blue Moves|} (1976). [The mid-'90s CD remaster of {|Rock of the Westies|} also includes two supplementary cuts -- the outtake Planes and the {|Kiki Dee|}-penned Sugar on the Floor -- which were issued as B-sides to Island Girl.] Music>Music>Pop Rock>Pop Rock>Pop Rock, Island Core >3<
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sou… Mehr…
Less than four months after issuing the landmark and autobiographical Captain Fantastic and the Brown Dirt Cowboy (1975), Elton John re-emerged with a new band and a slightly modified sound. However, the departure of {|Dee Murray|} (bass) and {|Nigel Olsson|} (drums) would ultimately begin a deceleration in terms of John's success, which rivalled only {|the Beatles|}' and {|Elvis Presley|}'s in terms of global acclaim. The revamped band grew to include new associates {|James Newton Howard|} (keyboards) and {|Kenny Passarelli|} (bass) as well as {|Roger Pope|} (drums) and {|Caleb Quaye|} (guitar), who had both performed with John as far back as his first long-player, Empty Sky (1968). He also retained the services of {|Davey Johnstone|} (guitar) and {|Ray Cooper|} (percussion) from the most recent lineup. Musically, Rock of the Westies (1975) maintains the balance of harder-edged material and effective ballads. In fact, one of the album's strongest suits is the wide spectrum of strong material. The ballsy no-nonsense Street Kids and the aggressive gringo rock of the {|ZZ Top|} sound-alike Grown Some Funk of Your Own contrast the poignant power balladry of I Feel Like a Bullet (In the Gun of Robert Ford) or the dark and brooding tale of addiction on Feed Me. Perhaps inspired by the crossover R&B appeal of Philadelphia Freedom, the up-tempo Island Girl bears a distinct and danceable groove that lies somewhere between a slightly Jamaican vibe and disco. Perhaps more soulful in the traditional sense are the boogie-based Hard Luck Story or propulsive {|Bo Diddley|} beat that drives Billy Bones and the White Bird. While the increasingly fickle public as well as lack of a strong follow-up to the chart-topping single Island Girl may have prevented Rock of the Westies from becoming the heir apparent to Captain Fantastic and the Brown Dirt Cowboy, in the wake of John's flawless predecessors it remains a strong and worthwhile entry that also sets the stage for its follow-up, {|Blue Moves|} (1976). [The mid-'90s CD remaster of Rock of the Westies also includes two supplementary cuts -- the outtake Planes and the {|Kiki Dee|}-penned Sugar on the Floor -- which were issued as B-sides to Island Girl.] Music>Music>Pop Rock>Pop Rock>Pop Rock, Island Core >3<
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Detailangaben zum Buch - Rock of the Westies Elton John Artist
EAN (ISBN-13): 0731453243224 Herausgeber: Universal Distribution Core >3
Buch in der Datenbank seit 2017-11-19T12:00:54+01:00 (Berlin) Detailseite zuletzt geändert am 2024-02-04T11:01:45+01:00 (Berlin) ISBN/EAN: 0731453243224
Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: elton john, murray, passarelli, dee brown
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