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Distortion (Music) - Frederic P. Miller
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Frederic P. Miller:

Distortion (Music) - Taschenbuch

ISBN: 9786130263591

ID: 9786130263591

Fuzzbox, Electric Guitar, Bass Guitar, Synthesizer, Singing, Dynamic Range Compression, Sustain, Noise (Music), Hardcore Punk, Amplifier, Loudspeaker, Link Wray, Fender Musical Instruments Corporation Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a `warm` thickness to the original tone the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, `bite`, `grit`,and `crunch` of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were `doctored` by poking holes into their speaker cones. Distortion (Music): Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a `warm` thickness to the original tone the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, `bite`, `grit`,and `crunch` of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were `doctored` by poking holes into their speaker cones., Alphascript Publishing

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Distortion (Music) - Herausgeber: McBrewster, John, Miller, Frederic P., Vandome, Agnes F.
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Herausgeber: McBrewster, John, Miller, Frederic P., Vandome, Agnes F.:

Distortion (Music) - Taschenbuch

1960, ISBN: 9786130263591

[ED: Softcover], [PU: Alphascript Publishing], Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a "warm" thickness to the original tone; the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, "bite", "grit",and "crunch" of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were "doctored" by poking holes into their speaker cones. 2009. 208 S. Versandfertig in 3-5 Tagen, [SC: 0.00]

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Distortion (Music) - Herausgeber: McBrewster, John, Miller, Frederic P., Vandome, Agnes F.
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Herausgeber: McBrewster, John, Miller, Frederic P., Vandome, Agnes F.:
Distortion (Music) - Taschenbuch

1960

ISBN: 9786130263591

[ED: Softcover], [PU: Alphascript Publishing], Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a "warm" thickness to the original tone; the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, "bite", "grit",and "crunch" of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were "doctored" by poking holes into their speaker cones. 2009. 208 S. Versandfertig in 3-5 Tagen

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Distortion (Music)
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Distortion (Music) - Taschenbuch

2009, ISBN: 9786130263591

[ED: Taschenbuch / Paperback], [PU: Alphascript Publishing], Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a "warm" thickness to the original tone the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, "bite", "grit",and "crunch" of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were "doctored" by poking holes into their speaker cones., [SC: 0.00], Neuware, gewerbliches Angebot

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Distortion (Music)
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Distortion (Music) - Taschenbuch

2009, ISBN: 6130263597

Gebundene Ausgabe, ID: 6071140

Fuzzbox, Electric Guitar, Bass Guitar, Synthesizer, Singing, Dynamic Range Compression, Sustain, Noise (Music), Hardcore Punk, Amplifier, Loudspeaker, Link Wray, Fender Musical Instruments Corporation - Buch, gebundene Ausgabe, 208 S., Beilagen: Paperback, Erschienen: 2009 Alphascript Publishing

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Details zum Buch
Distortion (Music)
Autor:

Herausgeber: McBrewster, John, Miller, Frederic P., Vandome, Agnes F.

Titel:

Distortion (Music)

ISBN-Nummer:

9786130263591

Distortion, also known as overdrive or fuzz, is an effect applied to the electric guitar, the electric bass, and other amplified instruments such as the Hammond organ, synthesizers, and even harmonica and vocals. Accomplished by electronically compressing and/or clipping the input signal, this effect adds sustain and additional harmonics and overtones to the signal, creating a richer sound. The most subtle types of distortion add a 'warm' thickness to the original tone; the more extreme types of distortion range from the noisy, buzzy sound of a late 1960s-era fuzztone pedal to the screaming, 'bite', 'grit',and 'crunch' of a late 1980s thrash-style distortion pedal. Distortion is used across a wide range of musical genres, from the subtle overdrive used in traditional blues to the hard-edged distortion featured in noise music, hardcore punk and metal. Early examples of distortion were often the result of accidents in which the guitar amplifier or its vacuum valves was damaged, or because the amplifiers and speakers were 'doctored' by poking holes into their speaker cones.

Detailangaben zum Buch - Distortion (Music)


EAN (ISBN-13): 9786130263591
ISBN (ISBN-10): 6130263597
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2009
Herausgeber: Alphascript Publishing
208 Seiten
Gewicht: 0,326 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 09.11.2009 21:01:41
Buch zuletzt gefunden am 18.10.2016 00:31:30
ISBN/EAN: 9786130263591

ISBN - alternative Schreibweisen:
613-0-26359-7, 978-613-0-26359-1

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