Mathematics and Computation in Music : First International Conference, MCM 2007, Berlin, Germany, May 18-20, 2007. Revised Selected Papers - Taschenbuch

EAN (ISBN-13): 9783642045783
ISBN (ISBN-10): 3642045782
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2009
Herausgeber: Klouche, Timour, Noll, Thomas, Springer
537 Seiten
Gewicht: 0,836 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 2009-09-10T07:19:42+02:00 (Berlin)
Detailseite zuletzt geändert am 2023-10-12T15:43:26+02:00 (Berlin)
ISBN/EAN: 9783642045783

ISBN - alternative Schreibweisen:
3-642-04578-2, 978-3-642-04578-3
Alternative Schreibweisen und verwandte Suchbegriffe:
Autor des Buches: thomas noll, berlin germany
Titel des Buches: mathematics berlin, communication berlin, science germany, mcm, international computer music conference, mathematics and music

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Daten vom Verlag:

Autor/in: Timour Klouche; Thomas Noll
Titel: Communications in Computer and Information Science; Mathematics and Computation in Music - First International Conference, MCM 2007, Berlin, Germany, May 18-20, 2007. Revised Selected Papers
Verlag: Springer; Springer Berlin
530 Seiten
Erscheinungsjahr: 2009-10-26
Berlin; Heidelberg; DE
Sprache: Englisch
53,49 € (DE)
54,99 € (AT)
59,00 CHF (CH)
Available
XI, 530 p.

BC; Hardcover, Softcover / Sprachwissenschaft, Literaturwissenschaft/Allgemeine und Vergleichende Literaturwissenschaft; Computer-Anwendungen in den Sozial- und Verhaltenswissenschaften; Verstehen; Musik; Orthotonophonium; calculus; gestures; grand piano; harmony; information theory; linear algebra; melodie; music psychology; music theory; musical instruments; musical nalysis; smcm; structure; Digital Humanities; Mathematical Modeling and Industrial Mathematics; Mathematics of Computing; Music; Algebra; Computer-Anwendungen in Kunst und Geisteswissenschaften; Mathematische Modellierung; Mathematik für Ingenieure; Mathematik für Informatiker; Musik; Algebra; EA

Mathematical Modeling and Computation in Music.- Rhythm and Transforms, Perception and Mathematics.- Visible Humour — Seeing P.D.Q. Bach’s Musical Humour Devices in The Short-Tempered Clavier on the Spiral Array Space.- Category-Theoretic Consequences of Denotators as a Universal Data Format.- Normal Form, Successive Interval Arrays, Transformations and Set Classes: A Re-evaluation and Reintegration.- A Model of Musical Motifs.- Melodic Clustering within Motivic Spaces: Visualization in OpenMusic and Application to Schumann’s Träumerei.- Topological Features of the Two-Voice Inventions.- Comparing Computational Approaches to Rhythmic and Melodic Similarity in Folksong Research.- Automatic Modulation Finding Using Convex Sets of Notes.- On Pitch and Chord Stability in Folk Song Variation Retrieval.- Bayesian Model Selection for Harmonic Labelling.- The Flow of Harmony as a Dynamical System.- Tonal Implications of Harmonic and Melodic Tn-Types.- Calculating Tonal Fusion by the Generalized Coincidence Function.- Predicting Music Therapy Clients’ Type of Mental Disorder Using Computational Feature Extraction and Statistical Modelling Techniques.- Nonlinear Dynamics, the Missing Fundamental, and Harmony.- Dynamic Excitation Impulse Modification as a Foundation of a Synthesis and Analysis System for Wind Instrument Sounds.- Non-linear Circles and the Triple Harp: Creating a Microtonal Harp.- Applying Inner Metric Analysis to 20th Century Compositions.- Tracking Features with Comparison Sets in Scriabin’s Study op. 65/3.- Computer Aided Analysis of Xenakis-Keren.- Automated Extraction of Motivic Patterns and Application to the Analysis of Debussy’s Syrinx.- Pitch Symmetry and Invariants in Webern’s Sehr Schnell from Variations Op.27.- Computational AnalysisWorkshop: Comparing Four Approaches to Melodic Analysis.- Computer-Aided Investigation of Chord Vocabularies: Statistical Fingerprints of Mozart and Schubert.- The Irrelative System in Tonal Harmony.- Mathematical Approaches to Music Analysis and Composition.- Mathematics and the Twelve-Tone System: Past, Present, and Future.- Approaching Musical Actions.- A Transformational Space for Elliott Carter’s Recent Complement-Union Music.- Networks.- From Mathematica to Live Performance: Mapping Simple Programs to Music.- Nonlinear Dynamics of Networks: Applications to Mathematical Music Theory.- Form, Transformation and Climax in Ruth Crawford Seeger’s String Quartet, Mvmt. 3.- A Local Maximum Phrase Detection Method for Analyzing Phrasing Strategies in Expressive Performances.- Subgroup Relations among Pitch-Class Sets within Tetrachordal K-Families.- K-Net Recursion in Perlean Hierarchical Structure.- Webern’s Twelve-Tone Rows through the Medium of Klumpenhouwer Networks.- Isographies of Pitch-Class Sets and Set Classes.- The Transmission of Pythagorean Arithmetic in the Context of the Ancient Musical Tradition from the Greek to the Latin Orbits During the Renaissance: A Computational Approach of Identifying and Analyzing the Formation of Scales in the De Harmonia Musicorum Instrumentorum Opus (Milan, 1518) of Franchino Gaffurio (1451–1522).- Combinatorial and Transformational Aspects of Euler’s Speculum Musicum.- Structures Ia Pour Deux Pianos by Boulez: Towards Creative Analysis Using OpenMusic and Rubato.- The Sieves of Iannis Xenakis.- Tonal, Atonal and Microtonal Pitch-Class Categories.- Using Mathematica to Compose Music and Analyze Music with Information Theory.- Mathematical Approaches to Music Theory.- A Diatonic Chord with Unusual Voice-LeadingCapabilities.- Mathematical and Musical Properties of Pairwise Well-Formed Scales.- Eine Kleine Fourier Musik.- WF Scales, ME Sets, and Christoffel Words.- Interval Preservation in Group- and Graph-Theoretical Music Theories: A Comparative Study.- Pseudo-diatonic Scales.- Affinity Spaces and Their Host Set Classes.- The Step-Class Automorphism Group in Tonal Analysis.- A Linear Algebraic Approach to Pitch-Class Set Genera.