The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac''s La Comédie humaine to Proust''s À la recherche du temps perdu, by way of (among others) Dumas père''s Le Comte de Monte-Cristo and Leroux''s Le Fantôme de l''Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. | Opera in the Novel from Balzac to Proust by Cormac Newark Hardcover | Indigo Chapters Books > Music & Movies & Performing Arts > Music > Opera P10122, Cormac Newark<
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The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac''s La Comédie humaine to Proust''s À la recherche du temps perdu, by way of (among others) Dumas père''s Le Comte de Monte-Cristo and Leroux''s Le Fantôme de l''Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. Books > Music,Movies & Performing Arts > Music > Opera List_Books, [PU: Cambridge University Press]<
Indigo.ca
new in stock. Versandkosten:zzgl. Versandkosten. Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac''s La Comédie humaine to Proust''s À la recherche du temps perdu, by way of (among others) Dumas père''s Le Comte de Monte-Cristo and Leroux''s Le Fantôme de l''Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. | Opera in the Novel from Balzac to Proust by Cormac Newark Hardcover | Indigo Chapters Books > Music & Movies & Performing Arts > Music > Opera P10122, Cormac Newark<
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary s… Mehr…
The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac''s La Comédie humaine to Proust''s À la recherche du temps perdu, by way of (among others) Dumas père''s Le Comte de Monte-Cristo and Leroux''s Le Fantôme de l''Opéra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience. Books > Music,Movies & Performing Arts > Music > Opera List_Books, [PU: Cambridge University Press]<
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Buch in der Datenbank seit 2011-12-29T11:33:33+01:00 (Berlin) Detailseite zuletzt geändert am 2023-09-11T21:45:27+02:00 (Berlin) ISBN/EAN: 0521118905
ISBN - alternative Schreibweisen: 0-521-11890-5, 978-0-521-11890-3 Alternative Schreibweisen und verwandte Suchbegriffe: Autor des Buches: corma, cormac, proust, flaubert Titel des Buches: proust, balzac, opera
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